It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

    Bound to a feudal lord, a “seigneur,” for three years in exchange for land, they become wood-cutters—barkskins. René suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman and their descendants live trapped between two inimical cultures. But Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China, and New Zealand, under stunningly brutal conditions—the revenge of rivals, accidents, pestilence, Indian attacks, and cultural annihilation. Over and over again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face to face with possible ecological collapse.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    The book quickly won a respected readership and later an audience for the movie with the same name starring Paul Newman and Jackie Gleason. The Hustler is about the victories and losses of one "Fast" Eddie Felson, a poolroom hustler who travels from town to town conning strangers into thinking they could beat him at the game when in fact, he is a skillful player who has never lost a game. Until he meets his match in Minnesota Fats, the true king of the poolroom, causing his life to change drastically. This is a classic tale of a man's struggle with his soul and his self-esteem.

    In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved.This fiftieth-anniversary edition commemorates Joseph Heller’s masterpiece with a new introduction by Christopher Buckley; a wealth of critical essays and reviews by Norman Mailer, Alfred Kazin, Anthony Burgess, and others; rare papers and photos from Joseph Heller’s personal archive; and much more. Here, at last, is the definitive edition of a classic of world literature.

    Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    There, in the 'green mansions' of the title, Abel encounters the wood-nymph Rima, the last survivor of a mysterious aboriginal race. The love that flowers between them is soon overshadowed by cruelty and sorrow... One of the acknowledged masters of natural history writing, W. H. Hudson forms an important link between nineteenth-century Romanticism and the twentieth-century ecological movement.First published in 1904 and a bestseller after its reissue a dozen years later, Green Mansions offers its readers a poignant meditation on the loss of wilderness, the dream of a return to nature, and the bitter reality of the encounter between savage and civilized man.

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    First published in 1949, as America was still basking in the glories of the Allied victory, it altered forever the popular perception of warfare.Focusing on the experiences of a fourteen-man platoon stationed on a Japanese-held island in the South Pacific during World War II, and written in a journalistic style, it tells the moving story of the soldiers' struggle to retain a sense of dignity amidst the horror of warfare, and to find a source of meaning in their lives amisdst the sounds and fury of battle.

    Her loving parents, both fervent radicals, fill her with the fiercely bright hope of a new and better world. But as the deprivations of war and depression take a ruthless toll, Davita unexpectedly turns to the Jewish faith that her mother had long ago abandoned, finding there both a solace for her questioning inner pain and a test of her budding spirit of independence.From the Paperback edition.

    Murderously urbane, it depicts the breakup of a marriage in the London gentry, where the errant wife suffers from terminal boredom, and becomes enamoured of a social parasite and professional luncheon-goer.

    Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations. Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers and critics including Anthony Burgess and Frank Kermode.Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.'Last Exit to Brooklyn will explode like a rusty hellish bombshell over America, and still be eagerly read in 100 years'Allen Ginsberg'An urgent tickertape from hell'Spectator

    M. Forster about social conventions, codes of conduct and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

    On the way their ship is set upon by pirates, and the children are accidentally transferred to the pirate vessel. Jonsen, the well-meaning pirate captain, doesn't know how to dispose of his new cargo, while the children adjust with surprising ease to their new life. As this strange company drifts around the Caribbean, events turn more frightening and the pirates find themselves increasingly incriminated by the children's fates. The most shocking betrayal, however, will take place only after the return to civilization.The swift, almost hallucinatory action of Hughes's novel, together with its provocative insight into the psychology of children, made it a best seller when it was first published in 1929 and has since established it as a classic of twentieth-century literature - an unequaled exploration of the nature, and limits, of innocence.