Part 1, Life and Times, traces Larkin’s early years and follows his development, within his career as a university librarian, into one of the most important and popular voices in twentieth-century poetry. Part 2, Artistic Strategies, explores a range of methodologies and aesthetic influences by which Larkin was able to create poetry at once both accessible and profound. Part 3, Reading Larkin, provides detailed critical commentary on many of the poems from his three major collections, The Less Deceived, The Whitsun Weddings and High Windows. Part 4, Reception, outlines the history of Larkin’s reputation from the mid-1950s to the present, examining the debates and ideological confrontations to which his poetry has given rise.BEWARE FAKE REVIEWS ON AMAZON.COM. ****Five Star Reviews on Amazon UK*****Insightful Assessment of a still under-rated Poet. I found this book gripped me from the start. Confirming some things I though I knew, illuminating areas I knew little about and flatly contradicting some misconceptions, the book is insightful, sympathetic and, of course, literate. Here is the real Larkin - a poet I admired more than liked, revealed to be more interesting and accomplished than I knew. By RoyAn Excellent Larkin Teacher provides a great insight into the Poet and his Times. This book reflects great scholarship. Mr Gilroy is a dedicated and insightful reader of Larkin and I recommend this book simply because it has made Larkin one of my favorite poets. By Alexandros Alexandropoulos

    People living happy lives, some not-so-happy lives, people in love, hopeless romantics, people dealing with heartbreak, the ones who believe life is better with a bit of whimsy, this book, hopefully, has a little something that resonates with everybody, lets the reader find the silver lining when needed and discover the joie de vivre even when times are hard.

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    

    Now, a whole new batch of teen writers has emerged with their own unique voices. Leave This Song Behind features the best poetry submitted by those writers to Teen Ink over the last five years. The pieces in this book were chosen because they were so powerful that they stood out from the rest. Teen Ink editors took a deep look into each poem's strengths then divided Leave This Song Behind into seven sections based on the poetic techniques or qualities that moved them most. Vivid sensory details made some poems shine; others caught their attention with simple, sparse language. Still others were chosen because of their thoughtful use of form; compelling stories; strong figurative language; unexpected connections and wit; and fresh writing about familiar topics. Dig in and let these brave young voices capture your heart and mind with their passion, their pain, and their amazing poetry!

    Shel Silverstein's three best-selling, beloved poetry collections -- "Where the Sidewalk Ends," "A Light in the Attic," and "Falling Up" -- are now available together for the first time in exclusive smaller editions in a beautifully designed slipcased box set.

    

    17 short stories and 8 poems by a Malaysian National Laureate, focusing more on his satirical, passionate and 'naughty' works.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    Here refugees listen to relaxation tapes that create an Arcadia out of tires and bleach. Here the alphabet spells out disaster and devours children. Here plate tectonics birth a misery rift, spinning loved ones away from each other across an uncaring sea. And here the cosmos--and Cosmos, as Carl Sagan's hopeful words are fissured by erasure--yawns wide.Wilder is grimly visceral but also darkly sly; it paints its world in shades of neon and rust, and its apocalypse in language that runs both sublime and matter-of-fact. "Some of us didn't have lungs left," writes Wahmanholm. "So when we lay beneath the loudspeaker sky--when we were told to pay attention to our breath--we had to improvise." The result is a debut collection that both beguiles and wounds, whose sky is "black at noon, black in the afternoon."

    the kind with the windows down, music up, and the night sky above you. The kind that slowly opens you up, allowing you to feel all of the emotions you've been holding in for so long and somehow helps you feel alive again. The kind that helps you appreciate the night sky again.

    It is the story of the avaricious rich merchant Dhona, the poor lad Dukhey, and his mother; it is also the story of Dokkhin Rai, a mighty spirit who appears to humans as a tiger, of Bon Bibi, the benign goddess of the forest, and her warrior brother Shah Jongoli.The original print version of this legend, dating back to the nineteenth century, is composed in a Bengali verse meter known as dwipodi poyar. Jungle Nama is a free adaptation of the legend, told entirely in a poyar-like meter of twenty-four syllable couplets that replicate the cadence of the original.The first-ever book in verse by Amitav Ghosh, Jungle Nama evokes the wonder of the Sundarban through its poetry, accompanied by stunning artwork by the renowned artist Salman Toor. This is an illuminated edition of a fabulous folk tale that every book lover will want to possess.

    The first collection of the texts by one of the world's leading and most controversial performance artists

    The poet trains to hear clearly and, as much as possible, without interruption, the voice of his or her mind, the voice that gathers, packs with meaning, and unpacks the language he or she knows. It can take a long time to learn to let this voice speak without getting in its way. This slow learning, the growth of this habit of inner attentiveness, is poetic development, and it is the substance of the poet’s art. Of course, this growth is rarely steady, never linear, and is sometimes not actually growth but diminishment—that’s all part of the compelling story of a poet’s way forward. —from the Introduction“The staggering thing about a life’s work is it takes a lifetime to complete,” Craig Morgan Teicher writes in these luminous essays. We Begin in Gladness considers how poets start out, how they learn to hear themselves, and how some offer us that rare, glittering thing: lasting work. Teicher traces the poetic development of the works of Sylvia Plath, John Ashbery, Louise Glück, and Francine J. Harris, among others, to illuminate the paths they forged—by dramatic breakthroughs or by slow increments, and always by perseverance. We Begin in Gladness is indispensable for readers curious about the artistic life and for writers wondering how they might light out—or even scale the peak of the mountain.

    in celebration of the imperfect, charming & peculiar, wilder explores the art of adventure and leaves it to be found in the palms of your hands._______________wild is she was created with beautiful intention, filled with over 200 pages of full colour imagery resting between a large hardcover exterior design - meant to be held and loved over and over again.