When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary. The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

    His feats of strength, his passion for life, and, most importantly, his inadvertant success in bringing rain have made him a god-like figure among the tribes.

    Fleeing from an America he sees as mired in materialism and conformity, he hopes to rediscover a purer life. But his utopian experiment takes a dark turn when his obsessions lead the family toward unimaginable danger.

    Of sorts.At dusk he lights the candelabrum, creating an island of light in the centre of the room, animating the faces of the two dressed mannequins, glinting off the cutlery, the long array of glasses, the cellophane wrappers on the biscuits, the chocolate's silver foil. And the margins of the room are lost in the murk, might as well not exist. Richard smiles at the effect, at the little oasis of festivity and commemoration in a wide dark world. Christchurch, days after the February 2011 earthquake. Richard hides, with a lost dog, in an abandoned, leaning hotel. Annie returns from England, seeking a lost father in her battered home town. Vince relives the most significant emotional experience of his life. What binds these lives together, and what tore them apart?Joe Bennett's first novel is the work of a superb writer at the top of his game.

    In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."

    A group of white-collar deadbeats attend a swinger’s party in the era of drunk Muldoon. A pervasive smell seeps through the walls of a German housing block. A seabird performs at an open-mic night.Bug Week is a scalpel-clean examination of male entitlement, a dissection of death, an agar plate of mundanity. From 1960s Wellington to post-Communist Germany, Bug Week traverses the weird, the wry and the grotesque in a story collection of human taxonomy.

    But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

    Reluctantly agreeing to marry Mrs Haze just to be close to Lolita, Humbert suffers greatly in the pursuit of romance; but when Lo herself starts looking for attention elsewhere, he will carry her off on a desperate cross-country misadventure, all in the name of Love. Hilarious, flamboyant, heart-breaking and full of ingenious word play, Lolita is an immaculate, unforgettable masterpiece of obsession, delusion and lust.

    At his peak he published the country’s finest literary journal on the smell of an oily rag from a falling-down house overflowing with books, long-haired children and chickens – an island of nonconformity in the heart of 1970s Auckland suburbia. Yet when Robin’s uncompromising integrity tipped into something much more self-destructive, a dark shadow fell over his career and personal life.In My Father’s Island, Adam Dudding writes frankly about the rise and fall of an unconventional cultural figure. But this is also a moving, funny and deeply personal story of a family, of a marriage, of feuds and secret loves – and of a son’s dawning understanding of his father.

    The lush and sensuous series consists of Justine(1957) Balthazar(1958) Mountolive(1958) Clea(1960).Justine, Balthazar and Mountolive use varied viewpoints to relate a series of events in Alexandria before World War II. In Clea, the story continues into the years during the war. One L.G. Darley is the primary observer of the events, which include events in the lives of those he loves, and those he knows. In Justine, Darley attempts to recover from and put into perspective his recently ended affair with a woman. Balthazar reinterprets the romantic perspective he placed on the affair and its aftermath in Justine, in more philosophical and intellectual terms. Mountolive tells a story minus interpretation, and Clea reveals Darley's healing, and coming to love another woman.

    It is a horrifying yet restrained narrative of the Holocaust. It is a searing vision of the wounds of our century, and an attempt to heal them. Interweaving poetry and case history, fantasy and historical truth-telling, The White Hotel is a modern classic of enduring emotional power that attempts nothing less than to reconcile the notion of individual destiny with that of historical fate.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    As reported by a much-followed columnist and awarded journalist, these rich, fascinating, and occasionally disturbing stories of settlements follow people living throughout New Zealand, from Kawakawa in the north to Mosgiel in the south, and Samoa and Antarctica overseas. Funny, moving, and at times terrifying, this book provides a platform from which New Zealand reveals itself and proves that rarely are people and places as they first appear.

    A family torn apart. A decision that could change everything.Berlin, 1939. Fourteen year old Simon Horowitz is awash in a world of music. His family owns a superb collection of instruments and at its heart is his father's 1742 Guarneri de Gesu violin. But all is lost when the Nazis march across Europe and Simon and his father and brother are sent to Dachau. Amid unimaginable cruelty and death, Simon finds kindness from an unexpected corner, and a chance to pick up a violin again and a chance to live.In the present day, orchestra conductor Rafael Gomez has seen much in his time on the world's stage, but he finds himself oddly inspired by the playing of an aspiring violin virtuoso, a fantastic talent who is only just fourteen. Then the boy, Daniel Horowitz, suddenly refuses to play another note, and Rafael knows he'll do anything he can to change that. When he learns the boy's family once owned a precious violin, believed to have been lost forever, Rafael thinks he might know exactly how to get Daniel playing again. In taking on the task he discovers a family story like no other that winds from World War II and Communist Russia all the way to Rafael's very own stage.

    Journalist Edward Malone, rejected by the woman he loves because he is too prosaic, decides to go in search of adventure and fame to prove himself worthy of her. Soon after, he meets Professor George Challenger, a scientist who claims to have discovered a 'lost world' populated by pterodactyls and other prehistoric monsters.