She said she thought she could do that simply by wearing a wedding dress. I wasn't interested in the grace or foolishness of her intentions; what interested me was that she hoped this gesture would be enough to mend something that was so out of proportion with it - and that she did not make it. Can a white dress ever be enough to make amends for the world's torments? Probably no more than words can ever be enough to do justice to a weeping mother.'- Nathalie Leger On 8 March 2008 the Italian performance artist Pippa Bacca set out to hitchhike from Milan to Jerusalem in a wedding dress, documented with a video camera. On 31 March her body was found in woods on the outskirts of Istanbul. In telling the young woman's story, which overwhelms her and inexorably draws her in, Leger recounts the different stages of her research and the writing of the book. She strikes upon something fundamental within Bacca's performance: the desire to remedy the unfathomable nature of violence and war. Ultimately, she must face up to the failure of the young woman's endeavour. As she surveys the terrain of performance art and continues her examination of portrayals of the female condition, as in her earlier books, Leger explores the existential mystery and harsh truths expressed in Bacca's work, and that of other performance artists. The White Dress closes what is now regarded as a trilogy that begins with Exposition and is followed by Suite for Barbara Loden.

    Invented and played by such artists as André Breton, Rene Magritte, and Max Ernst, these gems still produce results ranging from the hilarious to the mysterious and profound.

    Born in the North London suburbs, his parents, Harold and Connie, both teachers, first met as teenage Communists in the 1930s Jewish East End. The family home was filled with stories of relatives in London, the United States and France and of those who had disappeared in Europe.Unlike the children around them, Rosen and his brother Brian grew up dreaming of a socialist revolution; Party meetings were held in the front room, summers were for communist camping holidays, till it all changed after a trip to East Germany, when in 1957 his parents decided to leave “the Party.” Michael followed his own journey of radical self-discovery: running away to the Aldermaston March to ban the bomb, writing and performing in experimental political theatre, getting arrested during the 1968 movements.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    Although not autobiographical in any usual sense, the book is profoundly personal. Valery said he could not imagine the existence of the novel, vet he could not resist the character living in his mind. On the one hand. Monsieur Teste reflects Valery's preoccupation with the phenomenon of a mind detached from sensibility; on the other, he is an ordinary fictional character seen from many viewpoints. This volume also includes '"The Snapshots of Monsieur Teste, " excerpts from Valery's Notebooks.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Abandoned by his parents at an early age and raised by a foster father, later imprisoned, chained and tortured, somehow Villon survived to write one of the most enduring epics ever. Louis Simpson, winner of the Pulitzer Prize in poetry, is the author of several books of poetry and criticism. He has received a number of prestigious awards throughout his career, including the Prix de Rome, fellowships from the Guggenheim Foundation, and the Columbia Medal for Excellence. Louis Simpson lives in Setauket, New York.

    Critics have compared his work to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. Allen Ginsberg called Michaux “genius,” and Jorge Luis Borges wrote that Michaux’s work “is without equal in the literature of our time.” This anthology contains substantial selections from almost all of Michaux’s major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a twentieth-century visionary.

    It has been out of print for many years and until the release of this brand new edition was as rare as hen's teeth, with some old copies fetching prices of up to USD $600.00. This new edition features a beautiful new cover and has been revised and updated by the author. Know this: I, Mercurius, have set down a full, true and infallible account of the Great Work. But I give you fair warning that unless you seek the true philosophical gold and not the gold of the vulgar; unless your heart is fixed with unbending intent on the true Stone of the Philosophers, unless you are steadfast in your quest, abiding by God s laws in all faith and humility and eschewing all vanity, conceit, falsehood, intemperance, pride, lust and faintheartedness, read no further lest I prove fatal to you. In 1952 a country clergyman called Smith begins his tortuous quest for the Holy Grail of alchemy - the Philosophers' Stone which transmutes base metal to gold and confers immortality. As he pits himself against the bizarre perils of the GreatWork, it becomes clear that his arcane transformations are as much spiritual as chemical. Gradually the shadow of alchemy falls over those around him; a young girl whose sudden pregnancy is a local scandal; Janet, trapped in a barren marriage; and Robert who pursues his own quest for the legendary blue glass of Chartres. Thirty years later, Eileen comes to live in Smith's vicarage. In the medieval cellar she unearths a hidden manuscript and begins to read of secret fire and mysterious prime matter, a green lion and a raven's head, a fatal conjunction of king and queen, a descent into Blackness and putrefaction. As she penetrates farther into the alchemical labyrinth, she is haunted both by her own history and by that of her neighbours, the menacing Mrs Zetterberg and the disfigured Pluto - and, finally, by the enigma of Smith himself. In separate but interwoven accounts, Smith and Eileen strive towards the one thing necessary for the Work's success -the great Secret guarded by the paradoxical Mercurius, who leads them to the zero point where Heaven is wedded to Earth and the miraculous Stone appears at the intersection of time and eternity. By reconstructing a highly sophisticated but almost forgotten world-view, Mercurius restores to us our own spiritual heritage which, rooted in the alchemists' dark retorts, will perhaps flower in the light of the future.

    In a dazzling narrative constellation, Beach’s characters contend with the strange and terrible and beautiful in life, and no outcome is certain. Begun as a series of Facebook status updates, 420 Characters marks a new turn in an acclaimed artist and illustrator’s career, and features original collages by the author.

    Their conversation, one of the most illuminating and insightful looks into MirO's philosophy and creative process, was first published in a limited edition of seventy five copies in 1964. Though long out of print, this bilingual "treasure," in the words of Maria Popova, "remains the most direct and comprehensive record of MirO's ideas on art." This beautiful new edition presents an updated English translation of MirO's invaluable text in an elegant and striking package. In addition to Taillandier's original foreword, a new preface by preeminent MirO scholar Robert Lubar provides wider context and insight. An appendix includes the original French text in its entirety. Joan MirO I Work Like a Gardener brings to life the words and work of one of the most beloved and influential artists of the twentieth century.

    For Foucault this was "by far the book I wrote most easily and with the greatest pleasure". Here, Foucault explores theory, criticism and psychology through the texts of Raymond Roussel, one of the fathers of experimental writing, whose work has been celebrated by the likes of Cocteau, Duchamp, Breton, Robbe Grillet, Gide and Giacometti.This revised edition includes an Introduction, Chronology and Bibliography to Foucault's work by James Faubion, an interview with Foucault, conducted only nine months before his death, and concludes with an essay on Roussel by the poet John Ashbery.

    Made after an original copy in the collection of the Beinecke Rare Book and Manuscript Library at Yale University, the replica makes a modernist icon available to collectors, teachers, and others with an interest in poetry, art, and book making.Blaise Cendrars' narrative about his life-changing journey on the Trans-Siberian Railway is a poem of memory and movement. Sonia Delaunay's designs create a parallel path as the reader slips down the palette while swimming through a river of words. Curator Timothy Young provides a new English translation accompanied by notes.

    Shattuck focuses on the careers of Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire, using the quartet as window into the era as he explores a culture whose influence is at the very foundation of modern art.

    Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.In a work that is in various degrees biography, criticism, and sheer poetry, Simic tells the story of Cornell’s life and illuminates the hermetic mysteries of his extraordinary boxes–objects in which private obsessions were alchemically transformed into enduring works of art. Simic sees Cornell’s work as exemplifying a distinctively American aesthetic, open to the world, improvisatory, at once homemade and universal, modest and teasing and profound. Full of unexpected riches, Dime-Store Alchemy is both an entrancing meditation on the nature of art and a perfect introduction to a major American artist by one of his peers–a book that can be perused at length or dipped into at leisure again and again.