This Very Short Introduction tells the story of Chinese literature from antiquity tothe present, focusing on the key role literary culture played in supporting social and political concerns. Embracing traditional Chinese understandings of literature as encompassing history and philosophy as well as poetry and poetics, storytelling, drama, and the novel, Sabina Knight discusses thephilosophical foundations of literary culture as well as literature's power to address historical trauma and cultivate moral and sensual passions. From ancient historical records through the modernization and globalization of Chinese literature, Knight draws on lively examples to underscore theclose relationship between ethics and aesthetics, as well as the diversity of Chinese thought. Knight also illuminates the role of elite patronage; the ways literature has served the interests of specific groups; and questions of canonization, language, nationalism, and cross-cultural understanding.The book includes Chinese characters for names, titles, and key terms.

    Sledge's story in the HBO miniseries The Pacific !China Marine is the extraordinary sequel to E.B. Sledge's memoir, With the Old Breed, which remains the most powerful and moving account of the U.S. Marines in World War II. Sledge continues his story where With the Old Breed left off and recounts the compelling conclusion of his Marine career.After Japan's surrender in 1945, Sledge and his company were sent to China to maintain order and to calm the seething cauldron of political and ideological unrest created by opposing factions. His regiment was the first Marine unit to return to the ancient city of Peiping (now Beijing) where they witnessed the last of old China and the rise of the Communist state. Sledge also recounts the difficulty of returning to his hometown of Mobile, Alabama, and resuming civilian life while haunted by shadows of close combat. Through the discipline of writing and the study of biology, he shows how he came to terms with the terrifying memories that had plagued him for years.Poignant and compelling, China Marine provides a frank depiction of the real costs of war, emotional and psychological as well as physical, and reveals the enduring bond that develops between men who face the horrors of war.

     She is desperately excited to explore not only the foreign land with all its alien culture but also the role of a wife and all the pleasures that come with it… In no time at all Constance is shocked on both accounts. China stuns her with its barbaric and improper behaviour which, almost against her will, begins to tease her imagination. At the same time, Mr Henry Baird, despairing of his sinful desires, proves unable to indulge Constance’s wishes. The marriage, failing from the beginning, spirals further and further out of control as Constance, aided by her only ally Kate, inadvertently becomes a famous ‘Devil Woman’ throughout the region and faces an audience with the Empress herself. As her new life unfolds, Constance finds herself tortured by desire, teetering on the edge of love and caught up in a dangerous whirlwind of international politics. She ricochets between the Chinese extremes of complete intimacy and deadly violence as they head slowly into war. What does ‘The Crimson Pagoda’ promise? ‘The Crimson Pagoda’ is a gripping and engaging historical romance by a master of the genre. Praise for Christopher Nicole: ‘Well-researched…Evocative descriptions of scenery and edifices, and exact period dialogue’ – Historical Novels Society Christopher Nicole was born and brought up in British Guyana and the West Indies. His output of books has been prolific and many of his novels are historical with a Caribbean background.

    Through half a dozen sharply etched and nuanced profiles, Tide Players captures both the concrete detail and the epic dimension of life in the world’s fastest-growing economy.Zha’s vivid cast of characters includes an unlikely couple who teamed up to become the country’s leading real-estate moguls; a gifted chameleon who transformed himself from Mao’s favorite “barefoot doctor” during the Cultural Revolution to a publishing maverick; and a tycoon of home-electronic chain stores who insisted on avenging his mother, who had been executed as “a counter-revolutionary criminal.” Alongside these entrepreneurs, Zha also brings us the intellectuals: a cantankerous professor at China’s top university; a former cultural minister turned prolific writer; and Zha’s own brother, a dissident who served a nine-year prison term for helping to found the China Democracy Party.Deeply engaging, lucid, and poignant, Zha’s insightful “insider-outsider” portraits offer a picture of a China that few Western readers have seen before. Tide Players is essential reading for anyone seeking to understand today’s China.

    This is the most complete and authoritative account of the childhood and tumultuous life of Jiang Qing, from her early years as an aspiring actress to her marriage and partnership with Mao Zedong, the controversial years of power after Mao's death, her final years of disgrace and imprisonment, and her suicide in 1991.

    This is not in dispute. By exactly what mechanism has China managed to grow so fast? There is more room for debate on this question. A widespread view is that private entrepreneurship, financial liberation, and political reforms played a minor role in explaining China's economic takeoff. Based on archival research and survey data, this book offers an alternative view: Private entrepreneurship, facilitated by access to capital and microeconomic flexibility, was at the center of China's takeoff in the 1980s. The political system, then as now, was authoritarian, but it was moving in a liberal direction. China lacked well-specified property rights, but it substantially improved security of proprietors. But given this initial success, how then to explain the substantial distortions in Chinese economy today? The key to getting the China story right is to recognize the existence of two Chinas - an entrepreneurial rural China and a state-controlled urban China. In the 1980s, rural China gained the upper hand, and the result was rapid as well as broad-based growth. In the 1990s, urban China triumphed when the Chinese state reversed many of the productive rural experiments of the previous decade. While this reversal does not show up in the GDP numbers, it shows up in the welfare implications of growth. Since the early 1990s, household income has lagged behind economic growth and the labor share of GDP has fallen. Social performance has deteriorated. The directional liberalism of China in the 1980s and the emerging India miracle today debunk the widespread notion that democracy is automatically anti-growth. As the country marks its 30th anniversary of reforms in 2008, China faces some of its toughest economic challenges and vulnerabilities. The long overdue political reforms are required to improve governance and accountability and to put China on a sustainable path of development.Professor Yasheng Huang teaches political economy international management at the Sloan School of Management, Massachusetts Institute of Technology. He previously held faculty positions at the University of Michigan and at the Harvard Business School and as a consultant at the World Bank. He has published Inflation and Investment Controls in China (1996), FDI in China (1998), and Selling China (2003; Chinese version in 2005). His work on FDI in China has been featured in the Wall Street Journal, the Economist, Bloomberg, Businessworld, Le Monde, Economic and Political Weekly, and Economic Times, as well as in Chinese publications such as Nanfang Zhoumo, Nanfang Dushibao, Economic Observer, Global Entrepreneur, China Entrepreneur, Fortune Weekly, 21st Century Business Herald, Liangwang, and Xinhuanet. In addition to academic journal articles, he has written for Financial Times, Foreign Policy, and New York Times. In collaboration with other scholars, Professor Huang is conducting research on education and human capital in China and India, and non-performing loans, privatization, and entrepreneurship in China. At MIT, Professor Huang runs a "China Lab" and an "India Lab" that help entrepreneurial businesses in China and in India improve their management."Yasheng Huang is an insightful scholar of China's political economy. In this important book, he shows how China's rural economy took off in the 1980s, led by 'township and village enterprises' that were essentially private, only to be ignored in the 1990s by state-led development that focused on urban regions such as Shanghai. The 'Shanghai miracle,' he argues - and as any businessman who has worked there knows - was not the simple triumph of capitalism but of a stronger and more intrusive (and effective) state. If one wants to understand the policy origins of China's growing divide between rich and poor, urban and rural, one need look no further than this book." - William Kirby, Harvard University"Sure to generate a lively debate, Professor Huang's study provides a provocative and well-researched challenge to much current thinking on China's economic development. The widely shared gains of the 1980s have not been matched in more recent years. Danger signs include the stagnation in household incomes, growing inequality and illiteracy, and heightened governance problems. Huang argues that China will not be able to continue to grow unless the benefits of growth are widely shared through fundamental political and legal reforms." - Susan Rose-Ackerman, Yale Law School

    Defying a brutal Kuomintang officer, she is swept to an electrifying first meeting with Dr. Jen Yong, a handsome, dedicated and compassionate Chinese surgeon. For Yong, a sexual liaison with an American woman could mean a death sentence. For Stephanie, an affair with an Asian man would cause an irreparable breach with her Texas millionaire father. But just when dangers to threatens to separate them forever, their passion bursts into flame, and carries them on a fabulous romantic journey from the stormy depths of fear and desire, to the moving affirmation that enduring love is truly a many-splendored thing

    While stories of newly built but empty cities, white elephant state projects, and a byzantine shadow banking system, have all become a regular fixture in the press in recent years, McMahon goes beyond the headlines to explain how such waste has been allowed to flourish, and why one of the most powerful governments in the world has been at a loss to stop it.Through the stories of ordinary Chinese citizens, McMahon tries to make sense of the unique--and often bizarre--mechanics of the Chinese economy, whether it be the state's addiction to appropriating land from poor farmers; or why a Chinese entrepreneur decided it was cheaper to move his yarn factory to South Carolina; or why ambitious Chinese mayors build ghost cities; or why the Chinese bureaucracy was able to stare down Beijing's attempts to break up the state's pointless monopoly over the distribution of table salt.Debt, entrenched vested interests, a frenzy of speculation, and an aging population are all pushing China toward an economic reckoning. China's Great Wall of Debt unravels an incredibly complex and opaque economy, one whose fortunes--for better or worse--will shape the globe like never before.

    Today it is a force on the global stage, and yet its leaders have continued to be haunted by the past. Drawing on an array of sources, Sulmaan Wasif Khan chronicles the grand strategies that have sought not only to protect China from aggression but also to ensure it would never again experience the powerlessness of the late Qing and Republican eras.The dramatic variations in China’s modern history have obscured the commonality of purpose that binds the country’s leaders. Analyzing the calculus behind their decision making, Khan explores how they wove diplomatic, military, and economic power together to keep a fragile country safe in a world they saw as hostile. Dangerous and shrewd, Mao Zedong made China whole and succeeded in keeping it so, while the caustic, impatient Deng Xiaoping dragged China into the modern world. Jiang Zemin and Hu Jintao served as cautious custodians of the Deng legacy, but the powerful and deeply insecure Xi Jinping has shown an assertiveness that has raised both fear and hope across the globe.For all their considerable costs, China’s grand strategies have been largely successful. But the country faces great challenges today. Its population is aging, its government is undermined by corruption, its neighbors are arming out of concern over its growing power, and environmental degradation threatens catastrophe. A question Haunted by Chaos raises is whether China’s time-tested approach can respond to the looming threats of the twenty-first century.

    Since then, this idea has been constantly propagated for the benefit of the international community. For many living in the vast country, however, the old Chinese adage holds true: “the mountains are high and the emperor is far away.” Few Westerners make it far beyond the major cities—the Chinese government has made it difficult to do so. David Eimer undertook a dangerous journey to China’s unexplored frontiers (it borders on fourteen other countries), to the outer reaches where Beijing's power has little influence. His chronicle shines new light on the world’s most populous nation, showing clearly that China remains in many ways a divided state. Traveling through the Islamic areas of Xinjiang province, into the forbidden zone of Tibet and across Route 219, which runs the rough boundary shared with India, the only disputed frontier in China, Eimer exposes the country’s inner conflict. All the tensions in China today—from its war against drugs and terrorism and the unstable relationships it maintains with Russia and Korea to its internal social issues—take on new meaning when seen from China’s most remote corners. A brilliant melding of journalism and history, The Emperor Far Away is essential reading for anyone interested in contemporary China.

    It turned what had been a Japanese imperialist adventure in China into a general war between the two oldest and proudest civilizations of the Far East. Ultimately, it led to Pearl Harbor and to seven decades of tumultuous history in Asia. The Battle of Shanghai was a pivotal event that helped define and shape the modern world. In its sheer scale, the struggle for China’s largest city was a sinister forewarning of what was in store only a few years later in theaters around the world. It demonstrated how technology had given rise to new forms of warfare and had made old forms even more lethal. Amphibious landings, tank assaults, aerial dogfights, and—most important—urban combat all happened in Shanghai in 1937. It was a dress rehearsal for World War II—or, perhaps more correctly, it was the inaugural act in the war, the first major battle in the global conflict. Actors from a variety of nations were present in Shanghai during the three fateful autumn months when the battle raged. The rich cast included China’s ascetic Generalissimo Chiang Kai-shek and his Japanese adversary, General Matsui Iwane, who wanted Asia to rise from disunity, but ultimately pushed the continent toward its deadliest conflict ever.

    He is considered "a modern saint" who offered protection to his people during the Cultural Revolution; an admirable figure in an otherwise traumatic and bloody era. Works about Zhou in China are heavily censored, and every hint of criticism is removed—so when Gao Wenqian first published this groundbreaking, provocative biography in Hong Kong, it was immediately banned in the People's Republic. Using classified documents spirited out of China, Gao Wenqian offers an objective human portrait of the real Zhou, a man who lived his life at the heart of Chinese politics for fifty years, who survived both the Long March and the Cultural Revolution not thanks to ideological or personal purity, but because he was artful, crafty, and politically supple. He may have had the looks of a matinee idol, and Nixon may have called him "the greatest statesman of our era," but Zhou's greatest gift was to survive, at almost any price, thanks to his acute understanding of where political power resided at any one time.

    Believing he was divinely protected, Genghis united warring clans to create a nation and then an empire that ran across much of Asia.Under his grandson, Kublai Khan, the vision evolved into a more complex religious ideology, justifying further expansion. Kublai doubled the empire's size until, in the late 13th century, he and the rest of Genghis's 'Golden Family' controlled one fifth of the inhabited world. Along the way, he conquered all China, gave the nation the borders it has today, and then, finally, discovered the limits to growth.Genghis's dream of world rule turned out to be a fantasy. And yet, in terms of the sheer scale of the conquests, never has a vision and the character of one man had such an effect on the world.Charting the evolution of this vision, John Man provides a unique account of the Mongol Empire, from young Genghis to old Kublai, from a rejected teenager to the world's most powerful emperor.

    Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, the Oxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakthrough in the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.

    This is volume one of the Understanding China Through Comics series.Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.