The youngest daughter, Kieks, joined the Resistance, delivering illegal newspapers, guiding British parachutists around The Hague and preparing safe houses for Special Forces who were dropped in from England. As the War continued, she fell in love with a Resistance commander, and worked with him to rescue wounded colleagues, steal weapons from German arms dumps and move weapons around the country. They had a tumultuous parting and she continued her work, acting as a courier with a two hundred km bike ride to the north of Holland. When she returned home, she appreciated how much the war had changed her and her boyfriend, and prepared to try a reconciliation.She escaped a firing squad four times, and survived the war, mentally scarred by her experiences. She sought help, but the help she was offered came in a poisoned chalice, and she kept her secret to herself for almost fifty years.Her family in Holland was recognised by Yad Vashem, the Israeli organisation that records those who saved Jews from the Holocaust, and she was awarded a pension for her work in the Resistance by the Dutch foundation Stichting 1940-1945. It was only when these organisations acknowledged the truth of her claims that she had the confidence to tell her family of the events from long ago.

    Fest tells and interprets the extraordinary story of a man's and a nation's rise from impotence to absolute power, as Germany and Hitler, from shared premises, entered into their covenant. He shows Hitler exploiting the resentments of the shaken, post-World War I social order and seeing through all that was hollow behind the appearance of power, at home and abroad. Fest reveals the singularly penetrating politician, hypnotizing Germans and outsiders alike with the scope of his projects and the theatricality of their presentation. Fest also, perhaps most importantly, brilliantly uncovers the destructive personality who aimed at and achieved devastation on an unprecedented scale. As history and as biography, this is a towering achievement, a compelling story told in a way only a German could tell it, "dispassionately, but from the inside." (Time)

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

    Alma’s bravery saved countless lives, bringing hope to those who had forgotten its meaning…In Auschwitz, every day is a fight for survival. Alma is inmate 50381, the number tattooed on her skin in pale blue ink. She is cooped up with thousands of others, torn from loved ones, trapped in a maze of barbed wire. Every day people disappear, never to be seen again.This tragic reality couldn’t be further from Alma’s previous life. An esteemed violinist, her performances left her audiences spellbound. But when the Nazis descend on Europe, none of that can save her…When the head of the women’s camp appoints Alma as the conductor of the orchestra, performing for prisoners trudging to work as well as the highest-ranking Nazis, Alma refuses: “they can kill me but they won’t make me play”. Yet she soon realizes the power this position offers: she can provide starving girls with extra rations and save many from the clutches of death.This is how Alma meets Miklos, a talented pianist. Surrounded by despair, they find happiness in joint rehearsals, secret notes, and concerts they give side by side––all the while praying that this will one day end. But in Auschwitz, the very air is tainted with loss, and tragedy is the only certainty… In such a hopeless place, can their love survive?This devastatingly heartbreaking yet beautifully hopeful tale proves that even in the darkest of days, love can prevail––and give you something to live for. Fans of The Choice, The Tattooist of Auschwitz and The Orphan Train will lose their hearts to this magnificent tale.

    Here, the soldiers were worked to death, starved and brutalized; more than twenty percent died from this horrific treatment.This is one of the last untold stories of World War II, and Roger Cohen re-creates it in all its blistering detail. Ground down by the crumbling Nazi war machine, the men prayed for salvation from the Allied troops, yet even after their liberation, their story was nearly forgotten. There was no aggressive prosecution of the commandants of the camp and the POWs received no particular recognition for their sacrifices. Cohen tells their story at last, in a stirring tale of bravery and depredation that is essential for any reader of World War II history.

    When he asks her how she obtained it, she reveals the remarkable story behind its origin... Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel’s former identity as a crafter of fine violins is revealed to all. The camp’s two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure.Written with lyrical simplicity and haunting beauty—and interspersed with chilling, actual Nazi documentation—The Violin of Auschwitz is more than just a novel: It is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.

    But when the Germans and Ukrainians obliterated David-Horodok in 1941, killing off all Jewish men in the town, everything changed.Left to fend for themselves, Basia and her mother fled 100 kilometers south, driven into the infamous Sarny ghetto. Tragedy struck again as the Germans liquidated the ghetto in 1942, and Basia went into the first of many hiding places. After years of running from soldiers, changing her identity, and hiding her faith, Basia emerged as a survivor – shepherding the rebirth of her faith and her family in America.

    As a fourteen-year old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully records the increasingly precarious texture of daily life. With a child’s keen eye for the absurd and the tragic, he muses on the prank he played on his science class and then just pages later, reveals that his cousins have been called to relinquish all their possessions, having been summoned east in the next transport. The diary ends with Petr's own summons to Thereisenstadt, where he would become the driving force behind the secret newspaper Vedem, and where he would continue to draw, paint, write, and read, furiously educating himself for a future he would never see. Fortunately, Petr's voice lives on in his diary, a fresh, startling, and invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.

    His possession of a few dental tools and rudimentary skills saved his life. Jacobs helped assemble V1 and V2 rockets in Buchenwald and Dora-Mittelbau; spent a year and a half in Auschwitz, where he was forced to remove gold teeth from corpses; and survived the RAF attack on three ocean liners turned prison camps in the Bay of Lubeck. This is

    In this shocking and compelling study, historian Jan Gross pieces together eyewitness accounts as well as physical evidence into a comprehensive reconstruction of the horrific July day remembered well by locals but hidden to history. Revealing wider truths about Jewish-Polish relations, the Holocaust, and human responses to occupation and totalitarianism, Gross's investigation sheds light on how Jedwabne's Jews came to be murdered-not by faceless Nazis, but by people who knew them well.

    While there, she reached out to the trapped Jewish families, going from door to door and asking the parents to trust her with their young children. She started smuggling them out of the walled district, convincing her friends and neighbors to hide them. Driven to extreme measures and with the help of a network of local tradesmen, ghetto residents, and her star-crossed lover in the Jewish resistance, Irena ultimately smuggled thousands of children past the Nazis. She made dangerous trips through the city’s sewers, hid children in coffins, snuck them under overcoats at checkpoints, and slipped them through secret passages in abandoned buildings.But Irena did something even more astonishing at immense personal risk: she kept secret lists buried in bottles under an old apple tree in a friend’s back garden. On them were the names and true identities of those Jewish children, recorded with the hope that their relatives could find them after the war. She could not have known that more than ninety percent of their families would perish.

     Scattered across the landscape that was Nazi Germany, the Resistance looked puny: too little, too late. And yet it was made of many heroic men and women who were not afraid to risk their lives to stand up to a regime they knew was wrong. For those who have never known life under such a regime, it is hard to grasp the daily terror that makes an act of political graffiti a capital offense, that labels resistance “treason.” Now, drawing on archival materials and on interviews with those few resisters who survived, Anton Gill brings their story to light. Here are union leaders and businessmen, priests and communists, students and factory workers; above all, here are the only people who had any real chance at more than symbolic resistance: those in the Army, the Foreign Office, the Abwehr. For these, obeying the dictates of conscience meant betraying the demands of government, and every day brought the risk of denunciation and death. ‘A sober and useful analysis of the resistance to Hitler [that] reminds us of the astonishing moral courage human beings can display...The vast majority of Germans simply did not have the bravery to stand up to Hitler – but then who among us, confronted with the brutality of that regime, would have mustered the courage?’ – Robert Harris, author of Fatherland, in The Sunday Times ‘Mr. Gill fluidly conveys the attitudes and personalities of key figures in the resistance and the links among them.’ – The New York Times Book Review ‘Gill’s illuminating study cogently argues that Hitler was not an irresistible force and that he succeeded only because he was allowed to.’ – Publishers Weekly Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for his study of survivors of the Nazi concentration camps, ‘The Journey Back From Hell’. Endeavour Press is the UK’s leading independent publisher of digital books.

    Tracks rattling and engines roaring, these lethal machines engaged in some of the fiercest fighting of World War II, from the beaches of Normandy and the Ardennes Forest to the snow-encrusted Eastern Front. In this reprint of the hugely popular book, prolific author Franz Kurowski tells the gritty, action-packed stories of six of the most daring and successful officers ever to command Panzers, including Michael Wittmann, Hans Bolter, Hermann Bix, and others. Timelines mark the milestones of each officer's career.

    They smuggled arms through Europe, harbored parachuting agents, coordinated communications between regional sectors, trekked escape routes to Spain and hid Jewish children in scattered apartments. They were arrested by French police, interrogated and tortured by the Gestapo. They were subjected to a series of French prisons and deported to Germany. The group formed along the way, meeting at different points, in prison, in transit, and at Ravensbrück. By the time they were enslaved at the labor camp in Leipzig, they were a close-knit group of friends. During the final days of the war, forced onto a death march, the nine chose their moment and made a daring escape.Drawing on incredible research, this powerful, heart-stopping narrative from Gwen Strauss is a moving tribute to the power of humanity and friendship in the darkest of times.