It tells the stories of terror and sorrow, lust at the end of the world and death as an unwanted second chance. It dives into the darkest corners of the minds of men, women, and children. It wanders into the forest and touches every corner of the capital. Everyone has something to fear — but after all, it’s those little paranoias that drive our day-to-day.

    Ranging from satirical to dreadful, these sixteen stories share a distinct voice: urgent, sardonic, and brutal.This expanded edition includes a new foreword by Sadie Hartmann (Mother Horror) and author notes for every story describing Thorn’s process, influences, and more. This updated release also features seventeen of Thorn’s essays on horror cinema, which cover films by Tobe Hooper, George A. Romero, Rob Zombie, M. Night Shyamalan, Wes Craven, and Dario Argento, among others.

    An orchard is bewitched with poison apples and would-be princesses. A pair of outcasts fail a questionnaire that measures who in their neighborhood will vanish next. Two sisters keep a grotesque secret hidden in a Victorian bathtub. A dearly departed best friend carries a grudge from beyond the grave.In her debut collection, Gwendolyn Kiste delves into the gathering darkness where beauty embraces the monstrous, and where even the most tranquil worlds are not to be trusted. From fairy tale kingdoms and desolate carnivals, to wedding ceremonies and summer camps that aren’t as joyful as they seem, these fourteen tales of horror and dark fantasy explore death, rebirth, and illusion all through the eyes of those on the outside—the forgotten, the forsaken, the Other, none of whom will stay in the dark any longer.

    My sister was not most little girls.Inside you'll experience intimate first hand accounts of modern day murders, kidnappings, and violent revenge. Other stories are heart-warming with whimsical mysteries, gothic fairy tales, and supernatural monstrosities.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Some say the title is derived from the Italian word for Grandmother, Nonna. Another theory is that it stems from the word Nanny; i.e., someone who takes care of children.Meet Olly’s nana, Ivy. It takes more than clean dentures, brandy, and bingo night to keep this one happy! Nana Ivy lives in Newhaven Crescent, where most of the other residents are past their expiry date and all kinds of batshit crazy, the kind of place where you hang your sanity up at the door.Being the matriarchal type, Ivy cares for the other residents as though they were kin, so of course, it’s of enormous concern when their veins begin to blacken and they start shedding skin, not to mention the glistening things crawling out of their hair. They’re pushing their luck, and Nana Ivy knows it.Did I mention she has a dark secret?Young Olly doesn’t know what to make of it when he comes to visit, but he’s about to find out there’s more to his nana than cough drops and slippers. Oh yes, he’s in for a long night.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

     Eerie, suspenseful, poignant, the stories in The Long Way Home run the gamut from horror to suspense, crime to dark fantasy, mainstream to mystery. This brand new collection features more than 100,000 words of short fiction, as well as more than 5,000 words of autobiographical Story Notes. Chizmar's previous short story collection, A Long December, was published in 2016 to starred reviews from Library Journal and Kirkus, and was included on numerous "Best Books of the Year" lists. Entertainment Weekly gave the book high praise: "Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that's Chizmar's secret power. His storytelling always beats with a huge, passionate heart." Stephen King says he writes "terrific stories served with a very large slice of Disquiet Pie," and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Then she meets a guy who shows her a movie that shouldn’t exist, one that upends everything she thinks she knows about reality itself. The movie on the old VHS tape is an unseen and unknown installment of a legendary slasher franchise she’s loved since the dark days of her unhappy adolescence. As soon as she sees it, she knows the movie is the real deal, not a fake or a fan film. She can only come to one impossible conclusion—the movie is from some other alternate reality. It is not of this world. And she knows one other thing. She must have it. At all costs. And by any means necessary. But unknown to Allison, possession of the tape comes at a higher price than she ever could have imagined.

    Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.

    Wise, the acclaimed author of Wendy, Darling, comes a brand new collection of horror stories, The Ghost Sequences."A haunting is a moment of trauma, infinitely repeated. It extends forward and backward in time. It is the hole grief makes. It is a house built by memory in-between your skin and bones."A lush and elegant collection of tales—many having appeared in various "Best Of..." anthologies—teeming with frightful and tragic events, yet profoundly and intimately human. These chilling tales will engross and enthrall.For readers of Kelly Link, Carmen Maria Machado, and Angela Carter, this is a must have collection of ghostly tales set to deliver a frisson of terror and glee.

    But sometimes, inhabitants of the dark arrive with the desire to disturb proceedings. Dark Celebrations is a collection of twelve short stories... and the holidays will never be the same.

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.