This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."

    American Doris Winter, running from a personal tragedy, yearns for a new start. Naturally shy Mary Whitworth-Baines struggles to fit in. Together though, they are a force to be reckoned with as they face the mystery that confronts them.Against the backdrop of war, when ties of friendship are exceptionally strong, they strive to unravel the puzzle's complex threads, risking their lives as they seek justice for Betty's sister.

    Life isn't easy for widowed George Vannin and his young daughter, but somehow George has raised the child alone and Ellan adores her father. Ellan is ten years old when the shaft at Foxdale Mine collapses, and her father never comes up. From then on she lives with Aunt Maud, a dour woman with a quick temper. Her husband had died in a mining accident too, and she never forgave the family at the Big House for their part in the tragedy. When Ellan is offered a chance to better herself at the Big House, Aunt Maud savagely forbids it. Ellan's chance is yet to come, but she has a long way to go before she finds the happiness she deserves...

    

    The time: December 1944. Although the fields of battle are far away, World War II has shaken the very bedrock of this close-knit community. Jake Tibbetts, editor of the local newspaper and the town's self-proclaimed conscience--who has been entrusted with the care of his young grandson while the boy's father serves on the front lines--is struggling to come to terms with the way "everything" seems to be changing, and the entire town finds itself uncomfortably straddling the threshold of a new era.

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    She is put to work at the female factory of Parramatta; a place where the women’s only hope of food and lodgings is to offer their bodies to the settlement’s men. Nell is given shelter by Lieutenant Blackwell, a brooding soldier to whom she is inexplicably drawn. Despite warnings from the other women, Blackwell’s motives seem decent, and beneath the roof of a military officer, Nell sees a chance to become more than just a convict woman sent to the factory to be forgotten. But tensions are high in New South Wales, with the young colony teetering on the edge of a convict rebellion. And as Nell treads a dangerous line between obedience and power, she learns the role of a factory lass is to remain silent – or face a walk to the gallows.

    Although the young woman has dreams of becoming a screenwriter, the only job Julie's able to find is one in the studio publicity office of the notoriously demanding producer David O. Selznick —who is busy burning through directors, writers and money as he begins filming Gone with the Wind.     Although tensions run high on the set, Julie finds she can step onto the back lot, take in the smell of smoky gunpowder and the soft rustle of hoop skirts, and feel the magical world of Gone with the Wind come to life. Julie's access to real-life magic comes when Carole Lombard hires her as an assistant and invites her into the glamorous world Carole shares with Clark Gable—who is about to move into movie history as the dashing Rhett Butler. Carole Lombard, happily profane and uninhibited, makes no secret of her relationship with Gable, which poses something of a problem for the studio as Gable is technically still married—and the last thing the film needs is more negative publicity. Julie is there to fend off the overly curious reporters, hoping to prevent details about the affair from slipping out. But she can barely keep up with her blonde employer, let alone control what comes out of Carole's mouth, and--as their friendship grows - soon finds she doesn't want to. Carole, both wise and funny, becomes Julie's model for breaking free of the past.     In the ever-widening scope of this story, Julie is given a front-row seat to not one but two of the greatest love affairs of all time: the undeniable on-screen chemistry between Scarlett and Rhett, and off screen, the deepening love between Carole and Clark. Yet beneath the shiny façade, things in Hollywood are never quite what they seem, and Julie must learn to balance career aspirations and her own budding romance with outsized personalities and the overheated drama on set.

    A Lincolnshire village on a glorious summer's morning in 1940, the countryside as still as a painting. In the blue sky above, the fate of the whole war will soon rest with the RAF and their desperate effort to win the Battle of Britain. If they fail, Hitler's next step will be invasion. And as the scene comes to life before us over the next six months, this shadow of war will not disappear - the conflict will take husbands and sons away, bring in evacuees from the city and soldiers to defend the coast. There will be more money from war work, but less to spend it on - legitimately at least. Everywhere, the feeling of change is in the air. From the pub to the church, the humblest cottage to the biggest farm, from a struggling single mother to the lady of the manor, the paper boy to a traumatised bomb disposal volunteer, this superb jewel of a novel portrays a community of people and weaves together their stories with passion, betrayal, intrigue and suspense.

    

    Separated from her mother and five siblings, young Megan must learn how to stand on her own two feet. But it's on one of the days she's sent out on errands that her fate changes. She meets a young boy who's stealing apples from the local market, as well as a friendly well-to-do lady with the most melodious voice she's ever heard. With her newfound friends, can she find a new life for herself? A heartwarming saga, perfect for fans of Dilly Court, Katie Flynn and Nadine Dorries Please note: this edition contains editorial revisions

    Though, one month out of the Kansas Territory, Hank disappears leaving Rebecca and Jace, their older son, responsible for finding the wagon train in his absence. Without Hank, Rebecca is forced to kill an outlaw who threatens her and her children. The courageous act thrusts her on a course of unforeseen danger. Rebecca finds it necessary to make one critical decision after another for the survival of her family. Joining the wagon train, Rebecca begins the long journey west. Two thousand miles of untamed wilderness and overwhelming adversities draw her closer to the group of travelers whom she soon considers family. Their strength overshadows her fears of retaliation by the outlaw’s brothers determined to make good on their promise. Music by the campfires, starlit nights, and God’s constant presence make the unrelenting wind and long, hot days bearable. Along with the unexpected romance which catches Rebecca by surprise. Gentle Courage tells the story of a woman with extraordinary faith and courage to give her children a future. With powerful insight, author of the Tales of Hackett County series, Connie Johnson captures the essences of the historical epic of the Oregon Trail seen through the eyes of Rebecca Quaid.

    But when owner Dai Morgan is killed in an air raid, his daughter Megan is determined to continue in her father's footsteps and she braves the ravaged streets alone to do his milk round by horse and cart. Megan finds comfort in the knowledge that her twin girls are tucked away in a Welsh village, but she worries about her husband, Will, abroad with his platoon. And when Will's best friend, Doug Reynolds, returns, wounded and disfigured, she doesn't hesitate to take the poor man in. However, Doug is not the man she thinks he is. And when the boys come home, Megan has battle scars she can't allow Will to see...

    She is the talk of Ryhope when she arrives there, aged seventeen, alone, seeking work and a home in the pit village. But Sadie is keeping a secret - that she is searching for her baby girl who was taken from her at birth to be sold by the child's wicked, battleaxe grandmother when Sadie was just fifteen years old. All that Sadie knows about the family who took her daughter is that they lived in Ryhope. And the only thing she knows about her daughter is that when the baby was born, she had a birthmark on one shoulder that resembled a tiny ladybird. But as Sadie's quest begins, a visitor from her past appears - one who could jeopardise the life she's beginning to build and could separate from her beloved child forever...

    The kingdom of Kalinga though a maritime superpower remained secluded and reclusive to the other nations of Bharat. This was not by chance, but by choice, as this holy land was fulfilling a prophecy that could become the basis of existence for the entire humankind after the Kali Yuga ends. The first book of the Konark Secret Duology is the tale of Bishnu Maharana, the chief architect of the Konark Temple. This is his journey about how he became a master architect and the secrets he unravels while constructing this shrine. Was this temple just a grand monument or were there secrets behind its construction? Why was an unusual technique being used for its creation, when there were tried and tested methods? Did this monument hold some secret within itself? Was Bishnu Maharana an architect or a man of secrets?