Bree rejected that fearful outlook, and life has proved her right. Having married into a family with wealth, power, and connections, Bree now has all a woman could ever dream of.Until the day she awakens and sees someone peering into her bedroom window--an old gray-haired woman dressed all in black who vanishes as quickly as she appears. It must be a play of the early morning light or the remnant of a waking dream, Bree tells herself, shaking off the bad feeling that overcomes her.Later that day though, she spies the old woman again, in the parking lot of her daughters' private school . . . just minutes before Bree's infant son, asleep in his car seat only a few feet away, vanishes. It happened so quickly--Bree looked away only for a second. There is a note left in his place, warning her that she is being is being watched; if she wants her baby back, she must not call the police or deviate in any way from the instructions that will follow.The mysterious woman makes contact, and Bree learns she, too, is a mother. Why would another mother do this? What does she want? And why has she targeted Bree? Of course Bree will pay anything, do anything. It's her child.To get her baby back, Bree must complete one small--but critical--task. It seems harmless enough, but her action comes with a devastating price.Bree will do whatever it takes to protect her family--but what if the cost tears their world apart?

    He travels for work and plays the carefree bachelor when he can. But now, on a solo business trip, in a remote coastal hotel, he’s surprised to find Lisa in his bathroom. She’s dead.He has no idea how she got there but one chilling fact is clear: everything points to Dan having murdered her. Someone is trying to frame him. Someone who might still be watching. In a panic, he goes on the run. But even as he flees across Europe, his unknown enemy stacks up the evidence against him.Dan is determined to clear his name and take revenge on Lisa’s killer, but the culprit is closing in. And then there’s the agony of his own guilty conscience. No, he didn’t kill her—but is it all his fault?

    But what my husband doesn't know won't kill him. I break his rules every morning on my runs. It's always been best when I have a routine. So every day I wake up, run, clean the house, wish for a better life, repeat. And every day is exactly the same. Except for Thursdays. I live and breathe for Thursdays. It's when he comes. I watch him from a distance. I can't help myself. But I was never supposed to talk to him. I know what you're thinking. But you don't know my story. You don't know the kind of monster my husband is. And trust me, you have no idea who I am.

    Cruising down the Nile from Luxor to the Valley of the Kings, Anna carries with her two mementos: an ancient Egyptian scent bottle, and the diary of that original Nile voyage, which has lain unread for a hundred years. As she follows Louisa's footsteps, Anna discovers both the chilling secret of the bottle and the terrifying specters that pursued her great grandmother.

     Angel, spirit, or ghost—the Keeper doesn’t know exactly what he is. But he knows he needs to protect Michael Delacroix, a famous artist who is kidnapped and locked in a windowless room deep beneath a Napa Valley vineyard. Desperate to save the only person who knows he exists, the Keeper uses his abilities to convince two strong-willed women to search for Michael: a reporter who thinks her visions are signs from the Universe, and a nun who swears she hears the voice of God. Together they close in on the kidnapper—a psychotic killer who also hears a voice inside his head, pushing him toward murder. But once the Keeper learns the tragic reason he feels so connected to Michael, is it too late to save him? Finalist for the Claymore Award

    And then, on that particular October evening, it literally arrived at my doorstep."Eight months after dropping out of Tarble, an all-women's college, twenty-two-year-old Ruby Rousseau is still haunted by the memories of her senior year-a year marred by an affair with her English professor and a deep depression that not only caused her to question her own sanity but prompted a failed suicide attempt.And then a mysterious paisley print suitcase arrives, bearing Ruby's name and address on the tag. When Ruby tries to return the luggage to its rightful owner, Beth Richards, her dorm mate at Tarble, she learns that Beth disappeared two days earlier, and the suitcase is the only tangible evidence as to her whereabouts.Consumed by the mystery of the missing girl and the contents of the luggage-a tattered copy of Virginia Woolf's A Room of One's Own, the book on which Ruby based her senior thesis, and which she believes instigated her madness-she sets out to uncover the truth, not only about Beth Richards's past but also her own. In doing so, Ruby is forced to reexamine the people from her past: the professor who whisked her away to New Orleans and then shattered her heart and the ghosts of dead women writers who beckoned her to join their illustrious group. And when Ruby's storyline converges with Beth's in a way she never imagined, she returns to the one place she swore she never would: her alma mater.

    For a while, she found a safe haven in her marriage to bestselling crime novelist Stephen Ludlow—until his car skidded into Echo Bay. But Stephen’s wasn’t the only body pulled from the icy waters that night. When details about a mysterious violet-eyed blonde become public, a media circus ensues, and Christy-Lynn runs again.Desperate for answers, she’s shattered to learn that Stephen and his mistress had a child—a little girl named Iris, who now lives in poverty with her ailing great-grandmother. The thought of Iris abandoned to the foster care system—as Christy-Lynn once was—is unbearable. But she’s spent her whole life running—determined never to be hurt again. Will she finally stand still long enough to open herself up to forgiveness and love?

    Mystery surrounds the movie, and as Sandy learns of the tragedies which haunted its production, she finds herself threatened by an ancient force protecting secrets deeper than the suppression of a 50-year-old movie.

    No one will say for sure how it got that way, but it’s the reason the whole town gathers every Decoration Day to honor the dead.But this year, there are two fresh graves up on Cemetery Hill, a stranger’s come to town, and the mountain’s song is filled with dark warnings.The good people of Moon Hollow are about to learn that some secrets are too painful to bear, and some spirits are too restless to stay buried.

    Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found? It's time for Sunnie to face her own demons because they just might lead her to the truth about what really happened all those years ago.

    And you're paralyzed from the waist down apparently, but you don't remember that either.A man claiming to be your friend tells you your services are required. Something crucial has been stolen, but what he tells you about it doesn't quite add up. You've got to get it back or something bad is going to happen. And you've got to get it back fast, so they can freeze you again before your own time runs out.Before you know it, you're being carried through a ruined landscape on the backs of two men in hazard suits who don't seem anything like you at all, heading toward something you don't understand that may well end up being the death of you.Welcome to the life of Josef Horkai….

    The teens claim she was a sacrifice for a man called Mister Tender, but that could never be true: Mister Tender doesn’t exist. His sinister character is pop-culture fiction, created by Alice’s own father in a series of popular graphic novels.Over a decade later, Alice has changed her name and is trying to heal. But someone is watching her. They know more about Alice than any stranger could: her scars, her fears, and the secrets she keeps locked away. She can try to escape her past, but Mister Tender is never far behind. He will come with a smile that seduces, and a dark whisper in her ear…Inspired by a true story, this gripping thriller plunges you into a world of haunting memories and unseen threats, leaving you guessing until the harrowing end.

    Her remarkable gift may help others rest in peace, but it also made for an unsettling childhood and destroyed her marriage. Finally content as the real estate writer for a local newspaper, Aubrey keeps her extraordinary ability hidden—until she is unexpectedly assigned the story of a decades-old murder.Rocked by the discovery of a young woman’s skeletal remains, the New England town of Surrey wants answers. Hard-nosed investigative reporter Levi St John is determined to get them. Aubrey has no choice but to get involved, even at the terrifying risk of stirring spirits connected to a dead woman’s demise and piquing her new reporting partner’s suspicions.As Aubrey and Levi delve further into the mystery, secrets are revealed and passion ignites. It seems that Aubrey’s ghost gifts are poised to deliver everything but a normal life.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    Her two closest friends are acting strangely, and Natasha turns to Becca, the best friend she dumped years before when she got popular, to help her figure out what happened.Natasha's sure that her friends love her. But does that mean they didn't try to kill her?