From a powerful new voice in international fiction, this prize-winning collection of stories crosses the world—from Africa, London, the West Indies, and Australia—and expresses the global experience.Maxine Beneba Clarke gives voice to the disenfranchised, the lost, and the mistreated in this stunning collection of provocative and gorgeously wrought stories that will challenge you, move you, and change the way you view this complex world we inhabit.Within these pages, a desperate asylum seeker is pacing the hallways of Sydney’s notorious Villawood detention centre; a seven-year-old Sudanese boy has found solace in a patchwork bike; an enraged black militant is on the war-path through the rebel squats of 1960s Brixton; a Mississippi housewife decides to make the ultimate sacrifice to save her son from small-town ignorance; a young woman leaves rural Jamaica in search of her destiny; and an Australian schoolgirl loses her way.In the bestselling tradition of novelists such as Chimamanda Ngozi Adichie and Marlon James, this urgent, poetic, and essential work is the perfect introduction to a fresh and talented voice in international fiction.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    She sets out alone on a whirlwind journey to entrap him, determined to put an end to Omar’s destruction.Soon Celeste is thrust in the middle of the largest financial scandal in decades. This time, however, powerful government officials are in bed with some of the world’s most dangerous men.When she discovers that those she thought she knew best are involved in a secret society warring with Omar and his coconspirators, she must decide how far she will go to avenge Theodore’s death and whether she is willing to risk her own life to save everyone she loves.

    This page-turning family saga soars to a breathtaking ending that redefines the meaning of love. When Natalie and Anna, sisters and life-long rivals, hide an abandoned child from the Nazis, their struggle re-opens a star-crossed love triangle, threatening their safety and testing the bonds of their loyalty. Hungary's fragile alliance with Germany insured that Natalie, a best selling children's book author, and her family would be safe as World War Two raged through Europe. The Holocaust that has only been whispered about until now becomes a terrible reality for every Jewish family or those who hide Jews. Beautiful but troubled Anna, a poet and university professor is losing her tenuous hold on reality, re-igniting a dangerous sibling rivalry that began in childhood. The streets of Budapest echo with the pounding boots of Nazi soldiers. Danger creeps to the doorstep where the sisters' disintegrating relationship threatens to expose the child they are trying to protect. In one night, Anna's rash behavior destroys their carefully made plans of escape, and Natalie is presented with a desperate choice. Interwoven with Natalie and Anna's story, is Mila's. The abandoned child whose future Natalie lovingly imagines in a story about an old woman named Mrs. Tuesday. Mrs. Tuesday's Departure is an inspirational historical novel spanning two generations and exploring the un-breakable bonds of sisters.

    Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    In Ron Currie's provocative, wise, and emotionally resonant novel we meet God himself; the Dinka woman whose mortality He must suffer when He inhabits her body; people all over the world coping with the devastating news of God's demise; a group of young men who, fearing the end of the world, take fate into their own hands; mental patients who insist that a god still exists; armies taking up the eternal war between fate and free will; and parents who, in the absence of a deity and the “lack of anything to do on Sundays,” worship their children. On the surface, this is a world utterly transformed—yet certain things remain unchanged: protective parents clash with willful, idealistic teenagers; idols are exalted; small-town rumor mills run unabated; and children often don't realize how to forgive their parents until it's too late.In God Is Dead, Currie brings together a prescient satirical gift worthy of Jonathan Swift, the raw appeal of Chuck Palahniuk's blackest comedy, and the thought-provoking ethical questions of Kurt Vonnegut, all with a light touch, empathy, and wisdom that make for an exhilarating reading experience. Offbeat yet accessible, God Is Dead is an exciting debut from a fresh new voice in contemporary fiction.

    In this generous gathering from collections no longer available, longtime fans and new readers alike can savor the development of a master of idiosyncrasy.Properly celebrated for his range, Carlson offers us a rural sheriff who's wary of UFOs ("Phenomena"), a lawyer on a mission in remote Alaska ("Blazo"), a baseball player turned killer-by-accident ("Zanduce at Second"), and a nineteen-year-old who experiences an unsettling sexual awakening during an Arizona summer ("Oxygen"). Here also is a man accusing Bigfoot of stealing his wife, followed by Bigfoot's incomparable response. Not least of the treasures is "The H Street Sledding Record," a story perfect for family holiday reading, in which a young father creates the magic of Santa by throwing manure on his roof on Christmas Eve.This book proves Carlson's axiom that "a short story is not a single thing done a single way," and it offers us—finally—a full view of his remarkable talents.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Rattled by the discovery, Gillian attempts to unravel the truth behind the photos, setting her off on an epic journey through the past…1939. England is on the brink of war as Vivian Hughes falls in love with a handsome British official, but when bombs begin to fall and Vivian’s happy life is destroyed in the blitz, she will do whatever it takes to protect those she loves…As Gillian learns more about her grandmother’s past, the old photo begins to make more sense. But for every question answered, a new one takes its place. Faced with a truth that is not at all what she expected, Gillian attempts to shine a light not only on the mysteries of her family’s past but also on her own future.This gorgeously written multigenerational saga is a heart-wrenching yet hopeful examination of one woman’s struggle to survive, perfect for fans of The Nightingale and Beneath a Scarlet Sky.

    In stories as darkly comic as they are unflinching, people isolated by geography, emotion, or circumstance cut imperfect paths to peace—they have no other choice. A Russian mail-order bride in Finland is rendered silent by her dislocation and loss of language, the mother of a severely disabled boy writes him postcards he'll never read on a cruise ship held hostage by pirates, and an Iowa actuary wanders among the reincarnations of those she's known in her 127 lives. Horrocks' women find no simple escapes, and their acts of faith and acts of imagination in making do are as shrewd as they are surprising.