This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    This hardcover, double issue is a return to pulp horror comics of the 1950's, but stylized and written for a new generation of horror fans! The book is anchored by the mysterious Blueman, an intimidating phantom that lives in the deepest, darkest recesses of the net. Join him as he tells two spine-tingling tales full of twists and turns! He is The Rake:  Our first story features a creature that's inspired a massive fandom around the web. The Rake is a mysterious beast that appears to people in the night as a dark omen. When the strange entity's presence causes the death of one man's wife, he becomes obsessed with getting payback, but is his quest for vengeance misguided? He Is... is a classic tale of revenge with a sinister twist that will send chills through your body! I Waited Inside Her Closet: The account of a dangerous serial killer and his unhealthy obsession with fame. But there's more than meets the eye in this story. The homicidal maniac's grisly exploits soon lead him to a terrible truth when he comes face to face with something even more terrifying than himself. Pick up this CREATURE DOUBLE-FEATURE and you won't be disappointed!

    The inspirational versions, which have all explicit romantic content removed, are currently available in a bundle called "Forgiving Hearts". Highland Solution Laird Niall MacIan needs Lady Katherine Ruthven’s dowry to relieve his clan’s crushing debt but he has no intention of giving her his heart in the bargain. Lady Katherine must forfeit everything in exchange for a husband who does not want to be married and believes all women to be self-centered and deceitful. Can the lovely and gentle Katherine mend his heart and build a life with him or will he allow the treachery of others to destroy them? Highland Courage Her parents want a betrothal, but Mairead MacKenzie can’t get married without revealing her secret and no man will wed her once he knows. Plain in comparison to her siblings and extremely reserved, Mairead has been called “MacKenzie’s Mouse” since she was a child. No one knows the reason for her timidity and she would just as soon keep it that way. When her parents arrange a betrothal to Laird Tadhg Matheson she is horrified. She only sees one way to prevent an old secret from becoming a new scandal. Tadhg Matheson admires and respects the MacKenzies. While an alliance with them through marriage to Mairead would be in his clan’s best interest, he knows Laird MacKenzie seeks a closer alliance with another clan. When Tadhg learns of her terrible shyness and her youngest brother’s fears about her, Tadhg offers for her anyway. Secrets always have a way of revealing themselves. With Tadhg’s unconditional love, can Mairead find the strength and courage she needs to handle the consequences when they do? Highland Intrigue Lady Gillian MacLennan's clan needs a leader, but the last person on earth she wants as their laird is Fingal Maclan. She can neither forgive nor forget that his mother killed her father, and, by doing so, created Clan MacLennan’s current desperate circumstances. King David knows a weak clan, without a laird, can change quickly from a simple annoyance to a dangerous liability, and he cannot ignore the turmoil. The MacIan’s owe him a great debt, so when he makes Fingal MacIan laird of clan MacLennan and requires that he marry Lady Gillian, Fingal is in no position to refuse. In spite of the challenge, Fingal is confident he can rebuild her clan, ease her heartache and win her affection. However, just as love awakens, the power struggle takes a deadly turn. Can he protect her from the unknown long enough to uncover the plot against them? Or will all be lost, destroying the happiness they seek in each other’s arms?

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    Yet when they returned to school in the fall, Braxton made a decision that drove Tiffany to transfer schools and never look back.Now, nearly a decade later, they meet again as business experts vying for the same contract at a prestigious school. In addition to their professional competition, tensions mount as Braxton and Tiffany discover that they have two different versions of what happened to their romance so long ago. Can they overcome hard feelings and pick up where they left off? Tiffany’s father passed away a few months ago, just as she was founding her new project management firm. She wonders if her leap of faith was a good move, and her doubts only increase when she learns that someone from the firm she left is trying to undermine her independent efforts…not to mention her possibilities with Braxton.Braxton thought he might follow his father’s footsteps into ministry. His wild fraternity days caught up with him, however, causing Braxton to give up the idea of teaching anyone to follow the faith he so obviously neglected. Can he win back his own self-respect and the heart of the woman he never forgot?Stuck On You is the first book in The Stoneworth Series by bestselling Christian Fiction author Michelle Stimpson. The family history is briefly established, and then readers are off to experience the Stoneworth family's rich legacy of faith and integrity within the context of contemporary romance. Come fall in love with the family!

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    As Harold Bloom writes, "Hagedorn expresses the conflicts experienced by Asian immigrants caught between cultures . . . she takes aim at racism in the U.S. and develops in her dramas the themes of displacement and the search for belonging."Jessica Hagedorn is a performance artist, poet, novelist and playwright, born and raised in the Philippines. Her novels include Dogeaters (Penguin 1990) which was nominated for a National Book Award and The Gangster of Love (Penguin 1996); a short story collection, Danger and Beauty (City Lights 2002).

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Tired of dealing with the same naïve women day after day, Maurice searches for the one female who can match his wit. Nekole Mitchell is a scheming hood wench who slithers her way into Maurice s life, spreading her sweet but deadly venom amongst Maurice s circle of friends. What begins as a game for Maurice turns into a Contagious cycle of lust, disgust ... and murder, when everyone becomes a victim of their own stratagem.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    The winner of eight Academy Awards including Best Picture, Best Original Song, and Best Original Score, Slumdog Millionaire was the suprise hit of the 2009 season. The film tells the tale of a Mumbai teen who is accused of cheating after winning the Indian version of "Who Wants to Be a Millionaire?" This songbook matches the soundtrack and includes 9 songs: O, Saya * Mausam & Escape * Paper Planes * Ringa Ringa * Latika's Theme * Aaj Ki Raat * Millionaire * Dreams on Fire * Jai Ho.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.