Fiction by Hugo and Nebula award winners and nominees as well as talented newcomers. Stories were selected by the Unidentified Funny Objects series curator Alex Shvartsman.

    Brandon Graham (born 1976) was widely acclaimed for his book "King City," with "Publishers Weekly" calling Graham "one of the most inventive action cartoonists working." "Walrus," his first art book, serves as a handbook to his visual and verbal world, a punning, humorous and sexy metropolis comprised of machines, logos, women and bumbling men, all cast in an alternate sci-fi universe.

    They were meant…to be played.What if Romeo never met Juliet? What if Juliet got really buff instead of moping around all day? What if they teamed up to take over Verona with robot suits? This choose-your-own-path version of Romeo and Juliet—packed with fun puzzles, secrets, and quadrillions of possible storylines—lets you decide where the plot goes every time you read. You might play as Romeo, or as Juliet, or as both of them at the same time. You might even unlock additional playable characters!That’s right. We figured out how to have unlockable characters in books.

    The nights are dark, the days a stumbling venture from one horror to the next. In one place, William Hill stands in the center of a town where the scattered remains of the dead lie next to the road like litter tossed from passing cars, where the search for the living fails to turn up even one soul. Infected by a parasite destined to steal his mind, hunted by the Chosen, and dogged by a beautiful woman who claims to be an elf, he sometimes wonders if life can get any stranger. Then Daniel offers a glimpse of the coming world, a place where cavorting beasts feast upon the dead, where dragons haunt nearby forests, where the hordes crawl from the ground by the millions and sweep across the earth. The elf says she needs his blood to repair the rift between worlds, to finally put an end to the madness. He doesn't mind donating a little to the cause, but the more he hears, the more he doubts her intentions and the more the ceremony sounds like a full-scale sacrifice. In the end, William discovers that he can count on nothing, not even his sanity.

    

    The authors have written several other novels about Arzach, and Moebius is the illustrator of both the cover and the interior drawings.

    Khushwant Singh tells the story of the land and its people from the earliest time to the present day. In broad, vivid sweeps he encapsulates the saga of the upheavals of a sub-continent over five millennia, and how their interplay over the centuries has molded the India of today. More, Khushwant Singh offers perceptive insights into everything Indian that may catch one's eye or arouse curiosity: its ethnic diversity, religions, customs, philosophy, art and culture, political currents, and the galaxy of men and women who have helped shape its intricately inlaid mosaic. He is also an enlightening guide to much else: India's extensive and varied architectural splendors, its art and classical literature. Khushwant Singh's own fascination with the subject is contagious, showing through on every page, and in every sidelight that he recounts. India: An Introduction holds strong appeal for just about anyone who has more than a passing interest in the country, Indians as well as those who are drawn to it from farther afield. And for a traveller, it is that rare companion: erudite, intelligent, lively