of photos.

    Reflecting on our increasingly diet and body-obsessed society, Susie Orbach's new introduction explains how generations of women and girls are growing up absorbing the eating anxieties around them. In an age where women want to be sexy, nurturing, domestic goddesses, confident at work, and feminine too, the twenty-first-century woman is poorly armed for survival. Never before has the Fat Is A Feminist Issue revolution been more in need of revival.Exploring our love/hate relationship with food, Susie Orbach describes how fat is about so much more than food. It is a response to our social situation; the way we are seen by others and ourselves. Too often food is a source of anguish, as are our bodies. But Fat Is A Feminist Issue discusses how we can turn food into a friend and find ways to accept ourselves for who and how we are. Following the step-by-step guide, and you too can put an end to food anxieties and dieting.

    Recent years have seen a panic over "online red-light districts," which supposedly seduce vulnerable young women into a life of degradation, and New York Times columnist Nicholas Kristof's live tweeting of a Cambodian brothel raid. The current trend for writing about and describing actual experiences of sex work fuels a culture obsessed with the behaviour of sex workers. Rarely do these fearful dispatches come from sex workers themselves, and they never seem to deviate from the position that sex workers must be rescued from their condition, and the industry simply abolished—a position common among feminists and conservatives alike. In Playing the Whore, journalist Melissa Gira Grant turns these pieties on their head, arguing for an overhaul in the way we think about sex work. Based on ten years of writing and reporting on the sex trade, and grounded in her experience as an organizer, advocate, and former sex worker, Playing the Whore dismantles pervasive myths about sex work, criticizes both conditions within the sex industry and its criminalization, and argues that separating sex work from the "legitimate" economy only harms those who perform sexual labor. In Playing the Whore, sex workers' demands, too long relegated to the margins, take center stage: sex work is work, and sex workers' rights are human rights.

    According to this false-yet-familiar story, the divisions between men and women are in nature alone and not part of culture. Drawing on evolutionary science, psychology, neuroscience, endocrinology, and philosophy, Testosterone Rex disproves this ingrained myth and calls for a more equal society based on both sexes’ full human potential.

    “Forced” to come on a day trip to Mexico, Cheryl and her two friends have the time of their lives. Boundaries will be tested and expanded as James pushes Cheryl even further. This is part 2 of The Billionaire's New Toy: 1. Summoned: For His Pleasure 2. Forced: To Enjoy 3. Used: To Satisfy Enjoy your reading time again!

    It is a collection of poignant stories told by the women themselves about how they were enslaved, how they ended up in there, what they think of it, and where they were before. A few are in love with him; an equal number are plotting to assassinate him. Most have dejectedly resigned themselves to being completely cut off from the world and confined in the suffocating environment of a harem.Some recount chilling stories, such as the one who used to belong to a sheikh who flunked out of medical school but decided to operate on people anyway. He set up a "clinic" in his basement, bought slave "patients," and regularly performed surgery. Of course, he butchered most of them, but he was able to indulge his desire. Or the one who had been in the laboratory of a scientist who experimented with gags, dildos, and body glues. The experiments kept going wrong and dozens of subjects had to be put down, but were immediately replaced by fresh ones. Or the fussy prince who owned a crocodile, and if his slaves didn't perform the way he wished, he would have them fed to the crocodile on the spot.Many tell similar stories of being lured with promises of glamorous jobs as models, musicians, or movie roles, then trapped and sold into slavery. Two actually entered servitude voluntarily. More than a few have gone quietly insane (violent insanity means a transfer elsewhere). Some responded to propositions online. Others were simply victims of opportunistic kidnappings. Fathers, brothers, step-fathers, law enforcement officers, clergy, school counselors, as well as professional traffickers, have all been involved in this unspeakable crime.

    A place where your most intimate fantasies came true. Definitely not the kind of place Chloe Daniels would ever normally go. But when her fiancé breaks up with her and her best friend buys her a membership to the exclusive club, Chloe figures it’s time to break out of her shell. Her first night there, she matches with an amazing man. Dark, mysterious, and totally anonymous, the man in the mask brings her to heights of pleasure she could only imagine in her darkest fantasies. Too bad Chloe’s mystery man is Jayson Reynolds. Arrogant billionaire. Notorious playboy. And Chloe’s boss. Her boss is the man who’s been making her fall to her knees, to call him sir, to bend over and beg for release as he spanks her hard. Chloe doesn’t even realize how much trouble she’s in. Because you know what they say about the truth. It always comes out. And when it does, Chloe will be begging for more than just pleasure. She’ll be begging for her heart.

    Where the men are rugged, forged by the elements, and cowboy masters of seduction. Where the women they meet are feisty, headstrong, and courageous enough to enter their Dom’s world, taking a chance to submit to the one man they find they cannot live without. This is the complete collection of the original eight full-length sultry, steamy Western romances. It includes… HIS UNEXPECTED LOVE: Jenna & Carter, The Beginning HIS SCANDALOUS LOVE HIS WICKED LOVE HIS UNTAMED LOVE HIS TEMPTING LOVE HIS SEDUCTIVE LOVE HIS SECRET LOVE (Plus bonus scene) HIS CHERISHED LOVE Publisher’s Note: This steamy collection of eight full-length novellas includes themes of power exchange.

    What must we do to work out who we are, and where we belong? How do we find the space to grow, unite and confront the systems of oppression? This conflict can be found in the fissures between the body, gender and identity. Too often, the glitch is considered a mistake, a faulty overlaying, a bug in the system; in contrast, Russell compels us to find liberation here. In a radical call to arms Legacy Russell argues that we need to embrace the glitch in order to break down the binaries and limitations that define gender, race, sexuality.Glitch Feminism is a vital new chapter in cyberfeminism, one that explores the relationship between gender, technology and identity. In an urgent manifesto, Russell reveals the many ways that the Glitch performs and transforms: how it refuses, throws shade, ghosts, errs, encrypt, mobilizes and survives. Developing the argument through memoir, art and critical theory, Russell also looks at the work of contemporary artists who travel through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.

    This innovative primer highlights sexual liberation as it traces the lineage of “witch feminism.” Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book enriches our contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work, and more.Kristen J. Sollee is instructor at The New School and founding editrix of Slutist, an award-winning sex positive feminist website."

    Slut Lullabies is unsettling. Like the experience of reading a private diary, these stories leave one feeling slightly traitorous while also imprinting a deep recognition of truths you did not know you felt.It is through beauty, horror, humor and chaos that Frangello has managed to pull these ten stories out of her deep understanding of the human experience. A gay Latino man whose pious relatives are boycotting his commitment ceremony' becomes caught up in hypocrisy and splendor when his lover's Waspy mother hires a glitzy wedding coordinator; a precocious girl seduces her teacher in order to blackmail him into funding her young stepmother's escape from their violent home; a wife turns to infidelity and drugs to distract her from chronic pain following an accident; a teenage boy attempts atonement in Amsterdam after having exploited his naive girlfriend at home; and a socialite must confront her dark past as her husband's deterioration from Huntington's Disease destroys both her bank account and social standing.

    They bear witness to the furious beginning of the Zombie Apocalypse. Trapped in the middle of the city, the pair must fight their way back to the only thing that matters… their families.As the two struggle to make their way out of the city, their families must do whatever is necessary to survive. Max’s family is in a race against time to fortify their suburban castle against the coming storm, while Jesse’s family is forced to leave the comfort of their home to find a secure shelter.With danger and horrors surrounding them, they must all find their way back to each other. In the fight to stay alive, who will live and who will die?Follow the terrifying tale of these two families from one of the bestselling, award-winning authors of the Zombie Road Fan Fiction Collection.

    It is considered a pioneering essay for both feminist art history and feminist art theory.In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever is as natural". In her conclusion, she states: "I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question "Why have there been no great women artists?" is based; by questioning the validity of the formulation of so-called problems in general and the "problem" of women specifically; and then, by probing some of the limitations of the discipline of art history itself."

    She continued her national dialogue with the bestselling Salvation: Black People and Love. Now hooks culminates her triumphant trilogy of love with Communion: The Female Search for Love.Intimate, revealing, provocative, Communion challenges every female to courageously claim the search for love as the heroic journey we must all choose to be truly free. In her trademark commanding and lucid language, hooks explores the ways ideas about women and love were changed by feminist movement, by women's full participation in the workforce, and by the culture of self-help.Communion is the heart-to-heart talk every woman -- mother, daughter, friend, and lover -- needs to have.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.