But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.

    She becomes addicted to diet pills in her obsessive quest, while her junkie son, Harry, along with his girlfriend, Marion, and his best friend, Tyrone, have devised an illicit shortcut to wealth and leisure by scoring a pound of uncut heroin. Entranced by the gleaming visions of their futures, these four convince themselves that unexpected setbacks are only temporary. Even as their lives slowly deteriorate around them, they cling to their delusions and become utterly consumed in the spiral of drugs and addiction, refusing to see that they have instead created their own worst nightmares."Selby's place is in the front rank of American novelists. HIs work has the power, the intimacy with suffering and morality, the honesty and moral urgency of Doestoevsky's. To understand Selby's work is to understand the anguish of America." - The New York Times Book Review

    If you're looking for the short story, go here.This is Bo Hampton's 1993 Legend of Sleepy Hollow, a faithful adaptation of Washington Irving's tale surrounding the ghostly inhabitants of Tarrytown, New York around the time of the American Revolution. The cast of characters is headed up by the Headless Horseman himself. This edition boasts new covers and 16 pages of new material, including numerous preliminary sketches of scenes and characters.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    And I’d dress as the helpline 1-800-C-O-R-E-Y that he set up when he was seventeen, when he was high and giving advice to young fans about how to stay off drugs.The pièce de résistance of my costume would be the contrast that the viewer makes in their mind between the image of Corey Haim in The Lost Boys with a beautiful smile and skin that looks healthier than you’ve ever seen and the TMZ report of pneumonia and the enlarged heart that killed him and the question about whether the reader would carry through the metaphor and make the link between the dolphins he said were in his blood and what they would look like now.

    Humorous, touching, creepy, but most of all entertaining, this collection is superb." — Tracy Michelle Anderson *** If you're a fan of Roald Dahl or Gillian Flynn you'll love this collection of unsettling stories with a twist in the tale. Get it now.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    It was a "big country needing big men and women to live in it." Here are three more of his fine short stories about the West. West of the Tularosa Ruth Kermitt, owner of the Tumbling K ranch, made a deal with old Tom McCracken, owner of the Firebox spread, to buy his ranch. That's why the Tumbling K's foreman, Ward McQueen, and some of the Tumbling K crew have come to take possession. But in a deserted bunkhouse on the Firebox, they find the body of Jimmy McCracken, son of the former owner, who was clearly killed in a gunfight. Then, Sheriff Bill Foster shows up with a posse. Riding with that posse is Neal Webb, who claims that he owns the Firebox and that he's got a transfer deed signed by Jimmy McCracken conveying that ownership. Webb seizes the opportunity to accuse Ward McQueen and his men of killing McCracken in order to claim possession of the Firebox. Despite his innocence, McQueen sees that he will have a tough time staying out of jail long enough to discover who the real killers are. Home in the Valley Steve Mehan had accomplished what many had believed to be impossible. He had taken cattle from the home range in Nevada to California in the dead of winter. Not only that, he had been successful in selling them. Now the money from the sale is on deposit with the Dake & Company bank in Sacramento. That $24,000 will save all five ranches in Paiute Valley that had supplied cattle for the drive. Mehan is feeling good about all of this when, to his shock, he reads in the newspaper that Dake & Company has failed. And there is one nasty hombre who is mighty happy to hear this. He sneeringly tells Mehan that those ranchers have lost out and since they can't pay their debt--and he will become the new owner. But Mehan isn't ready to give up. There is a bank branch in Portland, Oregon, and if Mehan can get to it and withdraw the money before the steamer boat heading for Portland arrives with the news of the bank failure, he wins. To do that, Mehan will have to start out immediately, hoping for stamina, luck, and a long relay of good horses to cover those hundreds of miles. West Is Where the Heart Is Jim London is on his way home. During the four years of the War between the States, he has not been home, seen his wife, Jane, or been able to send word of his whereabouts. For all she knew, he was dead. Fellows have told him she wouldn't have waited for him, but London believes differently. Then, just two hundred miles from home, London comes across a burned-out wagon train. Nine wagons had been hit by the Comanches, and they left only a ruin behind: overturned wagons, dead livestock, ransacked belongings, and dead bodies strewn on the ground. Yet Jim discovers that not everyone is dead. He finds little Betty Jane, a five-year-old who had been able to hide successfully during the attack. The only thing to be done is for him to take her along with him. But during their journey, he discovers that the child knows something that no one else does.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    This all-new adaptation of Edgar Allen Poe's masterpiece of horror takes readers into the dark depths of the subconscious, unearthing hidden terrors of the human soul.

    A collection of four books in the "Bulldog Drummond" series, written by "Sapper", (a pseudonym of Herman Cyril McNeale) in the early 1920s.The stories follow the adventures of Captain Hugh "Bulldog" Drummond, D.S.O., M.C., a wealthy former WWI officer of the Loamshire Regiment, who, after the war, spends his new-found leisure time as a private detective.Drummond is a James Bond-like figure and a rougher version of the adventurers depicted by the likes of John Buchan and Rider Haggard.Included in this volume: Book One: Bulldog Drummond; Book Two: The Black Gang; Book Three: The Third Round; Book Four: The Final Count.

     One lie could save them. The brilliant prequel to The Boy Who Saw, a gripping thriller from Sunday Times bestseller Simon Toyne, featuring the enigmatic Solomon Creed.A strangerSolomon Creed is an outsider with an unknown past, travelling through a remote part of Texas. He doesn’t look for trouble – but trouble finds him.A familyAt a roadside diner, he runs into a worn-down family whose ancestral land and home is about to be auctioned. But when Solomon suspects it’s worth a lot more than they think he decides to take things into his own hands.A secretAs Solomon races to find hard evidence of the land’s true value, he uncovers a dark truth – hidden for generations – that changes everything. But how far is he willing to go to save a family from potential ruin? And how far will others go to stop him?

    He finds himself a solitary guest in the foreboding, inscrutable Usher mansion. A mysterious ailment has possessed Roderick Usher, lord of the manor, which has resisted all medical treatment and threatens to extinguish the line of Usher forever. Yet a darker enigma faces Powell, and the further he probes the more obscure and horrifying seems the truth. Building to its heart-stopping climax this classic tale of the macabre by the great American author Edgar Allan Poe has been faithfully adapted for the stage preserving much of the beloved text in the script. It is sure to delight all Poe fans and to convert the uninitiated.

    As weeks go by with no responses to his newspaper advertisement, he has taken to spending his days wandering idly about London rather than admit his failure to his beloved wife Julia, the former Lady Fieldhurst.One day, while loitering amidst the crowds thronging the Covent Garden market, he wonders morosely if it might have been better had he not been born at all. Then he sees one of his former colleagues and, in an attempt to make a discreet exit, contrives instead to knock himself unconscious.He awakens to discover that his Bow Street colleague doesn’t seem to remember him, and after staggering back home to Curzon Street, he finds someone else living in the house where he lived with Julia. But still greater surprises are in store for Pickett as he attempts to navigate his way through a world in which he never existed…With a wink and a nod to Frank Capra’s classic film IT'S A WONDERFUL LIFE, NOWHERE MAN offers an alternate version of many of the earlier entries in the John Pickett mystery series.

    Emily is a member of a family in the antebellum Southern aristocracy; after the Civil War, the family has fallen on hard times.