They're following you. They're everywhere now. They're us.In Samanta Schweblin's wildly imaginative new novel, Little Eyes, "kentukis" have gone viral across the globe. They're little mechanical stuffed animals that have cameras for eyes, wheels for feet, and are connected to an anonymous global server. Owners of kentukis have the eyes of a stranger in their home and a cute squeaking pet following them; or you can be the kentuki and voyeuristically spend time in someone else's life, controlling the creature with a few keystrokes. Through kentukis, a jaded Croatian hustler stumbles into a massive criminal enterprise and saves a life in Brazil, a lonely old woman in Peru becomes fascinated with a young woman and her louche lover in Germany, and a motherless child in Antigua finds a new virtual family and experiences snow for the first time in Norway.These creatures can reveal the beauty of connection between farflung souls - but they also expose the ugly humanity of our increasingly linked world. Trusting strangers can lead to unexpected love and marvelous adventure, but what happens when the kentukis pave the way for unimaginable terror?

    From congresswoman to senator, the magnetic, ambitious single mother now has her eye on the White House—always looking forward, never back. Until an estranged childhood friend shreds her in an op-ed hit piece gone viral.With seven words—“Cleo McDougal is not a good person”—the presidential hopeful has gone from in control to damage control, and not just in Washington but in life.Enter Cleo’s “regrets list” of 233 and counting. Her chief of staff has a brilliant idea: pick the top ten, make amends during a media blitz, and repair her reputation. But there are regrets, and there are regrets: like her broken relationship with her sister, her affair with a law school professor…and the regret too big to even say out loud.But with risk comes reward, and as Cleo makes both peace and amends with her past, she becomes more empowered than ever to tackle her career, confront the hypocrites out to destroy her, and open her heart to what matters most—one regret at a time.

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

    This is an autobiographical book in which Corneliu Zelea Codreanu expressed his political and spiritual ideaology as well as explained the struggles and persecution of his Legionary movement in Romania.

    But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.The Pale King remained unfinished at the time of David Foster Wallace's death, but it is a deeply compelling and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions--questions of life's meaning and of the value of work and society--through characters imagined with the interior force and generosity that were Wallace's unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for one of the most daring writers of our time.

    Victor Pelevin has established a reputation as one of the most brilliant writers at work today; his comic inventiveness has won him comparisons to Kafka, Calvino, and Gogol, and Time has described him as a apsychedelic Nabokov for the cyberage.a Pelevinas new novel, his first in six years, is both a supernatural love story and a satirical portrait of modern Russia. It concerns the adventures of a hardworking fifteen-year-old Moscow prostitute named A. Huli, who in reality is a two thousand-year-old were-fox who seduces men in order to absorb their life force; she does this by means of her tail, a hypnotic organ that puts men into a trance in which they dream they are having sex with her. A. Huli eventually comes to the attention of and falls in love with a high-ranking Russian intelligence officer named Alexander, who is also a werewolf (unbeknownst to our heroine). And that is only the beginning of the fun. A huge success in Russia, this is a stunning and ingenious work of the imagination, arguably Pelevinas sharpest and most engrossing novel to date.

    And only nine hundred million of them will be white. What will happen when the teeming billions of the so-called Third World - driven by unbearable hunger and despair, the inevitable consequences of insensate over-population - descend locust-like on the lush lands of the complacent white nations?Jean Raspail has the rare imagination and courage necessary to face this terrifying question head-on. Readers of whatever color and political persuasion will find in The Camp of the Saints (already a bestseller in France & America) a hypnotically readable novel of compelling power that will disturb, provoke and horrify them by turns. And so powerful is its impact that once you have read it you will need brain surgery to forget it.

    Conspiracies rule history. Jesuits plot against Freemasons. Italian republicans strangle priests with their own intestines. French criminals plan bombings by day and celebrate Black Masses at night. Every nation has its own secret service, perpetrating forgeries, plots, and massacres. From the unification of Italy to the Paris Commune to the Dreyfus Affair to The Protocols of the Elders of Zion, Europe is in tumult and everyone needs a scapegoat. But what if, behind all of these conspiracies both real and imagined, lay one lone man? What if that evil genius created its most infamous document?　 Eco takes his readers here on an unforgettable journey through the underbelly of world-shattering events. This is Eco at his most exciting, a book immediately hailed as his masterpiece.

    It would appear that the formula: IQ+Effort=Merit may well constitute the basic belief of the ruling class in the twenty-first century. Projecting himself into the year 2034, the author of this sociological satire shows how present decisions and practices may remold our society.It is widespread knowledge that it is insufficient to be somebody's nephew to obtain a responsible post in business, government, teaching, or science. Experts in education and selection apply scientific principles to sift out the leaders of tomorrow. You need intelligence rating, qualification, experience, application, and a certain caliber to achieve status. In a word, one must show merit to advance in the new society of tomorrow.In a new opening essay, Young reflects on the reception of his work, and its production, in a candid and lively way. Many of the critical ambiguities surrounding its original publication are now clarified and resolved. What we have is what the Guardian of London called "A brilliant essay." and what Time and Tide described as "a fountain gush of new ideas. Its wit and style make it compulsively enjoyable reading from cover to cover."

    Henry Parsons, an unlikely but appealing hero, races to find the origins and cure of a mysterious new killer virus as it brings the world to its knees.At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When Henry Parsons--microbiologist, epidemiologist--travels there on behalf of the World Health Organization to investigate, what he finds will soon have staggering repercussions across the globe: an infected man is on his way to join the millions of worshippers in the annual Hajj to Mecca. Now, Henry joins forces with a Saudi prince and doctor in an attempt to quarantine the entire host of pilgrims in the holy city... A Russian émigré, a woman who has risen to deputy director of U.S. Homeland Security, scrambles to mount a response to what may be an act of biowarfare... already-fraying global relations begin to snap, one by one, in the face of a pandemic... Henry's wife Jill and their children face diminishing odds of survival in Atlanta... and the disease slashes across the United States, dismantling institutions--scientific, religious, governmental--and decimating the population.

    His classmates cannot make him come down, not even by pelting him with rocks. So to prove to Pierre-Anthon that life has meaning, the children decide to give up things of importance. The pile starts with the superficial—a fishing rod, a new pair of shoes. But as the sacrifices become more extreme, the students grow increasingly desperate to get Pierre-Anthon down, to justify their belief in meaning. Sure to prompt intense thought and discussion, Nothing—already a treasured work overseas—is not to be missed.

    When the prime suspect is released without charge, Richard’s suspicions are aroused. Investigating the mystery, Richard uncovers at the Metro-Centre mall a neo-fascist world whose charismatic spokesperson is whipping up the masses into a state of unsustainable frenzy. Riots regularly terrorize the complex, immigrant communities are attacked by hooligans, and sports events mushroom into jingoistic political rallies. In this gripping, dystopian tour de force, J.G. Ballard holds up a mirror to suburban mind rot, revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.

    Deep, deep, deep; past your desire for true love, for inexhaustible riches or uncontested sexual championship, for the ability to fight crime and restore peace to a weary world. Underneath all this, if you are a true, red-blooded American, you'll find the throbbing desire to be famous. Liza Normal wants fame worse than air, food, sleep, or self-preservation. Her talents are slim, but she's been raised on a crash diet of Hollywood "I-can-do-it " mythology, game-show anthems, and Love's Baby Soft- scented teen dreams. According to the delusional logic inherent in these value-starved sources, the key to Making It Big as a pop star is to simply want it badly enough and Believe in Yourself (and to follow the B-movie template for becoming one of life's golden winners -- see page 20). And so, innocent Liza's disco-ball fantasies are bowled down the yellow brick road, on a direct collision course with that whirling hall of hammers: Reality. She endures a wretched series of mishaps on the road to failure: disastrous love affairs, scorching humiliations. But Liza, a far better human than the two-dimensional starlet she thinks she wants to be, is indestructible.In Colors Insulting to Nature, Cintra Wilson has fused a hilarious yet strangely touching coming-of-age story with a blistering satire of our celebrity-debased culture. In a world where unknowns compete to wear their ethical pants around their ankles on TV, where actors become presidents and plucky American Idols claw their way to stardom over the corpses of the dreams of a million wishful losers, Colors Insulting to Nature shocks us into seeing ourselves as we truly are, not as wethink we look when we make that French pout face in the mirror. Not since John Kennedy Toole's A Confederacy of Dunces, Martin Amis's Money, or, yes, Rabelais's Gargantua and Pantagruel has an antihero peeled away the lamination of our society with such savage glee and empathy. Laugh, cry, cringe with self-recognition: Colors Insulting to Nature is a brilliant achievement.

    Written during the Great Depression when America was largely oblivious to Hitler's aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a President who becomes a dictator to "save the nation." Now finally back in print, It Can't Happen Here remains uniquely important, a shockingly prescient novel that's as fresh and contemporary as today's news.

    Addressing timely issues with analytical bite, Drezner looks at how well-known theories from international relations might be applied to a war with zombies. Exploring the plots of popular zombie films, songs, and books, Theories of International Politics and Zombies predicts realistic scenarios for the political stage in the face of a zombie threat and considers how valid--or how rotten--such scenarios might be.Drezner boldly lurches into the breach and stress tests the ways that different approaches to world politics would explain policy responses to the living dead. He examines the most prominent international relations theories--including realism, liberalism, constructivism, neoconservatism, and bureaucratic politics--and decomposes their predictions. He digs into prominent zombie films and novels, such as Night of the Living Dead and World War Z, to see where essential theories hold up and where they would stumble and fall. Drezner argues that by thinking about outside-of-the-box threats we get a cognitive grip on what former U.S. Secretary of Defense Donald Rumsfeld famously referred to as the unknown unknowns in international security.Correcting the zombie gap in international relations thinking and addressing the genuine but publicly unacknowledged fear of the dead rising from the grave, Theories of International Politics and Zombies presents political tactics and strategies accessible enough for any zombie to digest.