A timely pardon and a hopeful Caribbean colonial venture failed to mend the family’s fortunes, and Françoise was reduced to begging in the streets. Yet, armed with beauty, intellect, and shrewd judgment, she was to make her way to the center of power at Versailles, the most opulent and ambitious court in all Europe.At fifteen, she was married off to the forty-two-year-old satirical poet Paul Scarron, a former roué now grievously deformed by rheumatism—“a sort of human Z,” as he described himself. Despite his ailments, Scarron presided over the liveliest and most scandalous literary salon in Paris, and Françoise quickly became its most prized ornament.After Scarron’s death, she enjoyed a merry widowhood in the fashionable Marais district, in the company of the courtesan Ninon de Lenclos and the King’s splendid mistress, Athénaïs de Montespan, who made the young widow governess to her brood of illegitimate children. The appointment transformed Françoise’s life, but was fatal to the temperamental Athénaïs herself, with the King soon turning his attentions to the graceful governess. Françoise was raised to the nobility as Madame de Maintenon—and, unofficially, “Madame de Maintenant,” the lady of the moment.The acclaimed biographer Veronica Buckley traces the extraordinary story of Françoise’s progress from pauper child to salonnière to the compromised position of Louis’s secret wife and uncrowned Queen. An absolute ruler, Louis turned away his many other mistresses to live with Françoise only, trusting her as his closest confidante and remaining in love with her for forty years.Sparkling with the irresistible wit of contemporary chroniclers such as Madame de Sévigné, this exactingly researched biography is a pinnacle of the form. In vibrant colors, The Secret Wife of Louis XIV paints a portrait of Europe in an age of violent change, and the Sun King’s France in the process of becoming its modern self.

    We all have sins to confess. So reveals Catherine de Medici in this brilliantly imagined novel about one of history’s most powerful and controversial women. To some she was the ruthless queen who led France into an era of savage violence. To others she was the passionate savior of the French monarchy. Acclaimed author C. W. Gortner brings Catherine to life in her own voice, allowing us to enter into the intimate world of a woman whose determination to protect her family’s throne and realm plunged her into a lethal struggle for power.  The last legitimate descendant of the illustrious Medici line, Catherine suffers the expulsion of her family from her native Florence and narrowly escapes death at the hands of an enraged mob. While still a teenager, she is betrothed to Henri, son of François I of France, and sent from Italy to an unfamiliar realm where she is overshadowed and humiliated by her husband’s lifelong mistress. Ever resilient, Catherine strives to create a role for herself through her patronage of the famous clairvoyant Nostradamus and her own innate gift as a seer. But in her fortieth year, Catherine is widowed, left alone with six young children as regent of a kingdom torn apart by religious discord and the ambitions of a treacherous nobility. Relying on her tenacity, wit, and uncanny gift for compromise, Catherine seizes power, intent on securing the throne for her sons. She allies herself with the enigmatic Protestant leader Coligny, with whom she shares an intimate secret, and implacably carves a path toward peace, unaware that her own dark fate looms before her—a fate that, if she is to save France, will demand the sacrifice of her ideals, her reputation, and the passion of her embattled heart. From the fairy-tale châteaux of the Loire Valley to the battlefields of the wars of religion to the mob-filled streets of Paris, The Confessions of Catherine de Medici is the extraordinary untold journey of one of the most maligned and misunderstood women ever to be queen.

    She was a few days old when she acceeded to the throne upon his death. A devout Catholic, Mary grew up in France and was both married and widowed there. She returned to Scotland, a country split between Catholics and Protestants, and in political turmoil. However, she soon sought to remarry and here begins her tumultuous life that sealed her time as Queen of Scots. Majorie Bowen’s account of Mary Stuart’s romantic and tempestuous life, is undoubtedly one of the most distinguished and readable historical biographies ever written. Mary’s own complex and emotional character, the jealousy and violence that surrounded her life with her husbands and her lovers, and the plots and counterplots that marred her relationship with Elizabeth I and brought about her tragic death, are brilliantly described. ‘Mary Queen of Scots’ is a richly detailed account of the eminent monarch’s life. “A book remarkable alike for its vividness and for its historical perspective” DAILY EXPRESS “… one of the most novel features of Miss Bowen’s book is the care she takes to see the point of view of Mary’s lovers. She makes a plausible case for Bothwell and even joins the very select band of those who have something good to say for Darnley” TIMES LITERARY SUPPLEMENT “Fresh, vivid, exciting and enthralling … This is a fine book” THE SPHERE “A book in every way worthwhile … as an individual contribution to the subject, Miss Bowen’s work is of the exceptional class” THE SCOTSMAN Born in 1885, Marjorie Bowen (pseudonym of Margaret Gabrielle Vere Campbell Long) was one of Britain’s most prolific authors of the twentieth century. Writing was more than just a hobby: her works were the primary source of financial support for her family. Between 1906 and her death in 1952, Bowen wrote over 150 books, garnering much acclaim for her popular histories and historical and gothic romances. Alongside masterful descriptions and concise, efficient prose, she deftly rendered larger-than-life subjects in the minds of her readers. To this day, aficionados of the genres covet Bowen’s work. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Taken, along with her mother and father, from the Terezín ghetto in Prague, Dita is adjusting to the constant terror that is life in the camp. When Jewish leader Freddy Hirsch asks Dita to take charge of the eight precious volumes the prisoners have managed to sneak past the guards, she agrees. And so Dita becomes the librarian of Auschwitz. Out of one of the darkest chapters of human history comes this extraordinary story of courage and hope.

    Petersburg. There Czar Nicholas takes a special interest in his exotic Muslim hostage, the eldest son of Chechen warrior chief Imam Shamil. In St. Petersburg, Jamal Eddin is immersed in imperial life, educated alongside the czar’s own sons and gradually maturing into the consummate courtier. Through it all, he remains true to the Muslim faith of his father—until he falls in love with a beautiful Russian aristocrat. To marry her he must convert to Christianity, a sacrifice Jamal Eddin is prepared to make for the woman he loves. But he doesn’t realize that there are greater forces at work, forces that have lain in wait for Jamal Eddin to come of age and serve the purpose for which he was groomed. And when he is called to return to his native land and take his rightful place as leader of the Muslims, Jamal Eddin must choose: reject his people to follow his heart or abandon his bride to fulfill his duty.Based on an astonishing true story, Between Love and Honor is a sweeping historical novel in the grand style of Alexandre Dumas and a breathtaking love story of sacrifice and devotion. It was awarded with two prestigious literary prizes upon its publication in France in 2009: the Prix des Romancières award presented by a jury of female novelists, and the Prix Vivre Plus award granted by the monthly magazine of the same name.

    Julie Kavanagh traces Marie's reinvention in Paris at sixteen: as shop girl, kept woman, and finally, as grand courtesan with the clothes, apartment, coach and horses that an aristocratic woman of the time would have had. Tall, willowy, with dramatic dark hair, Marie acquired an aristocratic mien, but coupled with a singular modesty and grace, she was an irresistible figure to men and women alike. Kanavagh brings her to life on the page against a brilliantly evoked background of 1840s Paris: the theater and opera, the best tables at the cafés frequented by society figures, theater directors, writers, artists--and Marie, only nineteen, at the center of it all. Four years later, at twenty-three, she would be dead of tuberculosis.

     E. Barrington tells the romantic history of the most beautiful and vivid of them all - his second wife, Anne Boleyn. Anne rises to fame when she captures the heart of King Henry. He is married to Katharine of Aragon, but she is six years his senior, and though she has provided him with sons throughout their marriage, they have all died. Henry is desperate for an heir, and he becomes captivated by the mysterious and shrewd Anne Boleyn. But Christian law stands in his way, and their courtship is put on hold as he battles those in power to gain a divorce from Katharine. And the moment Anne finally gets what she wants - the crown - is also the moment her downfall begins… Barrington’s classic novel portrays Anne as shrewd, lovely, ambitious, generous, disillusioned, and resolved to capitalize her beauty for her own ends. This is the story of Anne, but also of the days of Anne - when the question over a woman’s virtue was paramount in the great game of kings and kingdoms… E Barrington is a pseudonym of Elizabeth Louisa Moresby (1862 – 3 January 1931), a British-born novelist who became the first prolific, female fantasy writer in Canada. Her other historical novels include ‘Glorious Apollo: The Life of Lord Byron’, ‘Queen of Hearts: A Novel of Marie Antoinette’ and ‘The Laughing Queen: A Novel of Cleopatra’. Endeavour Press is the UK’s leading independent publisher of digital books.

    A fiery and gorgeous Hungarian, he made women swoon at soirees and left a trail of broken hearts behind him. Anne, a countess and talented young pianist whose mother has just died of cholera, hears Franz Liszt in concert and is swept up in his allure. The enigmatic Marie d'Agoult, a friend of Anne's late mother, takes her under her wing and introduces her to the artistic world -- despite the objections of Anne's sullen and sorrowful father. Anne soon finds herself in the midst of dangerous intrigues, discovering a family secret so shocking that her father will go to any lengths to protect it. With the ominous presence of Paris's most deadly epidemic looming over every turbulent event, Liszt's Kiss is a rich evocation of a remarkable period as seen through the eyes of a sensitive young artist.

    But what was he like as a young man—the man before Versailles?   After the death of his prime minister, Cardinal Mazarin, twenty-two-year-old Louis steps into governing France. He’s still a young man, but one who, as king, willfully takes everything he can get—including his brother’s wife. As the love affair between Louis and Princess Henriette burns, it sets the kingdom on the road toward unmistakable scandal and conflict with the Vatican. Every woman wants him. He must face what he is willing to sacrifice for love.But there are other problems lurking outside the chateau of Fontainebleau: a boy in an iron mask has been seen in the woods, and the king’s finance minister, Nicolas Fouquet, has proven to be more powerful than Louis ever thought—a man who could make a great ally or become a dangerous foe . . .Meticulously researched and vividly brought to life by the gorgeous prose of Karleen Koen, Before Versailles dares to explore the forces that shaped an iconic king and determined the fate of an empire.

    The result is a brilliant, lively, intimate exchange of letters, sharing of opinions on past and contemporary culture, and Bernhardt's reflections on her career, friends, motherhood, lovers, money and fans. Though the letters are imaginary, the real woman, Sarah Bernhardt dominated the stage not only in her native France, but throughout the world for sixty years, literally until the week she died in 1923.

    Carolly Erickson takes the reader deep into the psyche of France's doomed queen: her love affair with handsome Swedish diplomat Count Axel Fersen, who risked his life to save her; her fears on the terrifying night the Parisian mob broke into her palace bedroom intent on murdering her and her family; her harrowing attempted flight from France in disguise; her recapture and the grim months of harsh captivity; her agony when her beloved husband was guillotined and her young son was torn from her arms, never to be seen again.Erickson brilliantly captures the queen's voice, her hopes, her dreads, and her suffering. We follow, mesmerized, as she reveals every detail of her remarkable, eventful life—from her teenage years when she began keeping a diary to her final days when she awaited her own bloody appointment with the guillotine.

    . . A LARD raised his head. It was a pleasant voice, though a little drunken, and the words came clearly enough, a trifle blurred about the con sonants, to the high window of the Maison du Poirier. The window was open, for the June night was hot, and there were few noises after ten oclock in the Place du Parvis Notre Dame. Time goes by, And naught do I. Time comes again, . . . Et ne fais rien Abelards smile broadened. I am very sure, my friend, said he, that you do not. But at any rate he had found a good tune. The listeners ear was quick. He began not ing it on the margin of his manuscript, while his brain busied itself fitting Latin words to the original a pity to waste so good a tune and so profound a sentiment on a language that was the breath of a day, Fugit hora, Absque mora, Nihil facio . . . Not to that tune. The insinuating, if doomed, vernacu lar lilted again. Abelard realized that he was spoiling the 3 PETER ABELARD margin of his Commentary on Ezekiel, and turned back resolutely. Now, as Augustine says, our concern with any man is not with what eloquence he teaches, but with what evidence. But the thread of his argument was broken he got up and came over to the window. The singing had stopped, but he could see the tonsured head below him, glimmeringlike a mushroom in the dusk, while the legs tacked uncertainly across the broad pavement of the Parvis Notre Dame on their way to the cheerful squalors of the Petit Pont. Suddenly they halted the moon had come out from a drifting haze, and the singer, pausing on the edge of a pool of light, peered at it anxiously, and then lifted up his eyes. The voice rose again, chastened, this time in the venerable cadences of the hymn for dawn Jam lucis orto sidere Statini oportct bibere. The blasphemous pup, said Abelard. He leaned out, to hear the rest of it Now risen is the star of day. Let us arise and drink straightway. That we in peace this day may spend, Drink we and drink, nor make an end. This was a better parody, because a simpler, than the one he had made upon it himself ten years ago, to illus trate for his students the difference between the acci dents and the essential, the accidents being the words, the essential the tune. Lord, the Blessed Gosvins face when he began singing it Doubtless he would be the Blessed Gosvin some day so holy a youth could not fail of a 4 THE CLOISTER OF NOTRE DAME sanctified old age. St. Gosvin perhaps the youngster was Prior already at ... he had forgotten where. The im pudent, smooth-faced prig. Abelards mind was running down a channel it knew and did not like the moment in the classroom at St. Genevieve, when Gosvins reedy treble had interrupted the resonant voice from the rostrum with those innocent questionings, answered contemptuously, the masters eyes half averted and his mind less than half attentive, till the sudden horrid silence brought him to his senses and he realized that he was trapped, even as he had so often trapped that good old goat, William of Champeaux. He had recovered, magnificently but for the moment he had felt the hounds at his throat. And the cheering had been too vehement they knew. Somebody on the lie de Cite that night made a song about David and Goliath, not a very good song, but the name had stuck to him since, though not many remembered the origin of it. A pity, all the same, that Gosvin took to the cloister. It w r ould be very pleasant to have him lecturing to empty benches at St. Genevieve, while at Notre Dame the stu dents wedged open the doors and stood thick on the stairs...

    Prize-winning novelist Cai Emmons praises Sterry by saying she really knows how to tell a story. Sterry grew up in a succession of isolated one-room schools in northern and central Montana, where her mother, a teacher, eked out a living. A must read for anyone who loves Montana and its rich history.

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    In spite of her youth and lack of experience, the eighteen-year-old surprises her detractors by taking the reins with poise and grace, vowing to always put the welfare of her realm first. Yet from the moment she meets her cousin, the handsome, fair-haired Albert, she becomes obsessed by love. Homesick for Germany, Albert wishes the petite, birdlike creature would choose someone else. But when Victoria asks him to share her life, he has no choice but to say yes. Evelyn Anthony’s novel captures Victoria’s passion for Albert, along with the contradictions in her personality and monstrous ego that almost destroyed her marriage. Although she bore Albert nine children, Victoria lacked maternal instinct. In many ways she mirrored the callous indifference of the era: Child labor and grueling fourteen-hour workdays were commonplace in Victorian England. Spanning the first twenty-one years of her reign, Victoria and Albert is a love story and a revealing portrait of a marriage.In 1837, an eighteen-year-old girl ascended the throne of Great Britain, and within three years Victoria had established herself and the Crown as a major power in politics. Much has been written of her marriage to Albert, but little has been included of the struggle between husband and wife. Evelyn Anthony now recreates the Victorian past to tell the story of that love, and how Victoria eventually came to love her husband better than herself or her own power.