She is quickly identified as Katie Pine, a teenager who had disappeared months ago. At the time, Detective John Cardinal insisted that Katie was no ordinary runaway. His relentless pursuit and refusal to give up on the case, and his lack of results, got him demoted from Homicide. But now the police force wants Cardinal back on the case—with a new associate by his side, Lise Delorme. As these two untrusting partners gather evidence of a serial murder spree, a pair of sociopaths is closing in on the next victim.

    Alban's new priest, fits like a square peg in the conservative Episcopal parish at Millers Kill, New York. She is not just a "lady," she's a tough ex-Army chopper pilot and nobody's fool. Then a newborn infant left at the church door brings her together with the town's Police Chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown. Their search for the baby's mother quickly leads them into the secrets that shadow Millers Kill like the ever-present Adirondacks. What they discover is a world of trouble, an attraction to each other--and murder...

    Gamache cannot understand why anyone would want to deliberately kill well-loved artist Jane Neal, especially any of the residents of Three Pines - a place so free from crime it doesn't even have its own police force. But Gamache knows that evil is lurking somewhere behind the white picket fences and that, if he watches closely enough, Three Pines will start to give up its dark secrets...

    Dead faces set in grimaces and shouts. Faces howling, whistling, moaning, crying, hissing. Hazel pinned them to the wall and stood back. It was a silent opera of ghosts. Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found—their bodies drained of blood, their mouths sculpted into strange shapes—Hazel finds herself tracking a truly terrifying serial killer across the country while everything she was barely holding together begins to spin out of control.Through the cacophony of her bickering staff, her unsupportive superiors, a clamoring press, the town’s rumor mill, and her own nagging doubts, Hazel can sense the dead trying to call out. But what secret do they have to share? And will she hear it before it’s too late?In The Calling, Inger Ash Wolfe brings a compelling new voice and an irresistible new heroine to the mystery world.

    Now, in THE MERMAIDS SINGING, she continues her trademark ingenuity for suspense, and introduces criminal profiler Tony Hill, who has spent years exploring the psyches of madmen. But now he's become one of the hunted...YOU ALWAYS REMEMBER THE FIRST TIME...This was the summer he discovered what he wanted—at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.BUT THE NEXT TIME WOULD BE BETTER...The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.AND PRACTICE MAKES PERFECT.A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage—or the power—to stop it...

    They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood …Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country.But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual whose killing spree spans decades.As the body count rises, Kim needs to stop the murderer before they strike again. But to catch the killer, can Kim confront the demons of her own past before it’s too late? Fans of Rachel Abbott, Val McDermid and Mark Billingham will be gripped by this exceptional new voice in British crime fiction.

    Homicide detective Elouise “Lou” Norton’s new partner Colin Taggert, fresh from the Colorado Springs police department, assumes it’s a teenage suicide. Lou isn’t buying the easy explanation. For one thing, the condo site is owned by Napoleon Crase, a self-made millionaire… and the man who may have murdered Lou’s missing sister thirty years ago. As Lou investigates the death of Monique Darson, she uncovers undeniable links between the two cases. She is convinced that when she solves Monique’s case she will finally bring her lost sister home. But as she gets closer to the truth, she also gets closer to a violent killer. After all this time, can he be brought to justice… before Lou becomes his next victim?

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Moving from Boston to remote Bearkill, Maine, isn’t homicide cop Lizzie Snow’s idea of a step up. But breaking away from tragedy and personal betrayal is at least a step in the right direction. Her dead sister’s fate still torments her, as does her long-missing niece’s disappearance. Lizzie hopes to find the mysteriously vanished child here, amid the coming ice and snow. But in the Great North Woods, something darker and more dangerous than punishing winter is also bound for Bearkill. The town is a world apart in more than distance—full of people who see everything, say little, and know more than they’ll share with an outsider. The only exceptions are the handsome state cop who once badly broke Lizzie’s heart and desperately wants another chance—and Lizzie’s new boss, sheriff Cody Chevrier, who’s counting on her years of homicide experience to help him solve his most troubling case, before it’s too late. A rash of freak accidents and suicides has left a string of dead men—all former local cops. Now the same cruel eyes that watched them die are on Lizzie—and so is the pressure to find out what sort of monster has his hooks in this town, what his ruthless game is, and just how brutally he’ll play to win. Whatever the truth is, its twisted roots lie in the desolate backwoods of Allagash County: where the desperate disappear, the corrupt find shelter, and the innocent lose everything. It’s there that a cunning and utterly cold-blooded killer plans the fate of the helpless lives at his mercy—one of whom may be the lost child Lizzie will do anything to save. As a blizzard bears down, and Bearkill’s dark secrets claw their way to the surface, Lizzie gears up for a showdown that could leave the deep, driven snow stained blood red.

    King into the upper tier of the genre. As "A Grave Talent" begins, the unthinkable has happened in a small community outside of San Francisco. A string of shocking murders has occurred, each victim an innocent child. For Detective Kate Martinelli, just promoted to Homicide and paired with a seasoned cop who's less than thrilled to be handed a green partner, it's going to be a difficult case. Then the detectives receive what appears to be a case-breaking lead: it seems that one of the residents of this odd, close-knit colony is Vaun Adams, arguably the century's greatest painter of women, a man, as it turns out, with a sinister secret. For behind the brushes and canvases also stands a notorious felon once convicted of strangling a little girl. What really happened on that day of savage violence eighteen years ago? To bring a murderer to justice, Kate must delve into the artist's dark past -- even if she knows it means losing everything she holds dear.

    Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.

    Literally. With Serial Killer Detective out in limited release, the real-life murders of a jogger and a young woman have already mimicked the first two scenarios in the game. But Grace McBride and her eccentric Monkeewrench partners are caught in a vise. If they tell the Minneapolis police of the link between their game and the murders, they'll shine a spotlight on the past they thought they had erased-and the horror they thought they'd left behind. If they don't, eighteen more people will die...

    But as questions mount, Falk is forced to probe deeper into the deaths of the Hadler family. Because Falk and Luke Hadler shared a secret. A secret Falk thought was long buried. A secret Luke's death now threatens to bring to the surface in this small Australian town, as old wounds bleed into new ones.

    There’s just one chilling difference. Erin’s husband, Justin, has vanished.Bree knows how explosive the line between love and hate can be, yet the evidence against her troubled brother-in-law isn’t adding up. Teaming up with Justin’s old friend, former sheriff’s investigator and K-9 handler Matt Flynn, Bree vows to uncover the secrets of her sister’s life and death, as she promised Erin’s children. But as her investigation unfolds, the danger hits close to home. Once again, Bree’s family is caught in a death grip. And this time, it could be fatal for her.

    So when his homicide detective brother kills himself, McEvoy copes in the only way he knows how--he decides to write the story. But his research leads him to suspect a serial killer is at work--a devious murderer who's killing cops and leaving a trail of poetic clues. It's the news story of a lifetime, if he can get the story without losing his life.