For too many people, the damage is still too palpable, and still unfolding. Most of the major players in that decision are still with us, and few are not haunted by it, in one way or another. Perhaps that combination, the passage of the years and the still unresolved trauma, explains why so many protagonists opened up so fully for the first time to Robert Draper.Draper's prodigious reporting has yielded scores of important new revelations, from the important to the merely absurd. As a whole. the book paints a vivid and indelible picture of a decision-making process that was fatally compromised, by a combination of post-9/11 fear and paranoia, rank naïveté, craven group think, and a set of actors with idées fixes who gamed the process relentlessly. Everything was believed; nothing was true. The intelligence failure was comprehensive. Draper's fair-mindedness and deep understanding of the principal actors suffuse his account, as does a storytelling genius that is close to sorcery. No one is cheap-shotted here, which makes the ultimate conclusion all the more damning. In the spirit of Barbara Tuchman's The Guns of August and Marc Bloch's Strange Defeat, To Start a War will stand as the definitive account of a collective process that arrived at evidence that would be prove to be, not just dubious but entirely false, driven by imagination rather than a quest for truth--evidence to drive a verdict that led to hundreds of thousands of deaths and a flood tide of chaos in the Middle East that shows no signs of ebbing.

    trading partner in sub-Saharan Africa, petroleum-rich Nigeria exports half its daily oil production to the United States. Like many African nations with natural resources coveted by the world's superpowers, the country has been shaped by foreign investment and intervention, conflicts among hundreds of ethnic and religious groups, and greed. Polio has boomed along with petroleum, small villages face off with giant oil companies, and scooter drivers run their own ministates. The oil-rich Niger Delta region at the heart of it all is a trouble spot as hot as the local pepper soup.Blending vivid reportage, history, and investigative journalism, in A Swamp Full of Dollars journalist Michael Peel tells the story of this extraordinary country, which grows ever more wild and lawless by the day as its refined petroleum pumps through our cities. Through a host of colorful characters--from the Area Boy gangsters of Lagos to a corrupt state governor who stashed money in his London penthouse, from the militants in their swamp forest hideouts to oil company executives--Peel makes the connection between Western energy consumption and the breakdown of the Nigerian state, where the corruption of the haves is matched only by the determination and ingenuity of the have-nots. What has happened to Nigeria is a stark warning to the United States and other economic powers as they grow increasingly frantic in their search for new oil sources: unbridled plunder eventually rebounds on those who have done the taking.A Swamp Full of Dollars--shortlisted for the Guardian First Book Award--shows that if the Arab world is the precarious eastern battle line in an intensifying world war for crude, then Nigeria has become the tumultuous western front.

    But a day job interviewing Paris, Britney and Co. left her trapped in the Golden Age of Stupid. Then she saw a photograph of John Prendergast in "Vanity Fair." His day job was ending war. He was also extremely attractive. Jane 'may have inferred she was a Foreign Correspondent', because suddenly she found herself on route to Africa on the trail of this modern-day Indiana Jones. There was one problem: when she got to Uganda John had left. Alone in a war-torn country, appalled by 25,000 child abductions, Jane must investigate the war crime of the century - to make John fancy her. Combining a maverick heroine, an idealist hero, comic disasters and moving tragedy, this is brilliant storytelling by a hugely talented writer. 'Jane Bussmann's romantic odyssey from Hollywood to Uganda is the funniest thing we've "ever" read.' "Instyle" Hot List 'a marvellously maverick approach to the investigation of war crimes.' "Marie Claire" Five Stars 'Imagine "The Last King of Scotland" written by Shazzer from "Bridget Jones's Diary," and you'd still only get halfway to appreciating Jane Bussmann's funny, incongruous and artlessly perceptive account... this is one of the funniest books I've read for a long while' "The Sunday Times"" " " " 'hilarious and heart-wrenching' The "Spectator"

    What they didn't know at the time was that the Bush administration's highest priority was not to vanquish Al Qaeda but to consolidate its own power at any cost. It was a mission that could be accomplished only by a propaganda presidency in which reality was steadily replaced by a scenario of the White House's own invention---and such was that scenario's devious brilliance that it fashioned a second war against an enemy that did not attack America on 9/11, intimidated the Democrats into incoherence and impotence, and turned a presidential election into an irrelevant referendum on macho imagery and same-sex marriage.As only he can, acclaimed New York Times columnist Frank Rich delivers a step-by-step chronicle of how skillfully the White House built its house of cards and how the institutions that should have exposed these fictions, the mainstream news media, were too often left powerless by the administration's relentless attack machine, their own post-9/11 timidity, and an unending parade of self-inflicted scandals (typified by those at The New York Times). Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, Rich brilliantly and meticulously illuminates the White House's disturbing love affair with "truthiness," and the ways in which a bungled war, a seemingly obscure Washington leak, and a devastating hurricane at long last revealed the man-behind-the-curtain and the story that had so effectively been sold to the nation, as god-given patriotic fact.

    Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people—nearly a quarter of the population—were killed in what was one of this century's worst crimes against humanity.When the War Was Over is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, When the War Was Over illuminates the darkness of Cambodia with the intensity of a bolt of lightning.

    A movement born in Iran during the Islamic Revolution in 1979, radical Islam has at its heart the goal of complete world domination. As this movement has grown, Iran has entered into alliances with Syria and Russia, leading to a deadly game of geopolitical threats and violence. Not only will you better understand jihadist terror, but you will also learn about Sharia law—a legal code that removes all personal liberty and is starkly incompatible with the US Constitution. All Muslims are required to follow Sharia—as are all who live in lands controlled by Islam. It is the goal of radical Islam to see Sharia instituted across the globe. If we are to combat radical Islam’s agenda of domination, we must arm ourselves with knowledge. With carefully researched history, legal-case studies, and in-depth interviews, Unholy Alliance lays out the ideology and strategy of radical Islam, as well as the path we must take to defeat it.

    Soon after starting work as an ITN cameraman, he began to feel strangely at home in the kind of places ordinary people get evacuated from. Before long, he was living for the rush which comes as bullets fly past your head and bombs explode at your feet. Normal life just couldn't compete...In Georgia, Jon filmed on the last flight out of the besieged airport at Sokhumi, as the plane took off in the dead of night, all lights extinguished, going the wrong way down the runway, directly towards the nearby steep and virtually invisible mountain range while Abkhazian soldiers fired off random anti-aircraft shells in their general direction. In Moscow, he filmed in the midst of chaos as armed rebels and Militia fought bloodthirsty, hand-to-hand battles on the streets around him. In Rwanda, he filmed the horrific aftermath to the most brutal massacre of modern times - and his own neck got far too close to the edge of a machete for comfort. In Zaire, he filmed endless fields full of young children deranged by hunger and ravaged by cholera. In Bosnia, Jon realised that he had, in fact, seen and filmed more than he could cope with, and finally spiralled out of control, deep into emotional meltdown.But somehow War Junkie is also an incredibly funny and exhilarating book. The humour is dark but sharp as broken glass. The action comes so thick and fast you can forget to breathe. War Junkie is shocking, hilarious, deeply moving and, ultimately, it packs a powerful psychological punch. It will challenge everything you thought you knew about modern warfare as it shines an unforgiving spotlight into some of the darkest recesses of recent history.

    The Way of the Knife is the untold story of that shadow war: a campaign that has blurred the lines between soldiers and spies and lowered the bar for waging war across the globe. America has pursued its enemies with killer drones and special operations troops; trained privateers for assassination missions and used them to set up clandestine spying networks; and relied on mercurial dictators, untrustworthy foreign intelligence services, and proxy armies.This new approach to war has been embraced by Washington as a lower risk, lower cost alternative to the messy wars of occupation and has been championed as a clean and surgical way of conflict. But the knife has created enemies just as it has killed them. It has fomented resentments among allies, fueled instability, and created new weapons unbound by the normal rules of accountability during wartime.

    . . The heart-stopping and definitive account of the rescue mission to free hundreds of Nigerian schoolgirls, and their heroic survival, after their 2014 kidnapping spurred a global social media campaign that prompted the intervention of seven militaries, showing us the blinding possibilities—for good and ill—of activism in our interconnected world. In the spring of 2014, American celebrities and their Twitter followers unwittingly helped turn a group of teenagers into a central prize in the global War on Terror by retweeting #BringBackOurGirls, a call for the release of 276 Nigerian schoolgirls who’d been kidnapped by the little-known Islamist sect Boko Haram. With just four words, their tweets launched an army of would-be liberators, spies, and glory hunters into an obscure conflict that few understood, in a remote part of Nigeria that had just barely begun to use the internet.When hostage talks and military intervention failed, the schoolgirls were forced to take survival into their own hands. As their days in captivity dragged into years, the young women learned to withstand hunger, disease, and torment, and became witnesses and victims of unspeakable brutality. Many of the girls were Christians who refused to take the path offered them—converting to Islam.While the world’s most sophisticated surveillance technology sputtered out, a covert Swiss agency and its Nigerian recruits worked painstakingly in the shadows to free the girls. A powerful work of investigative journalism, Bring Back Our Girls unfolds across four continents, from the remote forests of northern Nigeria to the White House; from clandestine meetings in Khartoum safe houses to century-old luxury hotels on picturesque lakes in the Swiss Alps. It is a cautionary tale that plumbs the promise and peril of an era whose politics are fueled by the power of hashtag advocacy—revealing how wildfire social media activism is reshaping our relationship to global politics.

    Some of the essays previously appeared in a collection published only in South Africa, Resident Alien, but others are collected here for the first time. The collection comprises twenty-three pieces; the title story investigates the provenance of the world famous song “The Lion Sleeps Tonight,” which Malan traces back to a Zulu singer named Solomon Linda who recorded a song called “Mbube” in the 1930s, which went on to be covered by Pete Seeger, REM, and Phish, and was incorporated into the musical “The Lion King.” In other stories, Malan follows the trial of Winnie Mandela and plunges into the explosive controversy over President Mbeki’s AIDS policies of the 1990s.The stories, combined with Malan’s sardonic interstitial commentary, offer a brilliantly observed portrait of contemporary South Africa.

    In an act of extraordinary courage, Sister Rachele, the Italian deputy headmistress, followed the abductors. Her journey took her to the Lord's Resistance Army, led by Joseph Kony, where she managed to secure the release of the majority of the girls. What happened to the remaining thirty girls and thousands of other children who have disappeared from their homes and schools in northern Uganda since the arrival of the Lord's Resistance Army? In this book journalist Els De Temmerman reconstructs the journey of two Aboke girls who managed to excape and one of the abductors, a fourteen year old boy who was part of Kony's elite troops.

    He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    Brooklyn, BBC.com, and Mental FlossAn intrepid journalist joins the planet’s largest group of nomads on an annual migration that, like them, has endured for centuries. Anna Badkhen has forged a career chronicling life in extremis around the world, from war-torn Afghanistan to the border regions of the American Southwest. In Walking with Abel, she embeds herself with a family of Fulani cowboys—nomadic herders in Mali’s Sahel grasslands—as they embark on their annual migration across the savanna. It’s a cycle that connects the Fulani to their past even as their present is increasingly under threat—from Islamic militants, climate change, and the ever-encroaching urbanization that lures away their young. The Fulani, though, are no strangers to uncertainty—brilliantly resourceful and resilient, they’ve contended with famines, droughts, and wars for centuries. Dubbed “Anna Ba” by the nomads, who embrace her as one of theirs, Badkhen narrates the Fulani’s journeys and her own with compassion and keen observation, transporting us from the Neolithic Sahara crisscrossed by rivers and abundant with wildlife to obelisk forests where the Fulani’s Stone Age ancestors painted tributes to cattle. As they cross the Sahel, the savanna belt that stretches from the Indian Ocean to the Atlantic, they accompany themselves with Fulani music they download to their cell phones and tales of herders and hustlers, griots and holy men, infused with the myths the Fulani tell themselves to ground their past, make sense of their identity, and safeguard their—our—future.

    Thomas L. Friedman, twice winner of the Pulitzer Prize for international reporting, and now the Foreign Affairs columnist on the op-ed page of the New York Times, drew on his ten years in the Middle East to write a book that The Wall Street Journal called "a sparkling intellectual guidebook... an engrossing journey not to be missed." Now with a new chapter that brings the ever-changing history of the conflict in the Middle East up to date, this seminal historical work reaffirms both its timeliness and its timelessness. "If you're only going to read one book on the Middle East, this is it." -- Seymour Hersh

    Many of these were between Slater and his personal allies on the hard right, revealing an ugly and destructive style of politics. But there were also many communications with the prime minister’s office and other Cabinet ministers in the National Government. They show us a side of Prime Minister John Key and his government of which most New Zealanders are completely unaware. Key has constructed an easy-going and relaxed public image, declaring to the public that ‘there’s no room for negative campaigning in New Zealand’. The reality is very different. His government has worked hand in hand with Slater and his collaborators in a sustained campaign of personal attacks against their political enemies, a deliberate but hidden strategy to avoid being held responsible for negative campaigning. Dirty Politics continues the story that began in Hager’s best-selling book The Hollow Men, investigating the way that underhand and deceptive politics poisons the political environment for everyone. If you care about integrity and ethics in politics, then this book will be disturbing but essential reading.