From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.

    “Worthy to sit beside Conrad and Dostoevsky’s excursions into the twisted world of secret agents. Joseph Roth is one of the great writers in German of this century; and this novel is a fine introduction to this view of intrigue, necessity, and moral doubt.” The London Times

    But this worldly, sarcastic, and perhaps even wicked woman may have been made for something greater than love.In her portrait of Myra and in her exquisitely nuanced depiction of her marriage, Cather shows the evolution of a human spirit as it comes to bridle against the constraints of ordinary happiness and seek an otherworldly fulfillment. My Mortal Enemy is a work whose drama and intensely moral imagination make it unforgettable.

    Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    This collection chronicles the wild and savage tales of Tarzan, a boy isolated from civility and raised by apes. View each novel as originally published in various pulp fiction magazines, from the early 10's, 20's, 30's and 40's. This collection, which is optimized for Kindle, includes all original cover art, original stories, and a hyperlink menu for ease of navigation from book to book.

    This book includes the following stories:The Colour Out of SpaceThe Picture in the HouseThe Call of CthulhuCool AirThe Whisper in DarknessThe Terrible Old ManThe Shadow Out of Time

    With intriguing portraits of Percy Bysshe Shelley and Lord Byron, the novel offers a vision of the future that expresses a reaction against Romanticism, and demonstrates the failure of the imagination and of art to redeem the doomed characters.

    She combined her insider's view of America's privileged classes with a brilliant, natural wit to write humourous and incisive novels and short stories. Wharton was well-acquainted with many of her era's literary and public figures, including Henry James and Theodore Roosevelt. Besides her writing, she was a highly regarded landscape architect, interior designer, and taste-maker of her time. She wrote several influential books, including The Decoration of Houses (1897), her first published work, and Italian Villas and Their Gardens (1904). The Age of Innocence (1920), perhaps her best known work, won the 1921 Pulitzer Prize for literature, making her the first woman to win the award. Her other works include: The Greater Inclination (1899), The Touchstone (1900), Sanctuary (1903), The Descent of Man, and Other Stories (1904), The House of Mirth (1905), Madame De Treymes (1907), The Fruit of the Tree (1907), The Hermit and the Wild Woman, and Other Stories (1908), Ethan Frome (1912), In Morocco (1921), and The Glimpses of the Moon (1921).

    The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder, yet one that will go on to destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health."Stefan Zweig was a dark and unorthodox artist; it's good to have him back." —Salman Rushdie

    He comes across a mansion inhabited by a vampiress who survives by enticing young men into her bedroom and feeding on them. She intends to feed on the young soldier but his purity and virginity have a curious effect on her.

    Based on John Gay's eighteenth-century Beggar's Opera, the play is set in Victorian England's Soho but satirizes the bourgeois society of the Weimar Republic through its wry love story of Polly Peachum and "Mack the Knife" Macheath. With Kurt Weill's music, which was one of the earliest and most successful attempts to introduce jazz into the theater, it became a popular hit throughout the Western world.Commissioned and authorized by the Brecht estate, Arcade's definitive edition contains the acclaimed translation by Ralph Manheim and John Willett that was first staged at the York Theatre Royal and subsequently at Lincoln Center in New York. Willett and Manheim, the joint editors of Brecht's complete dramatic work in English, also provide Brecht's own notes and discarded songs, as well as extensive editorial commentary on the genesis of his play.

    It recounts the mercurial lot of Keawe, a Hawaiian who purchases a bottle inhabited by an imp capable of granting any wish. Yet this enticing object holds a dark curse: anyone who dies with it in his possession will burn forever in hell. And here's the rub: one can sell the bottle only for less than its purchase price. Keawe rids himself of the bottle after acquiring a palatial home. But when he needs it again to ensure his happiness with a newfound love, its cost is, chillingly, one cent, and the responsibility of ownership becomes a good deal more complex.Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.