For Nora, the simple fact of her German citizenship bound her to the Holocaust and its unspeakable atrocities and left her without a sense of cultural belonging. Yet Nora knew little about her own family’s involvement in the war: though all four grandparents lived through the war, they never spoke of it.In her late thirties, after twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child and young adult. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier in Italy. Her quest, spanning continents and generations, pieces together her family’s troubling story and reflects on what it means to be a German of her generation.

    Armed with stolen Nazi files, she secretly tracks down this son to recruit him for a mission to meet his biological father - and assassinate him.But that may not be the end of the Hitler family saga...A pulpy spy and alternative history thriller in the vein of Man in the High Castle, Zero Dark Thirty, Inglourious Basterds and the works of John Le Carre, this Image Comics graphic novel exploring one of the war's greatest legends is by acclaimed writer Anthony Del Col (Assassin's Creed, Kill Shakespeare), New York Times bestselling illustrator Jeff McComsey (FUBAR, Flutter) and newcomer Geoff Moore.A story so wild it could only be true... maybe...Advance Praise:"Few war stories are this fun." - NPR"A damn good spy story, with echoes from the Second World War reverberate to the present with chilling and elegant efficiency. We need stories like this one, now more than ever before." - Greg Rucka (writer of Queen & Country, Lazarus)"[A] firecracker espionage tale... With its intricate elaboration of secret service work and shocker of a last-act twist, this comic achieves the satisfying web-of-secrets allure that John le Carré and Len Deighton pull off in prose." - Publishers Weekly"SON OF HITLER will leave you speechless in the best way possible." - Geek.com

    When Captain America puts out his call - who will answer? Big threats, big ideas, big idealism - these are the Avengers NOW!Collecting: Avengers 1-6

    Beautifully illustrated, these stories are an emotional and enlightening journey through magic realism, serial killings, psychic battles, and time travel. See how Indigenous peoples have survived a post-apocalyptic world since Contact.This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter initiative. With this $35M initiative, the Council supports the creation and sharing of the arts in communities across Canada.

    All because of something as simple as a nail. Formed by the World’s Greatest Heroes, the Justice League of America stands tall as the mightiest group of protectors Earth has to offer. Since the group’s founding,one hero above all others has stood as their inspiration, guiding light and moral center: Superman. Now imagine a world without the Man of Steel. Welcome to the alternate history of JLA: THE NAIL. Collects JLA: THE NAIL #1-3 and JLA: ANOTHER NAIL #1-3.

    Best-selling Cap writer Ed Brubaker and superstar artist Steve McNiven bring you the next huge chapter in Steve Rogers' life, and it's a perfect jumping-on point for fans of the Cap movie! A funeral for a fallen friend turns into a race against time as the original Captain America makes his explosive return! Find out the secrets of the mission that went wrong in WWII, and why old friends are now old enemies! It's all-out Cap action and history the way you like it,in a cage match for your comic-reading pleasure.Collecting: Captain America 1-5

    In the passing shadow of the Civil War, defiant Confederate General Oleander Hume waits to be let loose, too evil and warped to die, too mad with bloodlust to let go of his black magic. He hungers for his lost and most precious possession, an ancient weapon of foreboding doom. Having fallen into the hands of an innocent girl, this last and most powerful of six revolvers is the key to unlocking unstoppable power. But before General Hume, with his wicked bride and four twisted horsemen, can summon an army of undead to claim what is his, in his path stands Drake Sinclair--a gunslinger playing with cards close to his chest. However, Sinclair is no white knight and is himself on the hunt for the six guns...

    In these stories from issues #1-6 of the hit series, learn the story behind this alternate reality where the Second World War is fought by superpowered women on the front lines and behind the scenes! It all begins with the stories of Batwoman, Wonder Woman and Supergirl.

    Fear, corruption and treachery abound in this political satire set in the aftermath of Stalin's death in the Soviet Union in 1953. When the leader of the Soviet Union, Joseph Stalin, has a stroke—the political gears begin to turn, plunging the super-state into darkness, uncertainty and near civil war. The struggle for supreme power will determine the fate of the nation and of the world. And it all really happened.

    Before he became the revered master of science fiction, Rod Serling was a just a writer who had to fight to make his voice heard. He vehemently challenged the networks and viewership alike to expand their minds and standards―rejecting notions of censorship, racism and war. But it wasn’t until he began to write about real world enemies in the guise of aliens and monsters that people lent their ears. In doing so, he pushed the television industry to the edge of glory, and himself to the edge of sanity. Rod operated in a dimension beyond that of contemporary society, making him both a revolutionary and an outsider.

       The Caped Crusader has been the all-abiding icon of justice and authority for generations. But in this surprising original graphic novel, we see Batman in a new light—as the savior who helps a discouraged man recover from a brutal attack that left him unable to face the world. In the 1990s, legendary writer Paul Dini had a flourishing career writing the hugely popular Batman: The Animated Series and Tiny Toon Adventures. Walking home one evening, he was jumped and viciously beaten within an inch of his life. His recovery process was arduous, hampered by the imagined antics of the villains he was writing for television including the Joker, Harley Quinn and the Penguin. But despite how bleak his circumstances were, or perhaps because of it, Dini also always imagined the Batman at his side, chivvying him along during his darkest moments. A gripping graphic memoir of one writer’s traumatic experience and his deep connection with his creative material, DARK NIGHT: A TRUE BATMAN STORY is an original graphic novel that will resonate profoundly with fans. Art by the incredible and talented Eduardo Risso (100 BULLETS, TRANSMETROPOLITAN).

    Believed to be Tezuka’s answer to the gekiga (dramatic comics) movement of the 60’s, Ayako should be considered one of the better early examples of a seinen (young adult) narrative to be published.Initially set in the aftermath of World War II, Ayako focuses its attention on the Tenge clan, a once powerful family of landowners living in a rural community in northern Japan.  From the moment readers are introduced to the extended family, it is apparent that the war and American occupation have begun to erode the fabric that binds them all together.  The increasing influence of political, economic and social change begins to tear into the many Tenge siblings, while a strange marriage agreement creates resentment between the eldest son and his sire.  And when the family seems to have completely fallen apart, they decide to turn their collective rage on what they believe to be the source of their troubles—the newest member of the Tenge family, the youngest sister Ayako.

    Manhattan. But nothing is hidden from Manhattan, and the secrets of the past, present and future will leave ramifications on our heroes lives forever.Something is amiss in the DC Universe. Following the events of DC Universe: Rebirth and Batman/The Flash: The Button, Geoff Johns (Flashpoint, Justice League, DC Universe: Rebirth) and Gary Frank (Batman: Earth One, Shazam!, DC Universe: Rebirth) reunite to rewrite the past and future of the DC Universe in a story hailed as a masterpiece!Seven years after the events of Watchmen, Adrian Veidt has been exposed as the murderer of millions. Now a fugitive, he has come up with a new plan to save his once-adoring world: find Dr. Manhattan. Alongside a new Rorschach and the deadly Mime and Marionette, he arrives in the DC Universe and finds it on the brink of collapse. International tensions are running rampant with The Supermen Theory implicating the U.S. government in creating superhumans to maintain global dominance! But what is Dr. Manhattan doing in the DC Universe? And how is he related to the events of DC Universe: Rebirth and Batman/The Flash: The Button?Collects Doomsday Clock #1-6

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Now, teenagers who want to make a difference are coming together in droves and adopting the “R.” They’re not a gang. They’re not sidekicks. They are Robin. When Duke Thomas is recruited by the mysterious Nest to join teens from all different backgrounds and walks of life in the Robins, he hopes that they can help him find his missing parents. Instead, they find something much more nefarious—an underground conspiracy that threatens to bring down Gotham. Now it’s up to these untrained teen vigilantes to save the city from a mysterious evil force. But being Robin is dangerous. Robins die. Will these new heroes face the same fate?Collecting: We Are Robin #1-6, DC Comics Sneak Peek: We Are Robin #1.