Over the next fifteen years he turned it into Britain's most iconic music venue. And now he's telling his story: full of fond - and wild - reminiscences of the famous musicians who played at the venue, including Robert Plant and Jimmy Page, Lou Reed, The Ramones, New Order, the Beastie Boys and The Smiths.This is about one man's burning desire for success against the odds, his passion for live music and the excitement of those wilderness years, a far cry from the corporate world that controls the scene today. From rock-star debauchery and mixing it up with Brixton gangsters to putting on the first legal raves in the UK and countless backroom business deals, this is the story of how to succeed in business with no experience and fulfil your teenage fantasies.

    A new generation of fans and comedians, including Johnny Vegas, Victoria Wood and Vic Reeves, are now rediscovering Dodd's unique talents. Dodd has a huge and fiercely loyal fanbase. On the eve of his eightieth birthday, Ken Dodd is still touring the country, performing in packed venues an average of two nights a week with his legendary four-hour sets. 'I do it because that is what I do. I do it because that is what I am,' he said, when asked why he continues with this punishing schedule. Ken Dodd's career has spanned over five decades as he went from singer to actor, and presently, most famously, comedian. He is considered the last, great, music-hall-inspired variety comic, but what drives this man whose career has been tainted by hardship? Dodd still lives in his childhood home of Knotty Ash and has never married, despite having two-long term fiances. In 1989, his strange relationship to money culminated in a trial for tax evasion, and he was also famously stalked by a mystery woman. How did this feather-duster salesman become one of the most loved, though least-lauded, British comedians of all time? Stephen Griffin interviewed friends, colleagues and fellow comedians to get inside the mind of the original Diddyman.

    With decades of research and insight, Jensen lifts the veil of public relations half-truths and exposes the reality of the man who is still, 30 years after his death, the iconic Western movie hero and hero of red state America. Jensen proves that the public John Wayne was very different from the private man, who struggled with severe alcoholism, chronic infidelity, self-esteem and personal demons that often made life hell for his wives and children. The book painstakingly recounts the triumphs and tragedies of the life of John Wayne – who rose from abject poverty to become the world’s most famous movie star – and creates a portrait of a man haunted by a childhood of abuse; a man conflicted by his own definition of masculinity; a man fighting to control his own rage and his propensity for violence; a man who committed domestic violence against all three of his wives and his children; and a man haunted by and driven to overcome his fear of failure, poverty and ridicule.

    Hewitt has even been the inspiration for some of Weller's songs - and he has extraordinary in-depth knowledge of the inspiration behind the rest.Once, when Hewitt interviewed Weller for a music magazine, he complained - 'I don't know why people ask me all these questions. All the answers are in my songs.' Largely unnoticed, Weller has used thirty-years of lyrics to explore his personal history and beliefs. Taking as his starting point these lyrics, alongside a lifetime's friendship, Paolo Hewitt shows us the real Paul Weller, the man inside the music.

    Forming their band 'Anvil' they went on to become the 'demi-gods of Canadian metal', releasing one of the heaviest albums in metal history, 1982's Metal on Metal. The album influenced a musical generation including the world-dominating bands Metallica, Slayer and Anthrax, all of whom went on to sell millions of records. Anvil's career would take a different path, however, as they slipped straight into obscurity...Almost thirty years later Lips and Robb, our unlikely musical heroes, are still chasing their dream. Anvil! The Story of Anvil, their autobiography, follows the ups and down of their career and their volatile friendship (which has now spanned almost four decades), reveals their dedication and unadulterated passion for their music, and carries us along on their last-ditch quest for fame and fortune. Based on Sacha Gervasi's award-winning film of the same name, and published to coincide with its worldwide release, this hilarious yet poignant book reminds us that if you believe in yourself, stick by your friends and never give up, you really can make your dreams come true. You cannot fail to be moved by this story. Anvil rock!

    

    Chapin is known for his ballads and "story songs," among them his signature song, the hugely popular "Taxi." He died in an auto crash in 1981, just as his fame was burgeoning and his albums were selling out in record stores. Though the broader recognition due him has been late in coming, his music, his beliefs, and his social activism are now widely appreciated by increasing numbers of fans here and abroad.

    And yet, question marks have followed him around; question marks about his goalkeeping suitability after arriving on Merseyside; question marks about his integrity after match fixing allegations were laid against him. Here, Grobbelaar takes you to Africa, where nothing is at it seems; he takes you back to an era when Liverpool ruled Europe; he takes you to the benches of the Anfield dressing room, where only the strongest personalities survived. For the first time, he takes you inside the court room, detailing the draining fight to clear his name.

    RD revolutionized Hindi film music in the 1970s, and with his emphasis on rhythm and beats, this Pied Piper of Hindi film music had young India swinging to his tunes. At the same time, this genius proved his many detractors who criticized him for corrupting popular taste wrong by composing some of the most influential raga-based songs in Hindi cinema and showing an immense comfort with all kinds of music, including Indian folk. RD: The Man, The Music looks at the phenomenon called R.D. Burman and how he changed the way Indians perceived Hindi film music. Through anecdotes and trivia that went into the making of Pancham’s music – the many innovations he introduced, like mixed rhythm patterns, piquant chords and sound mixing – and through interactions with the musicians who were part of RD’s team, the authors create a fascinating portrait of a man who, through his music, continues to thrive, even fifteen years after his death.

    She’s still smoking hot, but telling jokes about farting on men’s balls isn’t helping her find The One...Hilarious, sweet, and bitingly honest, Cherry On Top reveals how one gorgeous, potty-mouthed blonde took back Hollywood in middle age, and embarked on a fresh search for love―one fart joke at a time.

    It will make you happy. Legendary producer and co-founder of Chic, Nile Rodgers wrote 'We are Family' for Sister Sledge and 'I'm Coming Out' for Diana Ross, produced 'Let's Dance' for David Bowie and 'Like a Virgin' for Madonna. He has worked with just about every major star, from Michael Jackson and Bob Dylan to Prince and Duran Duran. But before he reinvented pop music, Nile Rodgers invented himself. Born into a mixed-race family of dopefiend bohemians, he learned "at a very early age" everything he needed to know about love, loss, fashion, art, music, and the subversive power of underground culture. The stars of the scene were his glamorous teenage mom and heroin-addicted Jewish stepfather, but there were also monkeys, voodoo orishas, jazz cats, and contract killers in the mix. By the age of 16, Nile was busking his way through the 60s, half-hippie and half-Black Panther. He jammed with Jimi Hendrix, took acid with Timothy Leary, toured with Big Bird on Sesame Street's road show, and played guitar behind history's greatest soul singers. And then, one night, he discovered disco. This was pop's most glamorous and decadent age. Nile Rodgers wrote the songs, produced the hits and lived behind the velvet rope holding court in the bathroom stalls at Studio 54, club-hopping with Madonna, scarfing down burgers with Diana Ross. Le Freak is the personal, moving story of a creative genius, told in his own unique voice "warm, intimate and relentlessly charming. It is also a stunning recreation of an age" told by the man who wrote its soundtrack.

    In conversation with legendary rock critics and authors he respected, Reed’s interviews are as pithy and brilliant as the man himself.

    Josephine was a widow. They met in a Paris ravaged by revolution and despairing of war. They fell in love and married. Their relationship became a legend. From those early days in Paris to the bitter divorce in 1809 the couple kept in touch through intimate letters. Napoleon's insatiable ambition took him from Italy to Egypt, from general to emperor, yet he and Josephine wrote frank, revealing letters to keep in touch. This collection of letters reveals much about the times through which Napoleon and Josephine prospered and about the forces which played upon a couple who rose at astonishing speed to the very height of prestige, power and success. This new edition has commentaries, a chronology and biographies of leading personalities. Here is their love, here are their squabbles. Napoleon and Josephine live on in the pages of this book.