In Los Angeles, Raymond and Mia James are about to lose their house. Within days, none of it will matter.When Vanessa dies of the flu, Walt is devastated. But she isn't the last. The virus quickly kills billions, reducing New York to an open grave and LA to a chaotic wilderness of violence and fires. As Raymond and Mia hole up in an abandoned mansion, where they learn to function without electricity, running water, or neighbors, Walt begins an existential walk to LA, where Vanessa had planned to move when she left him. He expects to die along the way.Months later, a massive vessel appears above Santa Monica Bay. Walt is attacked by a crablike monstrosity in a mountain stream. The virus that ended humanity wasn't created by humans. It was inflicted from outside. The colonists who sent it are ready to finish the job--and Earth's survivors may be too few and too weak to resist.

    After the 2nd, only the lucky escape. And after the 3rd, only the unlucky survive. After the 4th wave, only one rule applies: trust no one.Now, it's the dawn of the 5th wave, and on a lonely stretch of highway, Cassie runs from Them. The beings who only look human, who roam the countryside killing anyone they see. Who have scattered Earth's last survivors. To stay alone is to stay alive, Cassie believes, until she meets Evan Walker. Beguiling and mysterious, Evan Walker may be Cassie's only hope for rescuing her brother-or even saving herself. But Cassie must choose: between trust and despair, between defiance and surrender, between life and death. To give up or to get up.

    They are joined by two other survivors, Gus and Emilie. Infected, Zoe must also face the realization that she has developed a telepathic link to the living dead that fills her mind with darkness and evil. Facing unimaginable horrors and unthinkable tragedies, the group must fight both the living and the dead. Zoe and Boggs manage to fall in love while surrounded by death and despair. Before long, it becomes clear that the living dead do not play by usual zombie rules.

    But when she awakens, her world no longer exists. Her house is abandoned and broken. Her neighborhood is barren and dead. And there is a tattoo on her right hand. A tattoo Fiona doesn’t remember getting…but somehow she must conceal at any cost. Because humanity has been divided.Those bearing the tattoo have turned into mindless, violent beasts that roam the streets and sewers, preying upon the unbranded, while a select few live protected inside a fortresslike wall, their lives devoted to rebuilding society and killing all who bear the mark.And Fiona has awoken branded, on the wrong side of the wall, and…normal.From the author of Shifting comes this remarkable reimagining of Sleeping Beauty, where the sting of a bee, rather than the prick of a needle, can destroy the world.

    but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood.By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn.How long can one man survive like this?

    They didn't expect the world to end. Kasker Rampart: a derelict refinery platform moored in the Arctic Ocean. A skeleton crew of fifteen fight boredom and despair as they wait for a relief ship to take them home. But the world beyond their frozen wasteland has gone to hell. Cities lie ravaged by a global pandemic. One by one TV channels die, replaced by silent wavebands. The Rampart crew are marooned. They must survive the long Arctic winter, then make their way home alone. They battle starvation and hypothermia, unaware that the deadly contagion that has devastated the world is heading their way...

    A pair of medical examiners find themselves facing a dead man who won’t stay dead.It spreads quickly. In a Midwestern trailer park, an African American teenage girl and a Muslim immigrant battle newly-risen friends and family.On a US aircraft carrier, living sailors hide from dead ones while a fanatic preaches the gospel of a new religion of death.At a cable news station, a surviving anchor keeps broadcasting, not knowing if anyone is watching, while his undead colleagues try to devour him.In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come.Everywhere, people are targeted by both the living and the dead.We think we know how this story ends.We. Are. Wrong.

    There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn't look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there's something worse than all of the horrible people and vicious beasts combined. Red doesn't like to think of herself as a killer, but she isn't about to let herself get eaten up just because she is a woman alone in the woods....

    The Wrecker civilization has long been destroyed, leaving only landfills for Saba and her family to scavenge from. That's fine by her, as long as her beloved twin brother Lugh is around. But when four cloaked horsemen capture Lugh, Saba's world is shattered, and she embarks on a quest to get him back.Suddenly thrown into the lawless, ugly reality of the outside world, Saba discovers she is a fierce fighter, an unbeatable survivor, and a cunning opponent. Teamed up with a handsome daredevil named Jack and a gang of girl revolutionaries called the Free Hawks, Saba's unrelenting search for Lugh stages a showdown that will change the course of her own civilization.

    Contemptuous of their parents, the children decide to run away when a destructive storm descends on the summer estate, embarking on a dangerous foray into the apocalyptic chaos outside. Lydia Millet’s prophetic and heartbreaking story of generational divide offers a haunting vision of what awaits us on the far side of Revelation.

    Allison reaches out for help through her blog, writing on her laptop and utilizing the military's emergency wireless network (SNET). It may also be her only chance to reach her mother. But as the reality of their situation sinks in, Allison's blog becomes a harrowing account of her edge-of-the-seat adventures (with some witty sarcasm thrown in) as she and her companions fight their way through ravenous zombies and sometimes even more dangerous humans.

    The instigator of this war is the Colony, a race of intelligent ants who, for thousands of years, have been silently building an army that would forever eradicate the destructive, oppressive humans. Under the Colony's watchful eye, this utopia will be free of the humans' penchant for violence, exploitation and religious superstition. As a final step in the war effort, the Colony uses its strange technology to transform the surface animals into high-functioning two-legged beings who rise up to kill their masters. Former housecat turned war hero, Mort(e) is famous for taking on the most dangerous missions and fighting the dreaded human bio-weapon EMSAH. But the true motivation behind his recklessness is his ongoing search for a pre-transformation friend—a dog named Sheba. When he receives a mysterious message from the dwindling human resistance claiming Sheba is alive, he begins a journey that will take him from the remaining human strongholds to the heart of the Colony, where he will discover the source of EMSAH and the ultimate fate of all of earth's creatures.

    . . Deep in the jungles of Central America, an indigenous man discovers a unique and priceless treasure - a beautifully painted codex that has survived for centuries within the ruins of an undiscovered ancient Maya city. Knowing that this rare artifact could be worth millions, the looter smuggles it into the US - but unbeknownst to him, he has brought something far more dangerous across the border . . . In the first week of December 2012, the codex finds its way into the hands of the Antiquities Curator of the Getty Museum, Chel Manu, the world authority on ancient Mayan inscriptions. She is torn between her duty to alert the authorities and this once in a lifetime chance to translate the codex herself.Meanwhile - in an LA hospital, an unidentified man is dying of Fatal Insomnia, a rare and highly infectious neurological disease. The patient speaks only in a garbled Mayan dialect - and Chel Manu is called in to interpret his dying words . . . just as countless others in the city begin to show signs of infection. Within days the world seems to be unravelling, hurtling towards the prophesied apocalypse . . . and deciphering the codex is the only hope for humanity . . .

    Hannah is a Red; her crime is murder.

    Theirs is a world of children; before reaching the age of twenty, they all die of a strange disease they call Posies--a plague that has killed for generations. There is no medicine, no treatment; only the mysterious rumor of a cure.When her brother begins showing signs of the disease, Ice Cream Star sets off on a bold journey to find this cure. Led by a stranger, a captured prisoner named Pasha who becomes her devoted protector and friend, Ice Cream Star plunges into the unknown, risking her freedom and ultimately her life. Traveling hundreds of miles across treacherous, unfamiliar territory, she will experience love, heartbreak, cruelty, terror, and betrayal, fighting to protect the only world she has ever known.A postapocalyptic literary epic as imaginative as The Passage and as linguistically ambitious as Cloud Atlas, The Country of Ice Cream Star is a breathtaking work from a writer of rare and unconventional talent.