He's a Vietnam veteran, a jazz pianist, a college professor, and a prognosticator of the apocalypse (and other things Earth-shattering). But that's neither here no there. Because at Tarkington College—where he teaches—the excrement is about to hit the air-conditioning. And its all Eugene's fault.

    Innocent Smith, a bubbly, high-spirited gentleman who literally falls into their midst. Later accused of murder and denounced for philandering everywhere he goes, Smith prompts his newfound acquaintances to recognize an important idea in most unexpected ways.

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Ellis Island. Arriving off one of the many transatlantic freighters are Cetta Luminita and her illegitimate baby boy Natale, fleeing the poverty and violence of their Southern Italian hometown. Having sacrificed everything, and endured every possible shame, Cetta has but one wish: that her baby should be an American, and grow up with the freedom to decide his own destiny. As they alight, US Immigration officials give Natale a new name: Christmas. Growing up in the Lower East Side of New York with his mother, who works as a prostitute, Christmas is determined to be a success, whether a decent person or a gangster. The city is ruled by gangs from each community, Italian, Jewish and Irish, and survival is dependent on ruthlessness and strength. But Christmas has a vivid imagination, and an ability to tell stories that people want to believe...and thus is born his imaginary gang, the Diamond Dogs, which earns him respect within the ghetto. All this changes the day he saves the life of a rich Jewish girl Ruth, and despite their different backgrounds, he falls hopelessly in love with her. When circumstance tears them apart, Christmas vows that he will find her, by any means possible. A sweeping saga of love and hate set in the Roaring Twenties, The Boy Who Granted Dreams is the story of Christmas and Ruth; the story of the dawn of radio, Broadway and Hollywood; and above all, a story about believing in the power of dreams.

    Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel.As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them-but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society's high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen."Filled with the same blend of romance, drama, and fantasy that made the first two Quirk Classics New York Times best sellers, Android Karenina brings this celebrated series into the exciting world of science fiction.

    There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.   Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.   Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.   At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.   Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

    Normal professional twenty-something young women don’t get visited by ghosts. Or do they?When the spirit of Lara’s great-aunt Sadie—a feisty, demanding girl with firm ideas about fashion, love, and the right way to dance—mysteriously appears, she has one request: Lara must find a missing necklace that had been in Sadie’s possession for more than seventy-five years, because Sadie cannot rest without it.Lara and Sadie make a hilarious sparring duo, and at first it seems as though they have nothing in common. But as the mission to find Sadie’s necklace leads to intrigue and a new romance for Lara, these very different “twenties” girls learn some surprising truths from and about each other. Written with all the irrepressible charm and humor that have made Sophie Kinsella’s books beloved by millions, Twenties Girl is also a deeply moving testament to the transcendent bonds of friendship and family.

    Townsend is a brilliant prosecutor known for keeping her cool even when trying the most horrific cases. The latest: an accused serial killer who savors cruelty and considers murder an art. But this case is different. C.J. recognizes the suspect. She knows what he's capable of. After all these years she still has the nightmares to prove it. Now she's walking a fine line between justice and revenge. Even C.J. isn't prepared for where it will take her.

    Lenz is a dispassionate account on the nervous system of a schizophrenic, perhaps the first third-person text ever written from the “inside” of insanity. At his death at the age of 23 in 1837, Georg Büchner also left behind Leonce and Lena, Woyzeck, and Danton’s Death—psychologically and politically acute plays well ahead of their time.Richard Sieburth’s translations include Hölderlin’s Hymns and Fragments, Walter Benjamin’s Moscow Diary, Gérard de Nerval’s Selected Writings and Henri Michaux’s Emergences/Resurgences. His English edition of the Nerval writings won the 2000 PEN Book-of-the-Month-Club Translation Prize.

    It contains bits of the story that got lost on the cutting-room floor; in a very real way it is the only way to understand the film. Michael Joseph of The Bookman wrote about the novel: "It is a remarkable piece of work, skillfully reproducing the atmosphere one has come to associate with the most ambitious German film productions. Suggestive in many respects of the dramatic work of Karel Capek and of the earlier fantastic romances of H. G. Wells, in treatment it is an interesting example of expressionist literature. ... Metropolis is one of the most powerful novels I have read and one which may capture a large public both in America and England if it does not prove too bewildering to the plain reader."

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    In twenty-four hours I’m gonna lose my memory. So here’s everything you need to know.Monsters, demons, angels, vampires, the boogeyman under your bed: I’ve seen it, I’ve hunted it, I’ve killed it. I’m not the only hunter out here, but there aren’t as many as there used to be. Not near as many as there need to be. I’ve learned everything I can about every damned critter that walks, crawls, or flies, and I’m not gonna let that all be for nothing. I’m not going down without a fight. I’m not letting everything I’ve learned disappear. So that’s what you’re holding in your hands—everything I know. Anything that’d be useful for Sam, Dean, and the hunters that come after me.It’s a guide to hunting...it’s a guide to me. My last will and testament. Ya idjits.

    Just don’t ask her to figure out her own heart. Instead, she toys with the hearts of humans. It’s a little game the gods play, and this time it’s Aphrodite’s turn to defend the domain of love. The battleground is New York City, and the stakes are high—the winner receives a token, a favor the loser must fulfill. But every god has secrets. Every god lies. And no god can be trusted.Apollo is no exception. He killed Aphrodite’s love, and for that, he can never be forgiven. But Apollo is on a mission to win. For thousands of years, Aphrodite has kept him from the one he loves, but the wind has shifted, and now is his chance.God and goddess will choose their players. The clock will start. Two humans will fall in love, or they won’t—their fates are intertwined with the gods, their hearts slave to their circumstance, a slave to the game.And in this game of love, Aphrodite never loses.*Formerly titled Paper Fools

    But his son—the narrator of this slim, harrowing novel—is curious about Walter’s experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of his father’s early life.This, then, is the story of Walter and his dangerously outspoken friend Friedrich Caroli, seventeen-year-old trainee milkers on a dairy farm in northern Germany who are tricked into volunteering for the army during the spring of 1945: the last, and in many ways the worst, months of the war. The men are driven to the point of madness by what they experience, and when Friedrich finally deserts his post, Walter is forced to do the unthinkable.

    His classmates cannot make him come down, not even by pelting him with rocks. So to prove to Pierre-Anthon that life has meaning, the children decide to give up things of importance. The pile starts with the superficial—a fishing rod, a new pair of shoes. But as the sacrifices become more extreme, the students grow increasingly desperate to get Pierre-Anthon down, to justify their belief in meaning. Sure to prompt intense thought and discussion, Nothing—already a treasured work overseas—is not to be missed.