The grace is miraculous, for he aims at intensities, by orders that shape and then restrict feeling to the ardent."—Robert Duncan"What moves us is not the darkness of the world in which the poems were written by the pity and terror and joy that is beauty in the poems themselves. . . . In Wieners the glamor is in the word-music itself."—Denise LevertovSupplication: Selected Poems of John Wieners gathers work by one of the most significant poets of the Black Mountain and Beat generation. Includes poems that have previously never been published, the full text of the 1958 edition of his influential The Hotel Wentley Poems, plus poems from rare sources, facsimiles, notes, and collages by Wieners. An invaluable collection for new and old fans.John Wieners (1934–2002) was a founding member of the "New American" poetry that flourished in America after the Second World War. Upon graduating from Boston College in 1954, Wieners enrolled in the final class of Black Mountain College. Following Black Mountain's closure in 1956, he founded the small magazine Measure (1957–1962) and embarked on a peripatetic life, participating in poetry communities in Boston, San Francisco, New York, and Buffalo throughout the late 1950s and 1960s, before settling at 44 Joy Street in Boston in 1972. He is the author of seven collections of poetry, three one-act plays, and numerous broadsides, pamphlets, uncollected poems, and journals. Robert Creeley described Wieners as "the greatest poet of emotion" of their time.

    Following Pulitzer Prize finalist Ron Padgett's 2013's Collected Poems (winner of the Los Angeles Times Book Prize and the William Carlos Williams Prize) Alone and Not Alone offers new poems that see the world in a clear and generous light.From "The World of Us":Don't go around all daythinking about life—doing so will raise a barrierbetween you and its instants.You need those instantsso you can be in them,and I need you to be in them with mefor I think the world of usand the mysterious barricadesthat make it possible.

    An island in the iron grip of Oliver Cromwell's Protectorate.The forces of King Charles have been utterly defeated. The sovereign is dead, his supporters beaten, humiliated and scattered.But it is not just former Cavaliers who find themselves hounded by the new regime. Many of those who fought for Parliament have fallen foul of the oppressive rule of the Major-Generals.One such man is Major Samson Lyle: Roundhead, outlaw, fugitive. Forced into exile after a dispute with the ruling elite, he has returned, intent on waging war against those now in command. Skilled with pistol and blade, Lyle takes the fight onto the busy roads south of the capital, forging a formidable reputation as a notorious highwayman.Along with his trusted young ward Bella, and Eustace Grumm, an irascible former smuggler, Lyle dodges the ever-present threat of capture to menace those against whom he has sworn revenge. But when the robbery of a powerful lawyer alerts Lyle to the imprisonment of a former comrade, the Major is plunged into a dangerous game of intrigue and deceit that may finally prove his undoing. And he must tread carefully, for Parliament have dispatched their own man to hunt the elusive outlaw. The villainous Colonel John Maddocks is tracking Lyle's every move, and soon he will come face to face with the Ironside Highwayman.

    The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

    A hello to the moon. A break from the idea that love can only be found in the daylight.______________________ we are ageneration ofalmost lovers,gazing with gleaming eyesat the moon,knowing she empathizeswith our same heartsalways missing each otherby nothing morethan those few minutesthat separate darkness from daylight.

    Bright, tragic, candid and true, these poems are an exceptional chronicle of what it means to find the love of your life. And what it is like to have to say goodbye.All I can do, in what remains of my brief time,is mention, to whoever cares to listen,that a woman once existed, who was kindand beautiful and brave, and I will not forgethow the world was altered, beyond recognition,when we met.

    Poems are meant to be voiced and A Poem a Day includes 366 poems old and new - one for each day of the year - worth learning by heart. Only two criteria were demanded of each poem for inclusion in this collection - it had to be short enough to learn in a day, and good enough to stand among the great poetry of the English language, from Chaucer to Sylvia Plath.A Poem a Day is a book for the bedside. It contains many of the most familiar poems in the language and others that will come as a surprise. Most are complete and most are short, easily contained in a single page. But a few are substantial works, like Thomas Gray's "Elegy Written in a Country Churchyard" and Rudyard Kipling's "Gunga Din." Some have been read by every high school student (Andrew Marvel, "To His Coy Mistress") while others will be new to most readers (Thomas Hardy, "The Voice"). But all share the compression and charged meaning which are the soul of poetry. In its British version the book went through seven printings in a year and was a bestseller. Now Karen McCosker has added a new foreword and fifty new poems for an American audience willing to make poetry a part of life.

    In A Year in the Life of the Yorkshire Shepherdess she describes the age-old cycles of a farming year and the constant challenges the family faces, from being cut off in winter to tending their flock on some of Yorkshire's highest, bleakest moors - land so inaccessible that in places it can only be reached on foot. Writing with her trademark warmth and humour, Amanda takes us into her life as nine-year-old Miles gets his first flock, Reuben takes up the flugelhorn and she gives birth to a new baby girl. She is touched by the epic two-day journey of a mother sheep determined to find her lamb and gives a new home to an ageing and neglected horse. Meanwhile Clive is almost arrested on a midnight stakeout to catch a sheep-worrying dog and becomes the object of affection for a randy young bull. Funny, poignant and charming, A Year in the Life of the Yorkshire Shepherdess is a must for anyone interested in the countryside and those who farm it.

    See ourselves in graves. But still we read our horoscopes."Survival Songs is a rerelease of Meggie Royer's first collection of poems, which was a finalist in the GoodReads Choice Awards for the Best Poetry Book of 2013. This edition includes new work, including Royer's most popular poem, "The Morning After I Killed Myself." Royer's debut contains the lonely hunger that exists in the rest of her work and is as powerful as it was when it was first released. Meggie Royer is an artist from the Midwest. She is the founder of literary magazine Persephone’s Daughters and has had poems in Words Dance, The Harpoon Review, and more. In 2013, she won the Scholastic Art & Writing Awards’ gold medal for poetry and the silver medal for her writing portfolio. She was also an Honorable Mention recipient of the 2015 Academy of American Poets Student Poetry Prize.

    That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

    Richard Shelton was a young English professor in 1970 when a convict named Charles Schmid—a serial killer dubbed the “Pied Piper of Tucson” in national magazines—shared his brooding verse. But for Shelton, the novelty of meeting a death-row monster became a thirty-year commitment to helping prisoners express themselves. Shelton began organizing creative writing workshops behind bars, and in this gritty memoir he offers up a chronicle of reaching out to forgotten men and women—and of creativity blossoming in a repressive environment. He tells of published students such as Paul Ashley, Greg Forker, Ken Lamberton, and Jimmy Santiago Baca who have made names for themselves through their writing instead of their crimes. Shelton also recounts the bittersweet triumph of seeing work published by men who later met with agonizing deaths, and the despair of seeing the creative strides of inmates broken by politically motivated transfers to private prisons. And his memoir bristles with hard-edged experiences, ranging from inside knowledge of prison breaks to a workshop conducted while a riot raged outside a barricaded door. Reflecting on his decision to tutor Schmid, Shelton sees that the choice “has led me through bloody tragedies and terrible disappointments to a better understanding of what it means to be human.”Crossing the Yard is a rare story of professional fulfillment—and a testament to the transformative power of writing.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

     DO GHOSTS EXIST? PERHAPS, IF THEY HAVE A MURDEROUS SECRET TO TELL. Newly-widowed Effie James is asked by her old friend Duncan, a psychology professor, to help him with his latest book. Her task is to join the C-Fits, a paranormal investigation team, on their ghost-watching vigils and report back to Duncan. Corwin Fielding, the attractive and erudite leader of the paranormal researchers has no objections to an ‘impartial’ observer on his team, and the others in the group are a friendly and welcoming bunch. The C-Fits are called in by Isabel Atkins. She is worried that her recently deceased mother might be haunting her old family home. Effie quickly finds herself thrown in at the deep end. THE SCENT OF LAVENDER MYSTERIOUSLY COMES AND GOES IN THE OLD LADY'S BEDROOM. But Effie comes to suspect that the old lady might not have died of natural causes after all. And that her killer might not take very kindly to the idea of a group of strangers poking their noses in . . . IN A COSY OXFORDSHIRE VILLAGE SOMETHING IS VERY WRONG. FAITH MARTIN is the two-million-selling author of the DETECTIVE HILLARY GREENE and JENNY STARLING mysteries, which have topped the global best-seller charts. More FAITH MARTIN books coming soon. Join the Joffe Books mailing list to be the first to hear about the next in the series. MONICA NOBLE MYSTERIES Book 1: THE VICARAGE MURDER Book 2: THE FLOWER SHOW MURDER Book 3: THE MANOR HOUSE MURDER JENNY STARLING MYSTERIES Book 1: THE BIRTHDAY MYSTERY Book 2: THE WINTER MYSTERY Book 3: THE RIVERBOAT MYSTERY Book 4: THE CASTLE MYSTERY Book 5: THE OXFORD MYSTERY Book 6: THE TEATIME MYSTERY Book 7: THE COUNTRY INN MYSTERY

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    He shops every Wednesday, goes to Temple, and worries about his granddaughter, Priya, who hides in her room reading while he spends his evenings watching nature documentaries.Aleisha is a bright but anxious teenager working at the local library for the summer when she discovers a crumpled-up piece of paper in the back of To Kill a Mockingbird. It’s a list of novels that she’s never heard of before. Intrigued, and a little bored with her slow job at the checkout desk, she impulsively decides to read every book on the list, one after the other. As each story gives up its magic, the books transport Aleisha from the painful realities she’s facing at home.When Mukesh arrives at the library, desperate to forge a connection with his bookworm granddaughter, Aleisha passes along the reading list… hoping that it will be a lifeline for him too. Slowly, the shared books create a connection between two lonely souls, as fiction helps them escape their grief and everyday troubles and find joy again.