Together with Tyler Durden – part-time projectionist, banquet waiter, soap-maker and anarchic genius – he creates Fight Club, where he and men like him can get away from their work-dominated, consumer-driven, image-obsessed lives.Soon there are fight clubs in basement bars across the country; men with cuts, bruises, stitches and missing teeth wherever you look. Tyler Durden has become an urban legend – but when he invents Project Mayhem, things begin to escalate. There’s only one thing to do: shut down Fight Club. But have they created a monster they can't control?This full-cast BBC radio dramatisation of Chuck Palahniuk's visceral, unflinching novel stars Patrick Kennedy as the Narrator, Sam Hazeldine as Tyler and Elaine Cassidy as Marla.Cast:The Narrator...Patrick KennedyTyler Durden...Sam HazeldineMarla Singer... Elaine CassidyBig Bob...Martin ShermanDoctor/Boss...Nigel WhitmeyRecruit One...Danny MahoneyMechanic...John SchwabTed...Sam DaleGlenda...Jane SlavinChloe...Ayesha AntoineDramatised by Tracey Malone and Ed WhitmoreProduced by Heather LarmourDuration: 1 hour approx.

    The bullies have made him their favorite target, his best (and only) friend seems headed for the dark side (sports and popularity), and his pregnant mother and the step-fascist are eagerly awaiting the birth of the alien life form known as Fanboy’s new little brother or sister.Fanboy, though, has a secret: a graphic novel he’s been working on without telling anyone, a graphic novel that he is convinced will lead to publication, fame, and—most important of all—a way out of the crappy little town he lives in and all the people that make it hell for him.When Fanboy meets Kyra, a.k.a. Goth Girl, he finds an outrageous, cynical girl who shares his love of comics as well as his hatred for jocks and bullies. Fanboy can’t resist someone who actually seems to understand him, and soon he finds himself willing to heed her advice—to ignore or crush anyone who stands in his way.

    . . Gracie Burton is a grandmother, living quietly in Devon. She has rarely left the village over the past forty years. Her daughter, Carina, is immensely high-powered with her own fast-paced business in London. She has very little time for her 17-year-old daughter, Anastasia, away at boarding school, and even less time for her aging mother. In many ways, the three of them barely know each other. Then Gracie stumbles upon an advertisement for a weeklong cookery course in the heart of the Tuscan countryside. She cannot resist and ploughs her life savings into the trip. Carina and Anastasia accompany her. They have no idea why Gracie has been drawn to this venture. They have no sense of her past; she has never spoken about it. They have no idea that Gracie is harbouring the secret of an extraordinary life that preceded them . . .

    The only trouble is that she can't actually afford it–not any of it.Her job writing at Successful Savings not only bores her to tears, it doesn't pay much at all. And lately Becky's been chased by dismal letters from the bank –letters with large red sums she can't bear to read–and they're getting ever harder to ignore.She tries cutting back. But none of her efforts succeeds. Becky's only consolation is to buy herself something ... just a little something....Finally a story arises that Becky actually cares about, and her front-page article catalyzes a chain of events that will transform her life–and the lives of those around her–forever.

    Usually on a Greyhound bus, right before his life falls apart again. Just like he planned. But this time it's complicated: there's a sadistic corporate climber who thinks she's his girlfriend, a rent-subsidized affair with his landlord's wife, and the bizarrely appealing deaf assistant to Shane's cosmically unstable dentist. When one of the women is murdered, and Shane is the only suspect who doesn't care enough to act like he didn't do it, the question becomes just how he'll clear the good name he never had and doesn't particularly want: his own.

    

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    There, he begins to undergo a startling transformation from neighbourhood outcast to basketball superstar, and eventually to reluctant messiah of a ‘divided, downtrodden people’. A bombastic coming-of-age novel that has the uncanny ability to make readers want to laugh and cry at the same time,Beatty mingles horrific reality with wild fancy in this outlandish, laugh-out-loud funny and poignant vision of contemporary America.

    One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    Cloud's, Maine, Homer Wells has become the protege of Dr. Wilbur Larch, its physician and director. There Dr. Larch cares for the troubled mothers who seek his help, either by delivering and taking in their unwanted babies or by performing illegal abortions. Meticulously trained by Dr. Larch, Homer assists in the former, but draws the line at the latter. Then a young man brings his beautiful fiancee to Dr. Larch for an abortion, and everything about the couple beckons Homer to the wide world outside the orphanage ...

    At five months shy of eighteen, she’s become an expert in loneliness, heartache, and neglect. Her whole life she’s been cursed, used, and left behind. Swallowed a thousand tears and ignored a thousand deliberate cruelties. Sayre’s stuck by her mother through hell, tried to help her, be near her, be important to her even as her mother slipped away into a violent haze of addiction, destroying the only chance Sayre ever had for a real family.Now her mother is lying in a hospital bed, near death, ravaged by her own destructive behavior. And as Sayre fights her way to her mother’s bedside, she is terrified but determined to get the answer to a question no one should ever have to ask: Did my mother ever really love me? And what will Sayre do if the answer is yes?

    Now, with her sparkling new novel of parenthood and sibling rivalry, Close turns her gimlet eye to the only thing messier than friendship: family. Weezy Coffey’s parents had always told her she was the smart one, while her sister was the pretty one. “Maureen will marry well,” their mother said, but instead it was Weezy who married well, to a kind man and good father. Weezy often wonders if she did this on purpose—thwarting expectations just to prove her parents wrong. But now that Weezy’s own children are adults, they haven’t exactly been meeting her expectations either. Her oldest child, Martha, is thirty and living in her childhood bedroom after a spectacular career flameout. Martha now works at J.Crew, folding pants with whales embroidered on them and complaining bitterly about it. Weezy’s middle child, Claire, has broken up with her fiancé, canceled her wedding, and locked herself in her New York apartment—leaving Weezy to deal with the caterer and florist. And her youngest, Max, is dating a college classmate named Cleo, a girl so beautiful and confident she wears her swimsuit to family dinner, leaving other members of the Coffey household blushing and stammering into their plates. As the Coffey children’s various missteps drive them back to their childhood home, Weezy suddenly finds her empty nest crowded and her children in full-scale regression. Martha is moping like a teenager, Claire is stumbling home drunk in the wee hours, and Max and Cleo are skulking around the basement, guarding a secret of their own. With radiant style and a generous spirit, The Smart One is a story about the ways in which we never really grow up, and the place where we return when things go drastically awry: home.

    Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date.Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley. But the house is all they have, and Ree's father would never forfeit it to the bond company unless something awful happened. With two young brothers depending on her and a mother who's entered a kind of second childhood, Ree knows she has to bring her father back, dead or alive, or else see her family turned out into the unforgiving cold.Sixteen-year-old Ree, who has grown up in the harsh poverty of the Ozarks, learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. She perseveres past obstacles of every kind and finally confronts the top figures in the family's hierarchy.Along the way to a shocking revelation, Ree discovers unexpected depths in herself and in a family network that protects its own at any cost.

    HE’S the guy you want at your party. He’ll get everyone dancing. He’ ll get everyone in your parents’ pool. Okay, so he’s not exactly a shining academic star. He has no plans for college and will probably end up folding men’s shirts for a living. But there are plenty of ladies in town, and with the help of Dean Martin and Seagram’s V.O., life’s pretty fabuloso, actually.Until the morning he wakes up on a random front lawn, and he meets Aimee. Aimee’s clueless. Aimee is a social disaster. Aimee needs help, and it’s up to the Sutterman to show Aimee a splendiferous time and then let her go forth and prosper. But Aimee’s not like other girls, and before long he’s in way over his head. For the first time in his life, he has the power to make a difference in someone else’s life—or ruin it forever.

    But worn down by years of trying to live the Seattle life she never wanted, Ms. Fox is on the brink of a meltdown. And after a school fundraiser goes disastrously awry at her hands, she disappears, leaving her family to pick up the pieces--which is exactly what Bee does, weaving together an elaborate web of emails, invoices, and school memos that reveals a secret past Bernadette has been hiding for decades. Where'd You Go Bernadette is an ingenious and unabashedly entertaining novel about a family coming to terms with who they are and the power of a daughter's love for her mother.