Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    They are all suffering from short-term memory loss and they can't remember why or how they got on this ship. The onboard computer (MAC) tells them that it was programmed to wake them up early. They believe MAC woke them up by mistake. They can't re-enter suspended animation, there's only enough food for a few months, and they are too far away to return to Earth ... but even if they could return, MAC tells them that the Earth has been destroyed by nuclear war. They realize that they are all going to die on this ship.Cromartie, the unelected leader of their group, tries his best to keep the others calm, but soon they are at each other's throats. After one of them is found murdered, Cromartie and Sanders form an alliance. Cromartie tells Sanders that pieces of his memories are beginning to come back to him in his dreams; he believes he's seeing clues to their survival.But after the next murder, Cromartie and Sanders must work fast to find the mind-blowing key to their survival and figure out which one of them is the killer before it's too late.

    He's fifty-something years old, an ex-basketball player, ex-author, ex-philanderer, ex-husband, ex-high school English teacher. And he's the father of three: two overachieving adult daughters and 19-year-old Ethan, who will never be an adult. John's older daughter is getting married, and as the family members travel to the celebration, John is secretly preparing for a life change that will alter his family's hearts forever.The five Nichols' are held together by love and humor, as well as the spiky parts of sisterly competition and a difficult baby brother. Parents John and Mary have devoted themselves to caregiving, and John especially finds himself caught in the tension between being a parent and being true to himself. So when a new challenge comes their way in the wake of a road trip and wedding plans, the family bonds are stretched and tested. Funny, heartbreaking, and generous, IT'S. NICE. OUTSIDE. asks: What happens when you have to let go of the person who has been holding you up?

    . . werewolves.Priya worked hard to pursue her premed dreams at Stanford, but the fallout from undiagnosed Lyme disease sends her back to her childhood home in New Jersey during her sophomore year—and leaves her wondering if she’ll ever be able to return to the way things were.Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses.When Brigid suddenly goes offline, Priya does something out of character: she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the horrifying creature that's shut in the basement.With Brigid nowhere to be found, Priya begins to puzzle together an impossible but obvious truth: the creature might be a werewolf—and the werewolf might be Brigid. As Brigid's unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.

    It can be, as it is here, apparently as light as a feather: The Lumberjack’s Dove is, in its manner, a folktale; it is also a meditation on attachment, on loss, on transformation. Like its less humble relatives, myth and parable, it is pithy, magical, its many insights, its cautions and clarifications, unfolding in a chain of brief scenes and koan-like revelations. This is a book of unexpected lightness and buoyancy, as necessary in our tense period as the more urgent confrontations.” --Louise Gluck A boldly original and visceral debut collection from the winner of the 2017 National Poetry Series Competition, selected by Louise GluckIn the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a lumberjack who cuts his hand off with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—considering the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.”Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points-of-view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.

    Most days, she's got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn't casually eviscerate one of their neighbors. Again.And most days, she can almost accept that she'll never know the truth--that she'll never know why humanity was deemed too dangerous to exist. Or whether she really is--impossibly--the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.Thrown into the universe at the helm of a stolen ship--with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands--Sarya begins to uncover an impossible truth. What if humanity's death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table--and a second chance for humanity?The Last Human is a sneakily brilliant, gleefully oddball space-opera debut--a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.

    American Blood is the definitive collection of writer-artist Benjamin Marra’s provocative, self-published comics stories from the past several years, including “Gangsta Rap Posse,” “The Naked Heroes,” “Lincoln Washington,” “Ripper,” and “The Incredibly Fantastic Adventures of Maureen Dowd” (in which the controversial political columnist must fight off fanatic White House officials and Hezbollah commandos in time to file her most important column yet and make a date with George Clooney).

    She wakes to the sun breaking over Africa. She keeps watch over the experiments. She makes sure the station doesn't explode.And she's the only occupant of the space station when the world far below her comes apart in flame.

    Broke, with an unreliable star freighter and a bounty on his head, Glint is desperate enough to try anything. Even set out on a quest to find a fabled good luck charm, the Emerald Enigma. Now for a crew. A passive aggressive ship computer, a peaceable alien warrior, and time-traveling teen from the past aren’t what he had in mind. But they’ll have to do. The Emerald Enigma won’t wait forever and neither will the bounty hunter tracking him.

    Three years into a twenty year mission to a new solar system, the colony ship Magellan and its ten million residents sent their last pulse message… "Peace with the Navereen is at an end." Trapped in Cargo Bay 37, fighter pilot Fristion Nash and twelve hundred others lived through the Magellan apocalypse. They have survived for a decade under Frank Block's exacting leadership. Now survival isn’t enough. Nash wants answers. Frank Block wants only control and obedience.Praise for Map Runners: “I found the book funny and exciting. I can't wait for the rest of them to come out.”

    But California is not as he imagined: drought, wildfire, and corporate corruption are omnipresent, and the company behind a mysterious new brand of synthetic water seems to be at the root of it all. Partnering with Cassidy--after having been her reluctant chauffeur for weeks--the two of them investigate the sun-scorched city's darker crevices, where they discover that catastrophe resembles order until the last possible second.In this poised and all-too-timely story, Kleeman grapples with an issue that is very much front-of-mind: the corruption of our environment in the age of alternative facts. She does so with a meticulous and deeply felt accounting of our very human anxieties, liabilities, dependencies, and ultimately, our responsibility to truth.

    But Betty's luck turns to delicious lunacy when this sensible Everywoman gets drawn into the chaotic world of some very unsavory housemates - her friend Trudy, who talks too much; the lewd, seminaked Buck, who tries to have sex with everyone; and Keith, a serial killer who hides in his room with a mysterious hatbox. With sand between her toes, walking a thin line between sanity and survival, poor Betty will leave her summer vacation more terrorized than tan.

    Thereafter, its calculations were free from errors, and that was just as well-for only this strangest of calculating machines and its two thousand enslaved components could save the world from a new ice age. And all the while a faint mirrorsun hangs in the night sky, warning of the cold to come. In Sean McMullen's glittering, dynamic, and exotic world two millennia from now, there is no more electricity, wind engines are leading-edge technology, librarians fight duels to settle disputes, steam power is banned by every major religion, and a mysterious siren "Call" lures people to their death. Nevertheless, the brilliant and ruthless Zarvora intends to start a war in space against inconceivably ancient nuclear battle stations. Unbeknownst to Zarvora, however, the greatest threat to humanity is neither a machine nor a force but her demented and implacable enemy Lemorel, who has resurrected an obscene and evil concept from the distant past: Total War. Souls in the Great Machine is the first volume of Sean McMullen's brilliant future history of the world of Greatwinter

    Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever.

    When the system begins to misfire under the workload, the ill-equipped representatives of God and the Devil tasked with managing the process are given an ultimatum. Fix The Afternet or go back to your previous afterlives. They begin an odyssey through the hordes of souls awaiting judgement and the oblivious living in search of a solution. Rich in comic detail and populated with characters real and imagined from throughout time, their quest is never going to be straightforward…