She does not ride astride. She does not fence or attend duels. She does not fire a pistol, and she never gambles at a gentlemen's club.Lady Calpurnia Hartwell has always followed the rules, rules that have left her unmarried—and more than a little unsatisfied. And so she's vowed to break the rules and live the life of pleasure she's been missing.But to dance every dance, to steal a midnight kiss—to do those things, Callie will need a willing partner. Someone who knows everything about rule-breaking. Someone like Gabriel St. John, the Marquess of Ralston—charming and devastatingly handsome, his wicked reputation matched only by his sinful smile.If she's not careful, she'll break the most important rule of all—the one that says that pleasure-seekers should never fall hopelessly, desperately in love.

    He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive. In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?

    Stomping on toes and burning piffles, the chestnut haired beauty was clearly a force with which to be reckoned. But for Adrian Montfort, Earl of Mowbray, veteran of the Napoleonic wars, this was just the challenge he needed. He could handle one woman and her “unfortunate past”. Could any woman handle him?‘TWIXT THE CHIT & HIS LIPSLady Clarissa Crambray wanted a husband, but maybe not as much as her mother wanted one for her. Really! Doffing her spectacles might make a girl prettier, but how would she see? She’d already caused enough mayhem to earn a rather horrible nickname. Yet, as all other suitors seemed to shy away in terror, there came a man to lead her to the dance floor. A dark, handsome blur of a man.Clumsy Clarissa was about to stumble onto true love.

    Now there’s a new item on the list. He needs an heir—which means he needs a wife. When Emma Gladstone, a vicar’s daughter turned seamstress, appears in his library wearing a wedding gown, he decides on the spot that she’ll do.His terms are simple:- They will be husband and wife by night only.- No lights, no kissing. - No questions about his battle scars.- Last, and most importantly… Once she’s pregnant with his heir, they need never share a bed again.But Emma is no pushover. She has a few rules of her own:- They will have dinner together every evening.- With conversation.- And unlimited teasing.- Last, and most importantly… Once she’s seen the man beneath the scars, he can’t stop her from falling in love…

    Eight years before the story proper begins, she is happily betrothed to a naval officer, Frederick Wentworth, but she precipitously breaks off the engagement when persuaded by her friend Lady Russell that such a match is unworthy. The breakup produces in Anne a deep and long-lasting regret. When later Wentworth returns from sea a rich and successful captain, he finds Anne's family on the brink of financial ruin and his own sister a tenant in Kellynch Hall, the Elliot estate. All the tension of the novel revolves around one question: Will Anne and Wentworth be reunited in their love?Jane Austen once compared her writing to painting on a little bit of ivory, 2 inches square. Readers of Persuasion will discover that neither her skill for delicate, ironic observations on social custom, love, and marriage nor her ability to apply a sharp focus lens to English manners and morals has deserted her in her final finished work.

    And he always gets what he wants. Until he meets Astrid Honeywell. And a giant pig. And a crooked castle in the middle of Yorkshire. Astrid Honeywell, staunch bluestocking, has struggled for years to keep her family together by running the estate and family brewery after her father's death. She is not about to let the tyrannical Duke of Montford steal away all she has worked for because of some antiquated contract between their families. So when the priggish Duke comes to call, she does everything in her power—including setting the family pig on him—to drive him away. She didn't expect him to be so... well, infuriatingly attractive. Every time he scowls at her, she has the most improper desire to kiss him—and a whole lot more. Montford can't decide whether to strangle Astrid or seduce her. The one thing he knows for a fact is that he must resist his powerful attraction for her at all costs. He has a very proper, very demure fiancée waiting for him back in London, after all. But when Astrid is kidnapped by a disgruntled suitor and whisked off to Gretna Green, Montford will do anything to get her back. Will these two drive each other to Bedlam... or can they make it to the altar without killing each other? Includes a fiery heroine, mistaken identities, errant livestock, pompadours, drunken declarations, a touch of smex, and enough witty banter to sink a ship. NOTE: This is a sexy historical romance. Recommended for 18+ due to adult content.

    . .and gentlemen would kill to remove it!Brilliant and ambitious dressmaker Marcelline Noirot is London's rising star. And who better to benefit from her talent than the worst-dressed lady in the ton, the Duke of Clevedon's intended bride? Winning the future duchess's patronage means prestige and fortune for Marcelline and her sisters. To get to the lady, though, Marcelline must win over Clevedon, whose standards are as high as his morals are . . . not.The prize seems well worth the risk—but this time Marcelline's met her match. Clevedon can design a seduction as irresistible as her dresses;and what begins as a flicker of desire between two of the most passionately stubborn charmers in London soon ignites into a delicious inferno . . . and a blazing scandal.And now both their futures hang by an exquisite thread of silk . . .

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    The dowager, no less, has invited her for a season in London, where she will attempt to catch a husband.Thus begins our heroine’s tale as she attempts to tackle the London season with all her rustic finesse. Unfortunately, her rustic finesse turns out to be as delicate as a fat bear trying to rip apart a honeycomb infested with buzzing bees.What follows is a series of misadventures, love affairs, moonlit balls, fancy clothes, fake moustaches, highwaymen, sneering beauties, pickpockets, and the wrath of a devilishly handsome duke.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    That is, until she is left a vast fortune payable only upon her marriage to the very respectable Mr. Barkworth—a match that offers little chance of discovering exactly what her aunt means by "untoward attentions."But the same can't be said when the Duke of Preston happens along Tabitha's path. He spies a rebellious streak in her that matches his own and he makes it his mission to save her from such a passionless match, interfering in her life at every turn. All too soon, Preston—whose very name spells ruin—has Tabitha caught between the good fortune that guarantees her security, and his kiss, which promises an entirely different kind of happily-ever-after.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    As soon as it's discovered that Emma has never actually met the infamously attractive Duke of Ashbrooke, she'll no longer be a wallflower; she'll be a laughingstock. And then Ashbrooke does something Emma never expected. He plays along with her charade.A temporary betrothal to the irreproachable Lady Avery could be just the thing to repair Ashbrooke's tattered reputation. Seducing her is simply a bonus. And then Emma does what he never expected: she refuses his advances. It's unprecedented. Inconceivable. Quite damnably alluring.London's Least Likely to Misbehave has aroused the curiosity—among other things—of London's most notorious rogue. Now nothing will suffice but to uncover Emma's wanton side and prove there's nothing so satisfying as two perfect strangers…being perfectly scandalous together.