Evidently, we have an enduring hunger for this infinite onslaught of the ever-hungry dead. Hoards of readers are now devouring zombie fiction faster than armies of the undead could chow down their brains. It's a sick job, but somebody had to do it: explore the innumerable necrotic nightmares of the latest, greatest, most fervent devotion in the history of humankind and ferret out the best of new millenial zombie stories: Zombies: The Recent Dead.Contents ix • Preshamble • (2010) • essay by Paula Guranxii • The Meat of the Matter • (2004) • essay by David J. Schowxxii • Deaditorial Note • (2010) • essay by Paula Guran29 • Twisted • (2009) • novelette by Kevin Veale54 • The Things He Said • (2007) • shortstory by Michael Marshall Smith64 • Naming of Parts • (2000) • novella by Tim Lebbon128 • Dating Secrets of the Dead • (2002) • shortstory by David Prill142 • Lie Still, Sleep Becalmed • (2007) • shortstory by Steve Duffy171 • The Great Wall: A Story from the Zombie War • (2007) • shortstory by Max Brooks178 • First Kisses from Beyond the Grave • (2006) • novelette by Nik Houser218 • Zora and the Zombie • (2004) • novelette by Andy Duncan239 • Obsequy • (2006) • novelette by David J. Schow267 • Deadman's Road • [Reverend Jedidiah Mercer] • (2007) • novelette by Joe R. Lansdale293 • Bitter Grounds • (2003) • novelette by Neil Gaiman334 • Glorietta • (2009) • shortfiction by Gary A. Braunbeck334 • Beautiful White Bodies • (2009) • novelette by Alice Sola Kim342 • Farewell, My Zombie • (2009) • shortfiction by Francesca Lia Block354 • Trinkets • (2001) • shortfiction by Tobias S. Buckell [as by Tobias Buckell ]362 • Dead Man's Land • (2009) • shortfiction by David Wellington378 • Disarmed and Dangerous • (2009) • novelette by Tim Waggoner395 • The Zombie Prince • (2004) • shortstory by Kit Reed409 • Three Scenes from the End of the World • (2009) • shortfiction by Brian Keene420 • The Hortlak • (2003) • novelette by Kelly Link445 • Dead to the World • (2009) • shortstory by Gary McMahon458 • The Last Supper • (2003) • shortstory by Scott Edelman

    Not stories of triumph over adversity, but something completely other. Described in language that is brilliantly sardonic, Woods's characters return repeatedly to places where they don't belong—often the places where they were born. In "Zombie," a coming-of-age story like no other, two young girls find friendship with a mysterious woman in the local cemetery. "Take the Way Home That Leads Back to Sullivan Street" describes a lesbian couple trying to repair their relationship by dropping acid at a Mensa party. In "A New Mohawk," a man in romantic pursuit of a female political activist becomes inadvertently much more familiar with the Palestine/Israel conflict than anyone would have thought possible. And in the title story, Woods brings us into the mind of a queer goth teenager who faces ostracism from her small-town evangelical church.In the background are the endless American wars and occupations and too many early deaths of friends and family. This is fiction that is fresh and of the moment, even as it is timeless.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    “If you know exactly what you are going to get from the experience of reading a story, you probably wouldn’t go looking for it; you need, in order to be an open reader of fiction, to be willing. To cast a vote for what you love and then wait for the outcome,” writes Meg Wolitzer in her introduction. The Best American Short Stories 2017 casts a vote for and celebrates all that is our country. Here you’ll find a man with a boyfriend and a girlfriend, naval officers trapped on a submarine, a contestant on America’s Funniest Home Videos, and a gay man desperate to be a father—unforgettable characters waiting for an outcome, burning with stories to tell.Maidencane / Chad B. Anderson --Are we not men? / T.C. Boyle --God's work / Kevin Canty --A small sacrifice for an enormous happiness / Jai Chakrabarti --Arcadia / Emma Cline --Hog for sorrow / Leopoldine Core --Campoamor / Patricia Engel --Richard of York gave battle in vain / Danielle Evans --Ugly / Mary Gordon --The midnight zone / Lauren Groff --The Chicane / Amy Hempel --Tally / Noy Holland --Gabe Dove / Sonya Larson --Let's go to the videotape / Fiona Maazel --Ancient Rome / Kyle McCarthy --Last day on earth / Eric Puchner --Novostroïka / Maria Reva --Telemachus / Jim Shepherd --Gender Studies / Curtis Sittenfeld --Famous actor / Jess Walter

    In the award-winning title story, the narrator recounts the events of an expedition to the Belgian Congo in 1928 to collects gorillas for the Louisville Museum of Natural History. A mother invents a fairy-tale world for her son in 'Halfway People'. Twin sisters backpacking through Europe receive a mysterious invitation. A rebellious teenager is sent to a brutal reform school hidden away in paradise. A young woman inherits the family submarine. In 'The Dark', a researcher tracking plague outbreaks finds himself in the Viet Cong tunnels of Vietnam. A mystery writer visits an archaeological dig in Egypt and sets a curse in motion. In two stories, 'Booth's Ghost' and 'Standing Room Only', Fowler explores the circumstances of Lincoln's assassination from the perspectives of John Wilkes Booth's family and friends.Fowler, perhaps best known for her novels, is a master of the short story form: the secret history, the account of first contact, the murderous, ordinary tensions of family life. She draws on fairy tales, historical narratives, and war reportage, measuring the human capacities for hope and despair, brutality and kindness in the fantastic tradition of writers such as Shirley Jackson, T.H. White, Karen Russell, and Ursula K. Le Guin.

    Each tale offers glimpses into familiar, shadowy worlds that push the boundaries of the spirit and leave the mind haunted with the knowledge that black juice runs through us all.Contents:Earthly Uses (2004)House of the Many (2004)My Lord's Man (2004)Perpetual Light (2004)Red Nose Day (2004)Rite of Spring (2004)Singing My Sister Down (2004)Sweet Pippit (2004)Wooden Bride (2004)Yowlinin (2004)

    Like a slow, insidious virus they spread from house to house, building to building, from graveyard to bedroom and cellar to boardroom. They are ancient and deathless, sun-shy and bloodthirsty. For millennia their vile compulsion kept them in the darkest corners of the human imagination. But the dark-hearted hoardes are conquerers now, and those who survive are forced to liveUNDER THE FANGIn this unparalleled feast for the imagination, America's premier horror writers have created a world of vampirism run amok. From Moscow to Tokyo, New York to Los Angeles, vampire kingdoms rise and fall; their unholy religions, fiendish science and depraved entertainments hold ghastly sway. Come share this terrifying vision of a future...Their time never passes. Their time is now...Contains:The Miracle Mile - Robert R. McCammonDancing Nitely - Nancy A. CollinsStoker's Mistress - Clint CollinsDoes the Blood Line Run on Time? - Sidney Williams and Robert PetittRed Eve - Al SarrantonioWe are Dead Together - Charles de LintCalm Sea and Prosperous Voyage - Chet WilliamsonAdvocates - Suzy McKee Charnas and Chelsea Quinn YarbroSpecial - Richard LaymonHerrenrasse - J.N. WilliamsonDuty - Ed GormanMidnight Sun - Brian HodgeA Bloodsucker - David N. Meyer IIIProdigal Sun - Thomas F. MonteleoneThere are No Nightclubs in East Palo Alto - Clifford V. BrooksJuice - Lisa W. CantrellBehind Enemy Lines - Dan Perez

    Exotic beasts and improbable travelers roam restlessly through these darkly diverting and finely honed tales.In “The Situation,” a beleaguered office worker creates a child-swallowing manta-ray to be used for educational purposes (once described as Dilbert meets Gormenghast). In “Three Days in a Border Town,” a sharpshooter seeks the truth about her husband in an elusive floating city beyond a far-future horizon; “Errata” follows an oddly familiar writer who has marshaled a penguin, a shaman, and two pearl-handled pistols with which to plot the end of the world. Also included are two stories original to this collection, including “The Quickening,” in which a lonely child is torn between familial obligation and loyalty to a maligned talking rabbit.Chimerical and hypnotic, VanderMeer leads readers through the postmodern into a new literature of the imagination.

    Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme. The volume also includes James's great novella The Turn of the Screw , perhaps the most ambiguous and disturbing ghost story ever written.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    Moms and dads making long commutes. Teenagers headed to the beach. Bands on their way to the next gig. Truckers pulling long hauls. Families driving cross country to visit their kin.But there are others, too. The desperate and the lost. The cruel and the criminal.Theirs is a world of roadside honky-tonks, truck stops, motels, and the empty miles between destinations. The unseen spaces.And there are even stranger things. Places that aren’t on any map. Wayfaring terrors and haunted legends about which seasoned and road-weary travelers only whisper.But those are just stories. Aren’t they?Find out for yourself as you get behind the wheel with some of today’s finest authors of the dark and horrific as they bring you these harrowing tales from the road.Tales that could only be spawned by the endless miles of America’s lost highways.So go ahead and hop in. Let’s take a ride.Line-up: Introduction by Brian Keene doungjai gam & Ed Kurtz — “Crossroads of Opportunity” Matt Hayward — “Where the Wild Winds Blow” Joe R. Lansdale — “Not from Detroit” Kristi DeMeester — “A Life That is Not Mine” Robert Ford — “Mr. Hugsy” Lisa Kröger — “Swamp Dog” Orrin Grey — “No Exit” Michael Bailey — “The Long White Line” Kelli Owen — “Jim’s Meats” Bracken MacLeod — “Back Seat” Jess Landry — “The Heart Stops at the End of Laurel Lane” Jonathan Janz — “Titan, Tyger” Nick Kolakowski — “Your Pound of Flesh” Richard Thomas — “Requital” Damien Angelica Walters — “That Pilgrims’ Hands Do Touch” Cullen Bunn — “Outrunning the End” Christopher Buehlman — “Motel Nine” Rachel Autumn Deering — “Dew Upon the Wing” Josh Malerman — “Room 4 at the Haymaker” Rio Youers — “The Widow” Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths. Interview with the editor:So what makes Lost Highways: Dark Fictions From the Road so special?Lost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. Because of that, it collects authors of diverse levels of experience and notoriety in the worlds of horror and dark fiction. This brings together voices like Joe R. Lansdale, Cullen Bunn, Josh Malerman, Damien Angelica Walters, Rio Youers, Bracken MacLeod, Rachel Autumn Deering, Matt Hayward, doungjai gam with Ed Kurtz, and Kristi DeMeester. All of these unique voices bring a fresh and often unexpected take on the theme.What made you think of this theme for the anthology?Road trips can be fun but they can also be long and boring.

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.