The Catholic Historical Review Marguerite Porete: The Mirror of Simple Souls translated and introduced by Ellen L. Babinsky preface by Robert E. Lerner LOVE: This Soul has within her the mistress of the Virtues, whom one calls Divine Love, who has transformed her completely into herself, is united to her, and which is why this Soul belongs neither to herself nor to the Virtues. Reason: But who are you, Love? says Reason. Are not you one of the Virtues with us even though you be above us? Love: I am God, says Love, for Love is God and God is Love, and this Soul is God by the condition of Love. Thus this precious beloved of mine is taught and guided by me, without herself, for she is transformed into me, and such a perfect one, says Love, takes my nourishment. Marguerite Porete (?-1310) We know very little about Marguerite Porete, only that she was a beguine from Hainaut who was burned at the stake as a relapsed heretic in 1310. She might have been a solitary itinerant beguine who expounded her teachings to interested listeners. She wrote The Mirror of Simple Souls in Old French sometime between 1296 and 1306. The format of the text is a dialogue among allegorical figures who represent the nature of the relation between the soul and God. The fundamental structure of the discourse is grounded in traditional Neoplatonist philosophy, and courtly language is used to express theological abstractions. The Mirror is a theological treatise which analyzes how love in human beings is related to divine love, and how the human soul by means of this relation may experience a lasting union of indistinct ion with God in this life. This is the first modern English translation of the complete text. The translation is based on a critical edition of the Old French and Latin versions of The Mirror. The introduction sets The Mirror in the maelstrom of political and ecclesiastical tensions and conflicts, and offers an analysis of the French beguine's thought.

    You believe that magic can influence events in your own life and in the world around you.But you don't live on some pastoral, isolated farm, living off the land, generating your own electricity and pumping your own water. No, you live in the urban jungle. You learned early on that money really doesn't grow on trees, and you don't have wads of extra cash to spend on elaborate ritual tools, custom spell ingredients, and stylish ritual attire. So what a modern urban Pagan to do? Learn how to live a magical life in the concrete jungle.Whether you're a seasoned practitioner or you've never cast a spell before, this in-your-face guide to commando-style magic is for every urban primitive.

    Why are over 500 of the world's images of the Madonna 'black' or 'dark'? And why are they so little known? Ean Begg's fascinating book investigates the pagan origins of the phenomenon as well as the heretical Gnostic-Christian underground stream that flowed west with the cult of Mary Magdalene and resurfaced in Catharism at the time of the Crusades, especially with the Templars.

    A Swedish Enlightenment scientist of extraordinary accomplishment, Swedenborg underwent a spiritual crisis that led to an unparalleled series of paranormal experiences. He spent his last twenty-seven years in almost daily experience of heaven and hell, recording his observations and conversations, many of which are reported in Heaven and Hell. This sustained and detailed description of the nonphysical realms has left its impression on the minds of many great thinkers, including Goethe, Blake, Coleridge, Emerson, Borges, and Milosz.This deluxe edition contains an introduction by religious historian Bernhard Lang setting the volume in the context of its time.The New Century Edition of the Works of Emanuel Swedenborg is a modern-language, scholarly translation of Swedenborg’s theological works. The series’ easy-to-read style retains the dignity, variety, clarity, and gender-inclusive language of Swedenborg’s original Latin, bringing his thought to life. Introductions and annotations by eminent, international scholars place Swedenborg’s writings in their historical context and illuminate obscure references within the text, enabling readers to understand and trace Swedenborg’s influence as never before.

    When you think of a witch, what do you picture? Pointy black hat, maybe a broomstick. But witches in various guises have been with us for millennia. In Waking the Witch, Pam Grossman explores the cultural and historical impact of the world’s most magical icon. From the idea of the femme fatale in league with the devil in early modern Europe and Salem, to the bewitching pop culture archetypes in Buffy the Vampire Slayer, Sabrina the Teenage Witch, and Harry Potter; from the spooky ladies in fairy tales and horror films to the rise of feminist covens and contemporary witchcraft, witches reflect the power and potential of women. In this fascinating read that is part cultural analysis, part memoir, Pam opens up about her own journey on the path to witchcraft, and how her personal embrace of the witch helped her find strength, self-empowerment, and a deeper purpose. A comprehensive meditation on one of the most mysterious and captivating figures of all time, Waking the Witch celebrates witches past, present, and future, and reveals the critical role they have played—and will continue to play—in shaping the world as we know it.

    The Love of Learning and the Desire for God is composed of a series of lectures given to young monks at the Institute of Monastic Studies at Sant'Anselmo in Rome during the winter of 1955-56.

    Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick’s brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick’s life and work.

    Their goal: to bring their individual egos into a state of superhuman power and awareness in which they could act "magically" on the world. Their methods: the practice of ancient Tantric and Buddhist rituals and the study of rare Hermetic texts. So successful were they that rumors spread throughout Italy of the group's power, and Mussolini himself became quite fearful of them. Now for the first time in English Introduction to Magic collects the rites, practices, and knowledge of the UR group for the use of aspiring mages. Included in Introduction to Magic are instructions for creating an etheric double, speaking words of power, using fragrances, interacting with entities, and creating a "magical chain." Among the arcane texts translated are the Tibetan teachings of the Thunderbolt Diamond Path, the Mithraic mystery cult's "Grand Papyrus of Paris," and the Greco-Egyptian magical text De Mysteriis. Anyone who has exhausted the possibilities of the mundane world and is ready to take the steps necessary to purify the soul in the light of knowledge and the fire of dedication will find a number of expert mentors here.

    CHAPTER III - THE FRATICELLI CHAPTER IV - POLITICAL HERESY UTILIZED BY THE CHURCH CHAPTER V - POLITICAL HERESY UTILIZED BY THE STATE CHAPTER VI- SORCERY AND OCCULT ARTS CHAPTER VII - WITCHCRAFT CHAPTER VIII - INTELLECT AND FAITH CHAPTER IX - CONCLUSION

    Yet two centuries later, the Knights were suddenly arrested and accused of blasphemy, heresy and orgies, their order was abolished, and their leaders burnt at the stake. Their dramatic end shocked their contemporaries and has gripped peoples' imaginations ever since.This new book explains the whole context of Templar history, including, for the first time, the new evidence discovered by the Vatican that the Templars were not guilty of heresy. It covers the whole swathe of Templar history, from its origins in the mysteries of Solomon's Temple in Jerusalem through to the nineteenth century development of the Freemasons.The book also features a guide to Templar castles and sites, and coverage of the Templars in books, movies and popular culture, from Indiana Jones to the Xbox360 game Assassin's Creed.

    With detailed reproductions and explanations, Eden Gray offers explicit advice about the three different methods of reading the cards, and using the tarot for divination and meditation. Both beginning students and advanced devotee will find in this book new insights into the ancient lore of the tarot.

    Fortunately, there are plenty of ways for a budding practitioner to make a start. Stroll down the forest path with Bree NicGarran, co-author of "The Sisters Grimmoire" and "The Witches' Cupboard," and discover the surprising ways you can practice your craft with commonplace items from the supermarket and the craft store. Build a travel kit for on-the-go magic. Create your own spells from scratch with a step-by-step guide. Learn how to make your own witch webs and magical powders. Uncover the secrets of walnut charms and witchballs and much, much more. Every page carries tricks of the trade and homegrown charms from the files of the Grovedaughter herself. From besoms to banishings to a bit of good advice, Grovedaughter Witchery is the ideal book for any witch with an inclination toward a practical, no-frills approach to witchcraft.

    Yeats took a particular interest in the tales' mythic and magical roots. The Celtic Twilight ventures into the eerie and puckish world of fairies, ghosts, and spirits. "This handful of dreams," as the author referred to it, first appeared in 1893, and its title refers to the pre-dawn hours, when the Druids performed their rituals. It consists of stories recounted to the poet by his friends, neighbors, and acquaintances. Yeats' faithful transcription of their narratives includes his own visionary experiences, appended to the storytellers' words as a form of commentary.

    The main thread of the book is the exploration of the Qliphoth and the dark mysteries which have for so long been a repressed part of western esotericism. Instead of ignoring and denying the dark side, the author reveals, step by step, how man can get to know his Shadow and, through this, reach a deeper knowledge of the Self. By exploring and not by repressing the Shadow it can be transformed from a destructive force into a creative power. The book deals with the problem of evil, the symbolism behind the fall of Lucifer and mans creation process according to Qabalistic philosophy. The theories that are presented in this book are also linked to practice. Several examples of rituals, meditations, magical exercises and occult correspondences can be found within. Qabalah, Qliphoth and Goetic Magic contains more than one hundred demonic sigils and pieces of art that were created specifically for this book. A unique collection of all the sigils from the classic grimoires Lemegeton: The Lesser Key of Solomon and the infamous Grimorium Verum are also included.

    From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today’s hip-hop scene, the occult has long breathed life into rock and hip-hop—and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll.  With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped—and saved—popular music. As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.Editorial ReviewsReview“A fascinating thesis reflecting the time when everyone seemed to give rock and roll the status of, if not a religion, then certainly that of a spiritual belief system. Peter Bebergal’s Season of the Witch brought it all back. It's an absorbing read deserving an important place in rock literature.”—Michael Moorcock"Rather than turning in either a fanboyish rhapsody or a scholarly dissertation, he treads the line between those approaches. The result is passionate, informed, gripping and at times wonderfully lyrical."—NPR“This sharply written narrative illuminates the centrality of the occult imagination at the heart of rock and roll.”—Library Journal (starred review) “A thoroughly researched, absorbing, entertaining ride for anyone who’s ever played the Beatles’ ‘White Album’ backwards.”—Andrea Shea, WBUR/ NPR“Kudos to Bebergal for taming the wily spirits of rock long enough to capture their essence in this fascinating book. Perhaps more impressive is the book’s comprehensiveness—from Delta blues to beatnik bluster to acid evangelists to metal overlords, Season of the Witch puts the hellfire in highbrow.”—The Contrarian“Skillfully woven...will delight any music fan and music historian in equal measure.”—Spirituality Today (5/5 stars)“Peter Bebergal has written of his own searching, reconciling spiritual aspirations and personal background, in The Faith Between Us and Too Much To Dream. Both are on my bookshelves. Here, in Season Of The Witch, Peter presents an overview of one “alternative influence” at work on some of those intending to change the world. The world they hoped to change was a dangerous mess. Now, half a century later…”—Robert Fripp “This book is a glorious headlong rush into the dark, full of the electricity of the arcane. I loved it.”—Warren Ellis, author of Gun Machine and Transmetropolitan “From grimoires to topographic oceans, from heavy metal to hip-hop, Peter Bebergal tracks the Mysteries through half a century of popular music (and some underground noise as well). At once an overview of rock's mystic rebellions and a handy primer on modern esoterica, Season of the Witch suggests that we may need to round out the trinity of sex, drugs, and rock' n' roll with an additional deity: the occult, another primal portal to a re-enchanted world.”—Erik Davis, author of Led Zeppelin IV and Nomad Codes: Adventures in Modern Esoterica “Told with clear-eyed scholarship and delectable anecdotes, Peter Bebergal's mind-expanding occult history opened my third eye to Rock & Roll's awesome power over human behavior. Rock & Roll will never sound the same to me again, and I'm glad about it.”—Mark Frauenfelder, founder of Boing Boing"Bebergal displays an intelligent understanding of the interaction between religion and culture when he argues that the "occult imagination is the vital force of rock-and-roll culture." "—Publishers Weekly