While I was doing that work I used to think that it didn't matter if I died, because without freedom there was no point in living'.Nancy WakeIn the early 1930's, Nancy Wake was a young woman enjoying a bohemian life in Paris. By the end of the Second World War she was the Gestapo's most wanted person.As a naive, young journalist, Nancy Wake witnessed a horrific scene of Nazi violence in a Viennese street. From that moment, she declared that she would do everything in her power to rid Europe of the Nazi presence. What began as a courier job here and there, became a highly successful escape network for Allied soldiers, perfectly camouflaged by Nancy's high-society life in Marseille. Her network was soon so successful - and so notorious - that he had to flee France to escape the Gestapo who had dubbed her 'the white mouse' for her knack of slipping through its traps.But Nancy was a passionate enemy of the Nazis and refused to stay away. She trained with the British Special Operations Executive and parachuted back into France behind enemy lines. Again, this singular woman rallied to the cause, helping to lead a powerful underground fighting force, the Maquis. Supplying weapons and training the civilian Maquis, organising Allied parachute drops, cycling four hundred kilometres across a mountain range to find a new transmitting radio - nothing seemed too difficult in her fight against the Nazis.Peter FitzSimons reveals Nancy Wake's compelling story, a tale of an ordinary woman doing extraordinary things.

    What had started out as a pastel and water-faded spring turning so unexpectedly into a splintering, shimmering thing. All that had been required was a spark to cause a fire. Why had no one noticed?The summer of 1939 broke the Maudsley family. Cecily was only 13-years-old and desperate to grow up; desperate to be as beautiful and desired and reckless as her older sister Rose. Now, in her 40s, the family resemblance is uncanny, but Cecily is a shadow of her former self. A part of her died that fateful summer. Returning to the deserted family farm as an adult, Cecily recalls the light before the storm, before the war came and before the terrible family tragedy. It was a summer of laughter and ice cream, promises and first love. She remembers her father’s unrequited love for her, her melancholy mother, and her brittle and argumentative aunt Kitty, and how everyone, somehow, was guarding a secret. None more so than the impossibly beautiful Rose. And in her childhood innocence, between snatches of misunderstood conversations, Cecily helps set in motion a chain of devastating events. Wandering through the family home 29 years later, Cecily hopes to lay some ghosts to rest but the past has yet to give up some shocking secrets.

    In the devastating opening scene, a woman named Helene stands with her seven-year-old son in a provincial German railway station in 1945, amid the chaos of civilians fleeing west. Having survived with him through the horror and deprivation of the war years, she abandons him on the station platform and never returns. The story quickly circles back to Helene’s childhood with her sister Martha in rural Germany, which came to an abrupt end with the outbreak of the First World War. Their father is sent to the eastern front, and their Jewish mother withdraws from the hostility of her surroundings into a state of mental confusion. In the early 1920s, after their father's death, Helene and Martha move to Berlin, where Helene falls in love with a philosophy student named Carl, and finds a place for herself for the first time. But when Carl dies just before their engagement, life becomes largely meaningless for her, and she takes refuge in her work as a nurse. At a party Helene meets an ambitious civil engineer who wants to build motorways for the Reich and make Helene his wife. Their marriage proves disastrous, but produces a son, and Helene soon finds the love demanded by the little boy more than she can provide. Julia Franck’s unforgettable English language debut throws new light on life in early-twentieth-century Germany, revealing the breathtaking scope of its citizens’ denial—the “blindness of the heart” that survival often demanded. The reader, however, brings his or her own historical perspective to bear on the events unfolding, and the result is a disturbing and compulsive reading experience about a country ravaged from the inside out.

    Her name was Christine Granville. That she died young was perhaps unsurprising; that she had survived the Second World War was remarkable. The daughter of a feckless Polish aristocrat and his wealthy Jewish wife, Granville would become one of Britain's most daring and highly decorated special agents. Having fled to Britain on the outbreak of war, she was recruited by the intelligence services and took on mission after mission. She skied over the hazardous High Tatras into occupied Poland, served in Egypt and North Africa, and was later parachuted behind enemy lines into France, where an agent's life expectancy was only six weeks. Her courage, quick wit, and determination won her release from arrest more than once, and saved the lives of several fellow officers - including one of her many lovers - just hours before their execution by the Gestapo. More importantly, the intelligence she gathered in her espionage was a significant contribution to the Allied war effort, and she was awarded the George Medal, the OBE, and the Croix de Guerre. Granville exercised a mesmeric power on those who knew her. In The Spy Who Loved, acclaimed biographer Clare Mulley tells the extraordinary history of this charismatic, difficult, fearless, and altogether extraordinary woman.

    secretary of stateA Fascist, observes Madeleine Albright, “is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.” The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty about the survival of human freedom and left millions dead. Given the horrors of that experience, one might expect the world to reject the spiritual successors to Hitler and Mussolini should they arise in our era. In Fascism: A Warning, Madeleine Albright draws on her experiences as a child in war-torn Europe and her distinguished career as a diplomat to question that assumption.Fascism, as she shows, not only endured through the twentieth century but now presents a more virulent threat to peace and justice than at any time since the end of World War II.  The momentum toward democracy that swept the world when the Berlin Wall fell has gone into reverse.  The United States, which historically championed the free world, is led by a president who exacerbates division and heaps scorn on democratic institutions.  In many countries, economic, technological, and cultural factors are weakening the political center and empowering the extremes of right and left.  Contemporary leaders such as Vladimir Putin and Kim Jong-un are employing many of the tactics used by Fascists in the 1920s and 30s.Fascism: A Warning is a book for our times that is relevant to all times.  Written  by someone who has not only studied history but helped to shape it, this call to arms teaches us the lessons we must understand and the questions we must answer if we are to save ourselves from repeating the tragic errors of the past.

    We must find and destroy her."This spy was Virginia Hall, a young American woman--rejected from the foreign service because of her gender and her prosthetic leg--who talked her way into the spy organization deemed Churchill's "ministry of ungentlemanly warfare," and, before the United States had even entered the war, became the first woman to deploy to occupied France.Virginia Hall was one of the greatest spies in American history, yet her story remains untold. Just as she did in Clementine, Sonia Purnell uncovers the captivating story of a powerful, influential, yet shockingly overlooked heroine of the Second World War. At a time when sending female secret agents into enemy territory was still strictly forbidden, Virginia Hall came to be known as the "Madonna of the Resistance," coordinating a network of spies to blow up bridges, report on German troop movements, arrange equipment drops for Resistance agents, and recruit and train guerilla fighters. Even as her face covered WANTED posters throughout Europe, Virginia refused order after order to evacuate. She finally escaped with her life in a grueling hike over the Pyrenees into Spain, her cover blown, and her associates all imprisoned or executed. But, adamant that she had "more lives to save," she dove back in as soon as she could, organizing forces to sabotage enemy lines and back up Allied forces landing on Normandy beaches. Told with Purnell's signature insight and novelistic flare, A Woman of No Importance is the breathtaking story of how one woman's fierce persistence helped win the war.

    The Control Commission hires British civilians to work in Germany, rebuild the shattered nation and prosecute war crimes. Somewhat aimless, bored with her job as a provincial schoolteacher, and unwilling to live with her stuffy genteel parents any longer, twentysomething Edith Graham applies for a job with the Commission—but is instead recruited by the OSS. To them, Edith is perfect spy material…single, ordinary-looking, with a college degree in German. And there’s another thing—the OSS knows that Edith’s brother went to Oxford with one of their most hunted war criminals, Count Kurt von Stabenow, who Edith remembers all too well from before the war.Intrigued by the challenge, Edith heads to Germany armed with a convincing cover story: she’s an unassuming schoolteacher sent to help resurrect German primary schools. To send information back to her OSS handlers in London, Edith has crafted the perfect alter ego, cookbook author Stella Snelling, who writes a popular magazine cookery column that embeds crucial intelligence within the recipes she collects. But occupied Germany is awash with other spies, collaborators, and opportunists, and as she’s pulled into their world, Edith soon discovers that no one is what they seem to be. The closer she gets to uncovering von Stabenow’s whereabouts—and the network of German civilians who still support him—the greater the danger. With a unique, compelling premise, Miss Graham’s Cold War Cookbook is a beautifully crafted and gripping novel about daring, betrayal, and female friendship.

    Eighteenth century Admiralty Regulations forbade women living on board ship, but many found ways around this. George served on a number of ships, both as a man and unmasked. As Nan narrates her mother’s history she becomes obsessed by the idea that Nelson could have been her father. She meets a young man, Baltic Nelson, who clings to the same belief. Could her mother’s wild stories really be true?

    Created by Oscar-winning writer Julian Fellowes, the first season delighted viewers and critics alike with stellar performances, ravishing costumes, and a gripping plot. Set in a grand country house during the late Edwardian era, season one of Downton Abbey follows the lives of the Crawley family upstairs and their servants downstairs as they approach the announcement of the First World War. Fellowes succeeds in not only entertaining his audience with a combination of sustained storylines and sharp one-liners but also in delivering a social commentary of British life. The scripts from season one give readers the opportunity to read the work in more detail and to study the characters, pace, and themes in depth. With extended commentary from Fellowes, highlighting key historical or dramatic details, this book gives invaluable insight, particularly for would-be screenwriters, into how Fellowes researched and crafted the world of Downton Abbey.Featuring full-color photographs

    Mandolin music by Beethoven and Hummel is idiomatically arranged for piano by Richard Harris and contrasted with Neapolitan songs, folk songs from Latin America and Greece, and music by Stephen Warbeck.

    reveals one of the most horrifying aspects of any war: the rape and torture of civilian women by occupying forces. S. is the story of a Bosnian woman in exile who has just given birth to an unwanted child—one without a country, a name, a father, or a language. Its birth only reminds her of an even more grueling experience: being repeatedly raped by Serbian soldiers in the "women's room" of a prison camp. Through a series of flashbacks, S. relives the unspeakable crimes she has endured, and in telling her story—timely, strangely compelling, and ultimately about survival—depicts the darkest side of human nature during wartime. "S. may very well be one of the strongest books about war you will ever read. . . .The writing is taut, precise, and masterful."

    The "unwritten" final chapter of "Anne Frank: Diary Of A Young Girl" tells the story of the time between Anne Frank's arrest and her death through the testimony of six Jewish women who survived the hell from which Anne Frank never returned.

    In 1942 they made it onto the last boat to escape France before the Germans sealed its harbors. Then, barred from entering the United States, they lived in Cuba for almost two years before emigrating to New York. This sweeping account of one family’s escape from the turmoil of war-torn Europe hangs upon the intimate and deeply personal story of Maitland’s mother’s passionate romance with a Catholic Frenchman. Separated by war and her family’s disapproval, the young lovers—Janine and Roland—lose each other for fifty years. It is a testimony to both Maitland’s investigative skills and her devotion to her mother that she successfully traced the lost Roland and was able to reunite him with Janine. Unlike so many stories of love during wartime, theirs has a happy ending.

    Wealthy in everything but freedom, Adele embraces Klimt’s renegade genius as the two awaken to the erotic possibilities on the canvas and beyond. Though they enjoy a life where sex and art are just beginning to break through the façade of conventional society, the city is also exhibiting a disturbing increase in anti-Semitism, as political hatred foments in the shadows of Adele’s coffee house afternoons and cultural salons.Nearly forty years later, Adele’s niece Maria Altmann is a newlywed when the Nazis invade Austria—and overnight, her beloved Vienna becomes a war zone. When her husband is arrested and her family is forced out of their home, Maria must summon the courage and resilience that is her aunt’s legacy if she is to survive and keep her family—and their history—alive.Will Maria and her family escape the Nazis’ grip? And what will become of the paintings that her aunt nearly sacrificed everything for?Impeccably researched and a “must-read for fans of Kristin Hannah’s The Nightingale and Paula McLain’s Circling the Sun” (Christina Baker Kline, #1 New York Times bestselling author), Stolen Beauty intertwines the tales of two remarkable women across more than a hundred years. It juxtaposes passion and discovery against hatred and despair, and shines a light on our ability to love, to destroy, and above all, to endure.

    But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.