No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 5600.000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilarious as Beaton.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    UK webcomic star Sarah Graley and her partner Stef chronicle all of their American adventures in Los Angeles, San Diego, and New York City in the latest installment in the Our Super Adventure series!Traveling with your partner brings out the best (and maybe sometimes the worst) in your relationship! Whether it's using them as an airplane pillow, melting together in the sun at Disneyland, or bonding over beers cooled in the hotel sink, some of the best adventures are made while abroad! In this Our Super Adventure Travelogue book, Sarah and Stef leave England to find the sweaty magic of L.A, the secret celebrities of San Diego Comic-Con, and the soaring heights of NYC! Plus, bonus photos from their trip!

    Things are awakening in the city. Things that have a nasty habit of leaving mutilated bodies in their wake and it all reeks of demons and dark gods up to no good. Owing a favor to his lazy ghost cop buddy Trotsky, Wormwood, the gentleman corpse and his oddball entourage are brought in to investigate the case (or at least hopefully not stuff it up too much.) This collection compiles the first miniseries (issues #1-4), the original "Taster" issue, and covers, sketches, pin-ups and other cocktail napkin scribblings from Templesmith.

    No story is too painful to tell—like how much she enjoyed fat camp. Nor too off-limits—like her critique of R. Crumb. Nor too personal—like her stories of growing up Jewish in Florida. Using her sweet but biting wit, Davis effortlessly carves out a wholly original and refreshing niche in two well-worn territories: autobio comics and the Jewish identity.Davis draws strips from her daily diary, centering on her youth, mother, relationships with men, and eventually her longtime boyfriend. Her intimacy, self-deprecation, and candor have deservedly earned her many accolades and awards. Her deft comedic touch, lush color, and immediacy will set Davis apart not only as one of the premier cartoonists, but as one of the leading humorists for her generation, too.

    Depression. Divorce. Politics. Love. A visceral story that you can see, taste, and feel.How could this happen? The question of 2016 becomes deeply personal in James Sturm’s riveting graphic novel Off Season, which charts one couple’s divisive separation during Bernie Sanders’s loss to Hillary Clinton, Clinton’s loss to Donald Trump, and the disorienting months that followed.We see a father navigating life as a single parent and coping with the disintegration of a life-defining relationship. Amid the upheaval lie tender moments with his kids—a sleeping child being carried in from the car, Christmas-morning anticipation, a late-night cookie after a temper tantrum—and fallible humans drenched in palpable feelings of grief, rage, loss, and overwhelming love. Using anthropomorphized characters as a tactic for tempering an otherwise emotionally fraught situation, Off Season is unaffected and raw, steeped in the specificity of its time while speaking to a larger cultural moment.A truly human experience, Off Season displays Sturm’s masterful pacing and storytelling combined with conscious and confident growth as the celebrated cartoonist and educator moves away from historical fiction to deliver this long-form narrative set in contemporary times. Originally serialized on Slate, this expanded edition turns timely vignettes into a timeless, deeply affecting account of one family and their off season.

    Peter, her husband, was a fanatical Serbian nationalist who had been forced to leave his country at the end of World War II and migrate to Canada. But even there he continued his activities, joining a terrorist group that planned to set off bombs at the homes of Tito sympathisers and at Yugoslav missions in Canada and the USA. Then in 1977, while his family were still in Yugoslavia, a telegram arrived to say that a bomb had gone off prematurely and Peter and two of his comrades had been killed.Nina Bunjevac tells her family’s story in superb black-and-white artwork. Fatherland will be recognised as a masterpiece of non-fiction comics, worthy to stand beside Persepolis and Palestine.

    Connected by a series of gossipy teens, the modern lost souls of Beverly struggle with sexual anxieties that are just barely repressed and social insecurities that undermine every word they speak.A group of teenagers pick up trash on the side of the highway--flirting, preening, and ignoring a potentially violent loner in their midst. A college student brings her sort-of boyfriend to a disastrous house party with her high-school acquaintances. A young woman experiences a traumatic incident at the pizza shop where she works and the fallout reveals the racial tensions simmering below the surface. Again and again, the civilized façade of Drnaso's pitch-perfect surburban sprawl and pasty Midwestern protagonists cracks in the face of violence and quiet brutality.Drnaso's bleak social satire in Beverly reveals a brilliant command of the social milieu of twenty-first-century existence, echoing the black comic work of Todd Solondz, Sam Lipsyte, and Daniel Clowes. Precisely and hauntingly recounted, each chapter of Beverly reveals something new--and yet familiar--about the world in which we live.

    He forms relationships with his inanimate surroundings and muses to a dead audience, specifically his bear rug Phillippe. His own tales eventually become entangled with that of the legendary Paul Bunyan, and the two become indirectly intertwined, illuminating the discrepancy between the character of the storyteller and the character within his stories. The lives of both Paul and Pete encounter such things as the questionable origin of an ocean and the desire for preservation of everything from a fallen bird to an overused expression that has strayed a stone's throw from its original meaning.

    She doesn’t whistle past graveyards, but rather finds the punch line in the pitiful.KEILER ROBERTS is a Chicago-based artist whose autobiographical comic series Powdered Milk has received an Ignatz Award for Outstanding Series and was included in The Best American Comics 2016. Her first book with Koyama Press, Sunburning, was published in 2017.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    We learn to read at an early age, and as we grow older we shed our beloved books for new ones. But some of us surround ourselves with books. We collect them, decorate with them, are inspired by them, and treat our books as sacred objects. In this lighthearted collection of one- and two-page comics, writer-artist Grant Snider explores bookishness in all its forms, and the love of writing and reading, building on the beloved literary comics featured on his website, Incidental Comics. With a striking package including a die-cut cover, I Will Judge You By Your Bookshelf is the perfect gift for bookworms of all ages.

    WolvesAs a lone hunter tracks an elusive beast through the forest, he reflects on his life and past love through a series of flashbacks, bringing the story to a climax that is as romantic as it is savage. This powerful short story begs for multiple read-throughs, never giving concrete answers, but (like the best enigmatic endings) leaves your own conclusions satisfying.2. The MireOn the eve of a great battle, a humble squire is tasked with delivering a letter to a seemingly abandoned castle at the heart of an ill-famed swamp. Met with mysterious apparitions on the way, he slowly unveils the truth behind his journey as his past is re-written over the course of the story.3. DemeterA fisherman's wife tends the garden and animals while her husband is at sea, but secrets buried under the waves begin to bubble to the surface revealing a secret treachery and forgotten truth. The third and final book in a trilogy of critically acclaimed stand-alone stories by award winning creator Becky Cloonan.

    My cat. I didn't ask for him, he just sort of... happened to me. But that's just how it works sometimes, isn't it?When a mysterious mewling package arrives in the mail, one busy young woman's life changes forever. Rascal lives up to his name, filling every day with wild adventures and long naps: brave expeditions into closets, fierce battles with curtains, and wrestling with slumbering giants... Sometimes she's tempted to throw him out the window. He's lucky he's cute.Over 128 pages, Jean-Luc Deglin paints a purring portrait of one unforgettable black cat, an elegant inky swirl in a world of striking blue tones. Hilarious and heartwarming, exasperating and enchanting, Rascal captures the full range of emotions that come with keeping God's cutest killing machine as a pet.If you love cats, or dream of having one, this book is dedicated to you. Once you bring Rascal into your life, you'll wonder how you ever lived without him.

    'Don't Go Without Me' contains 3 individual stories: the titular 'Don't Go Without Me,' 'What Is Left,' and 'Con Temor, Con Ternura' (With Fear, With Tenderness). 'Don't Go Without Me': Two lovers sneak out for a night out on the town- a town where spirits and the supernatural exist as a realm within and alongside our world, with humans crossing over frequently. The lovers get separated, and must barter with stories in exchange for clues as to where the other may be. But, unknown to them, each time they gain a morsel of information, they lose something, too...'What Is Left': A ship that runs on the memories of one of its occupants malfunctions and collapses in on itself in the dead of space. Alive but trapped, an engineer who survives the wreckage finds herself inside the reservoir of memories, stranded alone in a patchwork dream of someone else's life.'Con Temor, Con Ternura': For years, the residents of a small, ocean-side town have been living in the shadow of the sleeping giant who is prophesised to one day wake up and lay their world to waste. As the foreseen date of their impending doom draws near, the town decides to put on a festival on that very same night, to celebrate their lives and face whatever fate awaits them together.