Here are 25 stories (plus a bonus interview with best-selling author George R.R. Martin) by some of the field's greatest authors. Included are:THE TRUE DARKNESS, by Pamela SargentPERMANENT FATAL ERRORS, by Jay LakeADJUSTMENT TEAM, by Philip K. DickROBOTS DON’T CRY, by Mike ResnickNO GREAT MAGIC, by Fritz LeiberESCAPE HATCH, by Brenda W. CloughBACKLASH, by Winston K. MarksTHE PICK-UP, by Lawrence Watt-EvansPOPULATION IMPLOSION, by Andrew J. OffuttWAY DOWN EAST, by Tim SullivanTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 28, by Grendel BriartonTO INVADE NEW YORK, by Irwin LewisTHEY WERE THE WIND, by C.J. HendersonSTOPOVER, by William GerkenCONSEQUENCES OF STEAM, by Michael HemmingsonOUTSIDE LOOKING IN, by Mark E. BurgessDEAD WORLD, by Jack DouglasNEFERTITI'S TENTH LIFE, by Mary A. TurzilloQUICKSILVER, by Lonni LeesAFTER ALL, by Robert ReginaldTHE BARBARIANS, by Algis BudrysEX MACHINA, by Cynthia WardMONKEY ON HIS BACK, by Charles V. De VetTHE SURVIVORS, by Tom GodwinTHROUGH TIME AND SPACE WITH FERDINAND FEGHOOT: 99, by Grendel BriartonSPEAKING WITH GEORGE R.R. MARTIN: Interview conducted by Darrell SchweitzerAnd don't forget to search this ebook store for "Wildside Megapack" to see more entries in this series, covering classic authors and subjects like mysteries, science fiction, westerns, ghost stories -- and much, much more!

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    "The green hills of Earth" is the fascinating tale of the Blind Singer of the Spaceways, a legend from Marsopolis to the Jovian asteroids. Jake Pemberton is a "Space jockey" on the regular run from Earth to the moon-- when disaster strikes, it takes guts to ride his ship home safely.~~~Warner Audio Publishing : 2145.Duration: 70 mins.Reader: Colin Fox.

    

    Using his own experiences as a journalist and propagandist with the Red Army during the war against Poland, Babel brings to life an astonishing cast of characters from the exuberant, violent era of early Soviet history: commissars and colonels, Cossacks and peasants, and among them the bespectacled, Jewish writer/intellectual, observing it all and trying to establish his role in the new Russia.Drawn from the acclaimed, award-winning Complete Works of Isaac Babel, this volume includes all of the Red Cavalry cycle; Babel's 1920 diary, from which the material for the fiction was drawn; and his preliminary sketches for the stories—the whole constituting a fascinating picture of a great writer turning life into art.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Dominoes, New Edition: Level 3: 1,000-Word Vocabulary

    Nemo soon learns of the Convergence’s plans to transform Caen and its people to suit their enigmatic goddess, who favors machines over the living.Amid this clash Nemo must withstand the temptation of the Convergence’s message to those who, like himself, are fascinated by technology. Aurora proves to be a different sort of enemy than he has faced before—something of a kindred spirit, albeit one bent on destroying all he holds dear.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Between the two Revolutions of 1905 and 1917 Leonid Andreyev was without a doubt the foremost writer in Russia. His name was always spoken with veneration, in mysterious whispers, as a grim portentous magician who descended into the ultimate depths of the nether side of life and fathomed the beauty and tragedy of the struggle. Leonid Nickolayevitch was born in the province of Oryol, in 1871, and studied law at the University of Moscow. Those were days of suffering and starvation; he gazed into the abyss of sorrow and despair. In January 1894 he made an unsuccessful attempt to kill himself by shooting, and then was forced by the authorities to severe penitence, which augmented the natural morbidness of his temperament. As a lawyer his career was short-lived, and he soon abandoned it for literature, beginning as a police-court reporter on the Moscow Courier. In 1902 he published the short story In the Fog, which for the first time brought him universal recognition. He was imprisoned during the revolution of 1905, together with Maxim Gorky, on political charges. Such are the few significant details of his personal life, for the true Andreyev is entirely in his stories and plays.

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    But the life of one Brentford schoolboy is turned upside down when he is sent on a mission by a Venusian he finds in his Daddy's allotment shed, and with Barry the Time Sprout lodged in his head to act as his guardian angel, the sky really is the limit.For the boy has to pose as the famous detective Lazlo Woodbine, and his travels will take him to an alternative future, where a vast pleasure palace space liner orbits the Earth, and where one Count Ilya Rostof is planning a celebration of Queen Victoria's ninetieth year on the throne. He will travel to the fabled Garden on Venus, and even to Heaven to meet with God - a rather nice man named Terrance. But even as these events are taking place, what of the nefarious schemes of Lord Willoughby Chase, of Professor Mandelbrot and the silly boys and their plans to fly a spacecraft into the Sun, and what of the etherial Poppett and the fabled vegetable lamb of Tartary? Never mind Lady Raygun and a group of fanatical space pirates ...A work of surreal brilliance from the mind of Robert Rankin, combining ecumenical ponderings with breathless space opera, and jaw dropping imagination.

    Not that it matters to anyone living in the House, a hulking old structure that its residents know is alive. From the corridors and crawl spaces to the classrooms and dorms, the House is full of tribes, tinctures, scared teachers, and laws—all seen and understood through a prismatic array of teenagers’ eyes.But student deaths and mounting pressure from the Outsides put the time-defying order of the House in danger. As the tribe leaders struggle to maintain power, they defer to the awesome power of the House, attempting to make it through days and nights that pass in ways that clocks and watches cannot record.

    On the Isle of Skye, near the community of Dunvegan, sits a rustic old one-bedroom home, waiting for a new tenant. It seems like the perfect opportunity for Jim Greenwood to escape the hectic London city life—a place to move on from tragedy. This is the story of a house. As he tries to settle into country life, his is tormented by mysterious soot marks left throughout the house while he sleeps, cryptic e-mails from unknown senders, and hundreds of hand-drawn stick-figure drawings etched in a perfect pattern on the cottage's cellar walls. Stay. Beth needs you. Jim begins losing control, drinking excessively, shaking to an uncontrollable beat in his head, trying to decipher what may or may not be a code—or a warning. No limbs, no limbs, no head, no head, left arm gone, left leg gone, no legs, no head. The door is open, and something is coming through. It's just a matter of when—and what.