is the debut collection of prose and poetry by Malawian writer, Upile Chisala. This book explores the self, joy, blackness, gender, matters of the heart, the experience of Diaspora, spirituality and most of all, how we survive. soft magic. is a shared healing journey.

    From Dakota’s Black Hills to the gold and diamond fields of Southern Africa, Jim O’Rourke and his daughter, Kathleen step from the sailing ship Eudora and take their covered wagon deep inside a vast and ancient wilderness. The land is raw-boned and unforgiving – the men and women who search its heart for wealth, love and adventure, even more so. Smoke from a thousand fires clung to a broken landscape and towering above it, churned from a vast and open wound in the earth’s crust, were those billowing clouds of powdered Kimberlite; as yellow, ochrous fingers they reached upwards for over a thousand feet, deep inside the heart of that darksome Colesberg sky.

    It is not just another day: it is the culmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... From the Publisher 'Demonstrates a wry talent' Guardian 'A true writer of fiction...A writer whose every book has been a pleasure' Scotsman At the moment that Colonel Browne is standing in the shallow end of the swimming pool of the Hotel Alpenrose, preparing for his late afternoon dip, his daughter Charlotte, carrying a suitcase, is getting out of her car back in England, preparing to rob the ancestral home. It is not just another day: it is the cuilmination of hundreds of days, hundreds of disappointments and misunderstandings, and thousands of very small lies... 'Rose Tremain goes from strength to strength. The Colonel's Daughter is a winner...a riveting and satisfying read' New Statesman 'Dialogue and off-beat humour are spot on' Daily Telegraph.

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    There’s another world where life is different."These are stories of that world. The word m’hashish (equivalent in Moghrebi of “behashished” or “full of hashish”) is used only in a literal sense, but also figuratively, to describe a person whose behavior seems irrational or unexpected. The tales here deal with some of the possible results, desirable and questionable, of being in that state.Mohammed Mrabet was born in Tangier in 1936. Since meeting in the early 1960's, Paul Bowles has taped and translated numerous strange legends and lively stories recounted by Mrabet: Love with a Few Hairs (novel), The Lemon (novel), The Boy Who Set Fire (stories), Harmless Poisons, Blameless Sins (stories), The Beach Café & Look & Move On (autobiography), and The Big Mirror (novella). After moving back to Tangier after living in New York for four years, Mrabet resumed his role as a fisherman and began painting. He continues to paint while living in the Souani area of Tangier.

    

    It all started soon after her mother, the queen, passed away, when the princess was only twelve. Her father, the king, tries everything to make his little princess sleep, but nothing works. The princess develops such an inability to sleep that she becomes known in her kingdom and far beyond as the Sleepless Beauty.The king wishes Princess Ramya to marry and take over the reins of government, but the princess is determined not to marry till such time as her sleep is restored. Eventually, the king announces a competition whereby whichever prince succeeds in getting Princess Ramya to sleep will win her hand. Meanwhile deadly foes of the kingdom wait and watch in the wings, planning to launch a surprise attack. This exciting, romantic tale, with comic interludes, will appeal to readers of all ages.

    

    For the boy inside the pages . . From Charles: I am often asked about my childhood. How I grew up. Where. What informed me as a writer, man and child of God. Starting with some of my earliest memories, these are stories of that place in me. That kid in me. In here you will find honest admission of my mistakes, failures, successes. Note: these are not fiction and this is not a novel.These stories are as true as I can remember. In these pages, you will hear the beginnings of my voice as a writer, the things that were troubling me — things I didn’t know how to voice out my mouth so they bubbled up and out my fingers. You will also hear my unshakable and childlike faith in a sovereign and good Heavenly Father.I wrote most all of these stories between my sophomore year in high school and my senior year in college so my temptation here and now was to edit them. To make them sound like me today, the writer I’ve become after almost thirty years with this keyboard on my lap. For the record, I have not done that. What you read today, is what I wrote then. (That doesn’t mean they’re sloppy. I’ve cleaned them up a bit.) But, as a result, you hear my early voice. And while it is ripe with mistakes and a wordiness long since edited out of me, there’s also an innocence and purity that I cherish.For those of you looking for my next novel, this is not it. But, it will give you insight into the novels you have read or might read. I’ve entitled them, “River Road,” because I grew up there. Because that hallowed ground along the St. Johns River holds a tender place in my heart. Because the valiant, sweaty kid I knew back then is still running around with Tom Sawyer and Huck Finn and he holds an absolute faith that fishing is a more noble pursuit than school, that he can play in the NFL, that men don’t die of hiccups, that he can still cat-walk his Schwin Mag Scrambler over sixty nine parking spaces, that swallowing Levi Garrett chewing tobacco won’t hurt him and that girls actually think it’s cool, that throwing tangerines at cars is good training for arm strength, that being a bully to a buddy hurt his heart, that a pellet to the gonads is excruciatingly painful, that when my praying mother hit her knees next to a wrecked car and bleeding man that she towered over the men around her, that forgiveness is the toughest thing that kid will ever offer another and that God can and will kill the devil. Enjoy.

    She’s drawn into a stranger’s murder in this SHORT STORY featuring characters from the Maggie Sullivan mystery novels. A job offer from a blonde at a dime store lunch counter lures the detective to a still-warm corpse in an alley. His gold watch and cufflinks are still on him, but not his shoes and socks. A night of grilling by homicide cops does nothing to improve Maggie’s mood, which deteriorates further when they laugh off a lead she gives them and imply she solves cases by batting her eyes instead of using her brains. Aided by a ragtag newsboy, Maggie baits a trap for the killer. He shows up with a knife. But Maggie wields a .38 as expertly as she does an emery board — and she doesn’t back down for thugs or authorities when she’s after answers. A woman sleuth like none you’ve met and historical atmosphere meet in the streets of a small Ohio city, capturing a 20th century America before cell phones or carry-out coffee cups in this short story reminiscent of the golden age of private eyes.

    Selected from Winner Take Nothing, Men Without Women, and The Fifth Column and the First Forty-Nine Stories, this collection includes "The Killers," the first of Hemingway's mature stories to be accepted by an American periodical; the autobiographical "Fathers and Sons," which alludes, for the first time in Hemingway's career, to his father's suicide; "The Short Happy Life of Francis Macomber," a "brilliant fusion of personal observation, hearsay and invention," wrote Hemingway's biographer, Carlos Baker; and the title story itself, of which Hemingway said: "I put all the true stuff in," with enough material, he boasted, to fill four novels. Beautiful in their simplicity, startling in their originality, and unsurpassed in their craftsmanship, the stories in this volume highlight one of America's master storytellers at the top of his form.

    On a blistering desert landscape in World War II, two armies face each other. One belongs to the legendary French Foreign Legion, but the other belongs to the French Foreign Legion also, one side working for the Allies, the other for the Germans. In this vivid historical recreation of one of the strangest battles in modern warfare, a terrible twist of Fate compels comrades-in-arms, who trained together, ate together, and slept in the same barracks, to become mortal enemies.David Morrell is the prize-winning author of First Blood, the novel in which Rambo was created. His numerous New York Times bestsellers include the classic espionage novel, The Brotherhood of the Rose, the basis for the only television miniseries to be broadcast after a Super Bowl. An Edgar, Anthony, and Macavity nominee, Morrell is a recipient of the International Thriller Writers’ prestigious Thriller Master award.“Nobody does this kind of thing better than David Morrell.”—Lee Child, New York Times bestselling author of The Affair“A titan among thriller writers.”—Joseph Finder, New York Times bestselling author of Buried Secrets

    It is only as Frieda finds the courage to tell her “terrible stories” that she at last begins to create her own place in a world where she has always felt herself an exile.

    After a devastating plane crash, a father's only hope comes from dreams connecting him with his son.

    Covering an array of themes--horror, romance,humor,crime and mystery--these tales form an electric blend in this book..