And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    Thirteen darkly comic stories, Dangerous Laughter is a mesmerizing journey that stretches the boundaries of the ordinary world.