A dollhouse, filled with life-sized toys. A doorway into other realms. And girls who keep disappearing...When Cassie’s best friend, Aisha, vanishes during a school hike, Cassie sets off with Aisha's boyfriend and their friend Lacey, determined to find her. Instead, the three teens fall into a carefully-laid trap—deep into the surreal nightmare and dark secrets of the Dollhouse.Now, Cassie must uncover the mysteries of the Dollhouse and her own connection to it-- before it's too late.With the horror and otherworldliness of Miss Peregrine's Home for Peculiar Children and the gothic romance of A Great and Terrible Beauty, Dollhouse is a tantalizing start to The Dark Carousel series.

    One day, she is drawn helplessly into the parking lot of a warehouse. She knows somehow that her daughter, Holly, is being held in the building, and she has an overwhelming need to rescue her. But what Willy knows is impossible, for her daughter is dead. On the same day, author Timothy Underhill, who has been struggling with a new book about a troubled young woman, is confronted with the ghost of his nine-year-old sister, April. Soon after, he begins to receive eerie, fragmented e-mails that he finally realizes are from people he knew in his youth-people now dead. Like his sister, they want urgently to tell him something. When Willy and Timothy meet, the frightening parallels between Willy's tragic loss and the story in Tim's manuscript suggest that they must join forces to confront the evils surrounding them.

    A former cop, drummed out of the force because of a scandal, she is an expert at disguise and cool under pressure. But when fellow hitman Jack arrives on the scene, Nadia’s very private existence is seriously challenged.A series of victims are being murdered seemingly at random all over the US — different areas, different walks of life, different MOs. There is nothing to tie them together except a random page torn out of a single book, "Helter Skelter". Does the Helter Skelter killer — as the hysterical media now dub him — have a real connection to Charles Manson? Or is there something even more sinister at work?Is this, in fact — as Jack believes — the carefully planned exit strategy of a fellow professional killer, determined to leave the life, but equally determined to clear up an old mistake or two? And, if so, who is the real victim? Now, the highly suspicious and secretive hitman community will have to break their cover — at least, to each other — and help take down this killer before the cops and the Feds discover his true connection to their own secret, exclusive society.

    Immediately, she begins to dream of Sarah and Beth, two lovers from the past and the Dark Man who controlled their lives. When she begins to look for explanations for the things going bump in the night, the only answer she can get from the locals is that several previous owners had fled screaming into the night.Van Easton hasn’t had a serious relationship since her partner died several years ago. Content to let other women and alcohol distract her, she is surprised at the intensity of emotion that bubbles to the surface after she meets Natalie. Contracted to restore the gardens at Natalie’s house, she refuses to believe that the mansion is haunted. Until the Dark Man follows her home.It appears he will stop at nothing to keep the new lovers apart, and the violence continues to escalate. Can they solve the mystery that will set Beth and Sarah free and banish the evil presence in the house? Or will they have to run to survive as well?

    Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation—a thesis on mid-century children’s literature.Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown—author of the beloved classic Goodnight Moon—whose existence no one else will acknowledge. It seems Margaret has unfinished business with her former lover, the once-famous socialite and actress Michael Strange, and is determined to draw Megan into the fray. As Michael joins the haunting, Megan finds herself caught in the wake of a supernatural power struggle—and until she can find a way to quiet these spirits, she and her newborn daughter are in terrible danger.Using Megan’s postpartum haunting as a powerful metaphor for a woman’s fraught relationship with her body and mind, Julia Fine once again delivers an imaginative and “barely restrained, careful musing on female desire, loneliness, and hereditary inheritances” (Washington Post).

    But the women of Knolls are not safe. And as Nickie gets swept up in a string of brutally violent crimes, she must take matters of justice into her own hands.

    Unlike millions of other women, she isn't tempted by chocolate or junk food. She's a vampire, determined to fight her craving for a pint of O negative.When she goes to an AA meeting, hoping for advice on fighting her addiction, she meets Alana, a woman who battles her own demons.Despite their determination not to get involved, the attraction is undeniable.Is it just bloodlust that makes Robin think Alana looks good enough to eat, or is it something more? Will it even matter once Alana finds out who Robin really is?64.000 words

    Locke has lived over two centuries and works like a demon, both figuratively and literally. As the owner of a successful pharmaceutical company that specializes in blood research, she has changed the way she can live her life. Wanting for nothing, she has smartly compartmentalized her life so that when she needs to, she can pick up and start all over again, which happens every twenty years or so. Love is not an emotion A.J. spends much time on. Since losing the love of her life to the plague one hundred fifty years ago, she vowed to never travel down that road again. That isn't to say she doesn't have women when she wants them, she just wants them on her terms and that doesn't involve a long term commitment. A.J.'s cool veneer is peeled back when she sees the love of her life in a lesbian bar, in the same town, in the same day and time in which she lives. Is her mind playing tricks on her? If not, how did Clarissa survive the plague when she had made A.J. promise never to change her? Clarissa Graham is a university professor who has lived an obscure life teaching English literature. She has made it a point to stay off the radar and never become involved with anything that resembles her past life. Every once in a while Clarissa has an itch that needs to be scratched, so she finds an out of the way location to scratch it. She keeps her personal life separate from her professional one, and in doing so she is able to keep her secrets to herself. Suddenly, her life is turned upside down when someone tries to kill her. She finds herself in the middle of an assassination plot with no idea who wants her dead.

    River Girl, first published in 1951 as "The Catfish Triangle," is a book that shares some similarities with Cain's The Postman Always Rings Twice. Down in swamp country a deputy sheriff meets and falls in love with a young lass, but her husband stands in the way... for a time.

    But Winter Manor is not entirely at rest. The echoes of its past reach forward into the present, and Ros’s life is perceptibly shaped by the lives—and loves—of the people who inhabited those rooms and corridors in the centuries before her.Then Anna arrives. The architect—with her designer clothes, hot car, and air of supreme professionalism—is at first an unwelcome, if necessary, intrusion. But as Ros learns Anna’s truths, she finds solace from her past losses in their developing intimacy. And when their love is threatened, Ros must decide whether her own ghosts will forever define her, or if she can embrace her life for what it is—past, present, and future.

    She lives in a small, introverted village in Cornwall called Pennance, and is surrounded by Jake's family and memories of him. She feels intensely guilty about his death and thinks someone is out to get her in retribution. Relief appears to come when a new neighbour, Karen, enters her life, but is that when the real threat begins?

    But after losing her last job, she's beginning to see that her feather-to-the-wind mentality can be unsatisfying in the long run. She's been helping a string of friends solve their relationship problems, and when one pal points out to Babette that she could make a career out of curing people's romantic ills, she decides to dub herself "The Love Doctor" -- a match-mender-for-hire. Living in Birmingham, Alabama, with its elite class of wealthy women, Babette has access to the ideal clientele, including the well-known Birmingham socialite Kitty Carelle. Having unceremoniously dumped her lover, Kitty now regrets her hasty decision and wants him back. Trouble is, the man Kitty seeks to recapture is none other than Jeff Eubanks -- Babette's ex! The carefree Babette of three years ago had written him off with a shrug, yet now she can't help remembering that he did give her the absolute best sex of her life...not to mention his charm, good looks, and brains. To save her newfound career and prove she can stick with something--if not someone--Babette is determined to mend Kitty and Jeff's broken relationship, but Jeff has other plans. He was crazy about Babette when she suddenly bailed on their relationship, and after Kitty did the same he became convinced that no woman can ever commit. To prove his point, Jeff issues Babette a challenge: no flirting for a week, and he'll talk to Kitty. That is, if, after seven tempting nights on the beach with Jeff, it's still with Kitty that she wants him to reconcile.

    She’s a lesbian with a ton of baggage—fearful, guilty, and alone. Very few things would compel her to leave the familiar. The job offer of a lifetime is one of them. Against her better judgment, she packs up, and moves to Illinois. Unfortunately, she’s not there long before she’s convinced that the devil is hunting her down. Gabe Garst is a police officer. She’s also a powerful medium. Her work with juvenile delinquents and ghosts is all that keeps her going. Inside she’s dead, certain that her capacity to love is buried six feet under. Talking with and seeing the dead has always come easily, and yet for some reason, she’s not able to communicate with her late wife. She’s grieving, depressed, and alone. Suicide seems like the best option. It’s just a matter of time.Anna and Gabe’s paths cross. Their attraction is immediate, but they hold back until all hope seems lost. As good battles evil, two tortured souls must engage in a struggle to overcome demons of their own.

    A cover up ensues and Foster begins numbing herself with alcohol at a neighbourhood bar. There she meets Riley Meideros, the one person strong enough to hear Foster's painful secret and not turn away.

    After all, Caitlin was only a twelve-year-old girl when Natalie was already dead and gone. But they did meet, and it was that dramatic encounter in the house at the end of the street that changed their lives forever. The moment was so powerful, so important, that it drew Caitlin, now a renowned novelist, back to her hometown twenty years later to seek out Natalie’s ghost. Taking up refuge in the dark, broken house, Caitlin believes that getting back to her roots and to the bottom of her experience with the ghost will somehow help heal the wounds her life has brought her.Against the backdrop of a Victorian mansion, a story unlike any other unfolds between Caitlin and Natalie, and leaves them with one lingering question: even if love is enough to bridge the gap between life and death, is it enough to keep a ghost from passing on?