Antique specialist Rick Dellatolla knew a good deal when he saw one. And the mahogany chair, thickly carved in a cascade of intertwined human bodies, seemed a genuine stroke of luck. Then weird things started happening to Rick and his family. The foliage died in their garden. They lost track of time once inside their house. And their pet dog died a horrifying and pathetic bloody death. That was when Rick decided to destroy the chair before it destroyed everything he'd ever cared for. But by then then it was too late to stop the Evil that seemed to remain with Rick as a gift for he rest of his entire, hell-filled life...

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    From the faculty to the students, the fascination with other-worldly legends and objects runs rampant. So, when Carter Weston’s professor Dr. Thayerson asks him to search a nearby village for a book that is believed to control the inhuman forces that rule the Earth, Incendium Maleficarum, The Inferno of the Witch, the student doesn’t hesitate to begin the quest.Weston’s journey takes an unexpected turn, however, when he ventures into a tavern in the small town of Anchorhead. Rather than passing the evening as a solitary patron, Weston joins four men who regale him with stories of their personal experiences with forces both preternatural and damned. Two stories hit close to home as they tie the tellers directly to Weston’s current mission.His unanticipated role as passive listener proves fortuitous, and Weston fulfills his goal. Bringing the book back to Miskatonic, though, proves to be a grave mistake. Quickly, Weston realizes he has played a role in potentially opening the gate between the netherworld and the world of Man. Reversing the course of events means forgetting all he thought he knew about Miskatonic and his professor and embracing an unknown beyond his wildest imagination.

    The boy seems to have a psychic connection to something in the dark forest, something unseen... and evil. The old-timers in the region know the truth of the legendary creature that stalks the Pine Barrens. And they know the savagery it's capable of

    Commuter Mark Davies has been attacked and thrown from the train. Now he must team up with Ghost Train obsessed, ex-policeman Les Chadderton, before the predator disembarks for wider pastures.

    Forget the old-fashioned sulphurous pit you may have read about. Over the millennia, Hell has evolved into a bustling metropolis with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo.Cassie thought she knew all about Hell. But when her twin sister, Lissa, committed suicide, Cassie found that she was able to travel to the real thing—the city itself. Now, even though she's still alive, Cassie is heading straight to Hell to find Lissa. And the sights she sees as she walks among the damned will never be in any tourist guidebook.

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.

    The dead ones. They were dead, but they had lights. Why do the dead need light?Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed to their enemies and slaughtered. Since then, the island has known peace. Until now. A gang of four men are descending on Sanctuary, intent on committing a brutal and relentless massacre. All that stands in their way are rookie police officer Sharon Macie and the strange, troubled officer Joe Dupree.But Joe is no ordinary policeman. He knows the island has been steeped in blood once and that it will never again tolerate the shedding of innocent blood. The band of killers who are set to desecrate Sanctuary will unleash the fury of its ghosts upon themselves and all who stand by them. On Sanctuary, all hell is about to break loose ...

    But he's also insane. When he uses his power to brutally kill the woman next door, night after night, no one will believe her impossible story, so it's up to her to find a way to end the living nightmare.

    With a beautiful, terrified woman. On the 40th floor of a deserted office building. By the psyshopath they call "The Butcher."DON'T LOOK DOWNBecause you're an ex-mountain climber. Because a fall from Everest left you with a bad leg... and a paralyzing fear of heights.DON'T LOOK DOWNBecause he has slaughtered the guards and short-circuited the elevators. Because the stairways are blocked, and for you and the woman with you, there's only one escape route.DON'T LOOK DOWNBecause 600 feet of empty space are looking back at you."A real breath-taker... should hold you glued to its pages till the wee small hours." --West Coast Review of Books

    Running through it is the theme of evil, deftly woven into a story as memorable for its action as for its astonishingly vivid set of characters. In fin de siecle Paris, Arthur and Margaret are engaged to be married. Everyone approves and everyone seems to be enjoying themselves—until the menacing and repulsive Oliver Haddo appears.

    Its bloody past, endless rain, and the decay of its downtown portend a hopeless future. With the death of its paper mill, Bedford's unemployed residents soon find themselves with far too much time to dwell on thoughts of Susan Marley. Once the local beauty, she's now the local whore. Silently prowling the muddy streets, she watches eerily from the shadows, waiting for . . . something. And haunting the sleep of everyone in town with monstrous visions of violence and horror.Those who are able will leave Bedford before the darkness fully ascends. But those who are trapped here-from Susan Marley's long-suffering mother and younger sister to her guilt-ridden, alcoholic ex-lover to the destitute and faithless with nowhere else to go-will soon know the fullest and most terrible meaning of nightmare.

    A rich, gothic story of murder and mystery, A God in The Shed is quite possibly one of the most enthralling novels I've read in the last ten years. Dubeau is a force to be reckoned with.- --Jerry Smith, Fangoria Magazine and Blumhouse.com The village of Saint-Ferdinand has all the trappings of a quiet life: farmhouses stretching from one main street, a small police precinct, a few diners and cafes, and a grocery store. Though if an out-of-towner stopped in, they would notice one unusual thing--a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play. When a dark spirit reveals itself to Venus McKenzie, one of Saint-Ferdinand's teenage residents, she learns that this creature's power has a long history with her town--and that the serial murders merely scratch the surface of a past burdened by evil secrets.

    He comes to own it by the generosity of a brother-in-arms—a fellow soldier and confidante, Maynard Whittier, killed in action by a wayward mortar shell. The rugged landscape of Maine is an intoxicating blend of claustrophobic interiors and endless frozen wastelands. Little by little, the mysterious force in the house asserts itself until Austin isn't exactly sure what is in his mind and what is real. And just when our hero's had enough and is ready to quit the place, a blizzard arrives and the real haunting begins.