Journey through this anthology of science fiction stories and poems inspired by the works of H.P. Lovecraft. Listen to the stars that whisper and drive a crew mad. Worship the Tloque Nahuaque as he overtakes Mexico City. Slip into the court of the King in Yellow. Walk through the streets of a very altered Venice. Stop to admire the beauty of the flesh-dolls in the window. Fly through space in the shape of a hungry, malicious comet. Swim in the drug-induced haze of a jellyfish. Struggle to survive in a Martian gulag whose landscape isn't quite dead. But, most of all, fear the future.Featured authors include: Nick Mamatas, Ann K. Schwader, Don Webb, Paul Jessup, E. Catherine Tobler, A.C. Wise, and many more.

    But what happens where the human world touches the domain of races ancient and alien? Museum curators, surveyors, police officers, archaeologists, mathematicians; from derelict buildings to country houses to the London Underground, another world is just a breath away, around the corner, watching and waiting for you to step into its power. The Private Life of Elder Things is a collection of new Lovecraftian fiction about confronting, discovering and living alongside the creatures of the Mythos.

    Everyone is someone else when the world isn't looking. Sometimes that person is good, sometimes that person is not. In Bram Stoker Award-winning author Kealan Patrick Burke's latest terrifying collection of short stories, you'll meet thirteen people who discover the horror of what happens when those secret faces are removed and the true darkness that dwells within us all is unleashed.Table of Contents:HomeStalledThe End of UsThe Red Light is BlinkingMother/NatureI’m Not ThereMemory LaneTerminalForced EntryThe QuietThe One Night of the YearPigHoarder With an introduction and story notes by the author.

    This supernatural mystery set in the world of Sherlock Holmes and Lovecraft's Cthulhu Mythos features a brilliant detective and his partner as they try to solve a horrific murder.The complex investigation takes the Baker Street investigators from the slums of Whitechapel all the way to the Queen's Palace as they attempt to find the answers to this bizarre murder of cosmic horror!From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award-winning, and New York Times bestselling writer Neil Gaiman comes this graphic novel adaptation with art by Eisner award winning artist Rafael Albuquerque!

    Imagine mephitic gardens where the sarcophage, selenotrope, and necrophilium bloom. Then throw in star-crossed lovers, crazed zealots, stalwart heroes, bloodthirsty renegade armies, hideous monsters, and likeable misfits. You've got just a hint of the wondrous and original visions in the dark fantasy world of Brian McNaughton. Horror scholar S. T. Joshi, in the afterword to this collection of stories, notes the strong influence of Clark Ashton Smith, Lord Dunsany, H. P. Lovecraft, Robert E. Howard, and Greco-Roman decadent works such as Petronius's Satyricon. "McNaughton seems to have mastered one of the most difficult of literary arts: to draw upon the classics of the field without losing his own voice.... The world that McNaughton has created in this book is the world of the ghoul; and who knows but that The Throne of Bones will become the standard textbook for the care and feeding of ghouls just as Dracula has become that for vampires?"Contents:Ringard and Dendra (1996)The Throne of Bones (1997)The Vendren Worm (1990)Meryphillia (1990)Reunion in Cephalune (1997)The Art of Tiphytsorn Glocque (1997)A Scholar from Sythiphore (1995)Vendriel and Vendreela (1988)The Retrograde Necromancer (1993)The Return of Liron Wolfbaiter (1997)

    Newall and distributed by Rusty Quill. Sims narrates the stories in-character as the main character, Jonathan Sims, the newly-appointed head archivist of the fictional Magnus Institute; an institution based in London centred on research into the paranormal.With each chapter released as a podcast episode, The Magnus Archive is structured as a series of statements recorded or written and then recorded for internal research use within The Magnus Institute. At the beginning of each statement, the statement-taker (mainly Jon, the head archivist) provides a brief description of the statement and the name of the statement-maker. Those who give or record statements in the Magnus Institute tend to lapse into a trance-like state not unlike reliving the event.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    In 1934, ground-breaking horror writer H.P. Lovecraft is invited to write a story for a subversive underground magazine, all on the condition that a pseudonym will be used. The pay is lofty, and God knows, HPL needs the money; therefore...he agrees.There’s one catch.It has to be a pornographic story...ALL ABOARD TROLLEY NO. 1852Through the midnight bowels of New York City, the decrepit trolley clatters on, its single yellow headlight illumining one desolate alley and squalid, trash-strewn street after the next, through crumbling ghettos and betwixt drab skyscrapers and labyrinthine edifices–indeed, the very guts of the Depression-ravaged metropolis. The Trolley admits only a special sort of rider, and takes them to a very select destination...THE 1852 CLUBWhat is the meaning behind the cryptic number, and what is the ghastly truth behind the club’s voluptuous madam? For, yes, the 1852 Club is a bordello of the most macabre discrimination. Destitute academician Morgan Phillips will learn of all the club’s pestiferous secrets but not before he is first subjected to unnameable acts degradation and abuse, and is then thrown body and soul into a morass of erotic abandon, sexual perversion, and gut-churning, brain-warping, inter-dimensional carnality so unspeakable it can scarcely be described...Join horror veteran Edward Lee in this bold homage to his favorite horror author: H.P. Lovecraft. Herein, Lee boldly converts HPL’s obscure fragment “The Thing in the Moonlight” into a full-fledged novella, incorporating as best he can the Master’s rich, singular style and vision, while integrating some of his own lurid tricks and treats...

    P. Lovecraft is the most important and influential horror writer of the twentieth century. His stories of occult nightmare and cosmic terror have drawn praise from William S. Burroughs, Angela Carter and Jorge Luis Borges and continue to inspire new generations of writers and artists.John Coulthart is one of H. P. Lovecraft's major visual interpreters. As an artist for David Britron's Lord Horror series, his work has been described as "shocking…harmful", "harrowing" and "brilliant" and has been banned on the grounds of obscenity by British law courts.This collection presents all of Coulthart's Lovecraft-inspired work from the past decade including two complete comic strip adaptations—The Haunter of the Dark and The Call of Cthulhu—over thirty pages of previously unseen drawings and paintings plus selections from the controversial Lord Horror series Hard Core Horror and Reverbstorm, which have been evolving Lovecraftian imagery in bold new directions.Material specially created for this volume includes The Great Old Ones, a kabbalah of Lovecraft's gods with accompanying evocations by Alan Moore, author of Watchmen, V for Vendetta, From Hell and many other graphic novel classics.

    LOVECRAFT'S THE HOUND AND OTHER STORIES!Dyer and Danforth from the Miskatonic University research team take their small plane through the unknown Antarctic mountain range--and land to explore the vast, cyclopean alien city that lies beyond it. Here at last they will discover the hideous secret of all life on Earth . . . but can they escape these uttermost vaults at the bottom of the world, and keep sanity enough to warn mankind...? The conclusion of At the Mountains of Madness!

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    P. Lovecraft from authors who do not merely imitate, but reimagine, re-energize, and renew his concepts in ways relevant to today's readers. Fresh new fiction that explores our modern fears and nightmares. From the depths of R'lyeh to the heights of the Mountains of Madness, some of today's best weird fiction writers -- both established award-winning authors and exciting new voices -- THE MAMMOTH BOOK OF CTHULHU collects tales of cosmic horror that traverse terrain created by Lovecraft and create new eldritch geographies to explore . . . With stories by: Laird Barron, Nadia Bulkin, Amanda Downum, Ruthanna Emrys, Richard Gavin, Lois H. Gresh, Lisa L. Hannett, Brian Hodge, CaitlíR. Kiernan, John Langan, Yoon Ha Lee, Usman T. Malik, Helen Marshall, Silvia Moreno, Norman Partridge, W. H. Pugmire, Veronica Schanoes, Michael Shea, John Shirley, Simon Strantzas, Sandra McDonald, Damien Angelica Walters, Don Webb, Michael Wehunt, and A.C. Wise

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    Smell the faint aroma of rich tobacco smoke from an old man’s pipe on a shady boulevard. Listen to the gossip of small towns where everyone knows everyone’s business.Or do they?Sometimes, deadly secrets lurk out in the barn. Sometimes, unimaginable evil awaits us in the root cellar. Sometimes, we fall under the sway of the Shadows Over Main Street.Come inside and sit for a spell…---Foreword by Ramsey Campbell.Cover illustration by Luke Spooner.Interior illustrations by Paul Carrick, Vincent Chong, John Coulthart, Galen Dara and M. Fersner.Table of Contents:(Alphabetical by author name)Gary Braunbeck, The Friendless Bodies of Unburied MenChesya Burke, MountaintownJames Chambers, Odd QuahogsTim Curran, The Thing with a Thousand LegsT. Fox Dunham, The Flesh or the FatherBrian Hodge, This Stagnant Breath of ChangeKevin Lucia, The Black PyramidAdrian Ludens, EstrangedJosh Malerman, A Fiddlehead Party on Carpenter’s FarmNick Mamatas, Χταπόδι ΣαλάταRena Mason, Red HillLisa Morton, The OgreAaron Polson, UndergroundersMary SanGiovanni, The Floodgates of Willow HillLucy A. Snyder, The Abomination of FensmereCameron Suey, The CrisisJohn Sunseri, HomecomingRichard Thomas, White Picket FencesJay Wilburn, Boss CthulhuStephanie Wytovich, The 21st Century Shadow