A former resident of St. Louis, where he founded the Observable Poetry reading series, he now lives in Hillsborough, North Carolina.

    Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality. The images are vivid and the voice is honest and powerful.”—Stephen King, author of Duma Key“Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer.”—Mary-Louise Parker, actress“Infinity Blues is Ryan Adams at his personal, unforgettable best. Strong and beautiful and funny and pure. Like all his work, it’s soul poetry of the highest order.”—Cameron Crowe, filmmaker“This is much better than reading a friend’s journal. It’s more like watching somebody you love in the bathtub talking to himself. You’re like, wow, he’s even good at taking a bath. After reading Infinity Blues (which I think is a great title), I give Ryan Adams the best compliment I ever got—and the only reason for reading anyone’s poetry. Ryan, I really like your mind.”—Eileen Myles, author of Cool for YouRyan Adams may be known primarily for acclaimed albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs “When the Stars Go Blue” and “New York, New York”), Love Is Hell, Cold Roses, Jacksonville City Nights, and Easy Tiger, but the world renowned singer/songwriter has always been a poet and fiction writer at heart. With the release of Infinity Blues, his nonmusical writing is for the first time ever unveiled in book form. Mr. Adams’s work rings of an emotional authenticity that provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans the world over.RYAN ADAMS is usually performing in some city on the globe at any given moment with his longtime band the Cardinals. Adams is known for his prolific nature, which in the last ten years has produced various international hit albums. Adams has also produced Willie Nelson’s Songbird album and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT’s Crossroads with Elton John. He was a longtime Manhattan resident before relocating to France in 2009, and he listens to A LOT of heavy metal.

    She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection. While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal

    In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    Junkyard Ghost Revival is an award winning poetry collection of 7 modern touring authors: Derrick Brown, Anis Mojgani, Buddy Wakefield, Robbie Q, Sonya Renee, Andrea Gibson and Cristin O'keefe Aptowicz

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    This collection of poems expresses the anger, hurt, depression of loss: that asks why, analyses rifts and strives for explanation: and that builds resolve, envisions a future and revels in the present.

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    Also included are some "Mother Said, " "Father Said, " and "My Girlfriend Said" poems, providing plenty of material for the patient on the couch. My Therapist Said is full of advice, some of it sage, some of it absurd.

    --from "Before"Jason Shinder's last poems are his moving testimonies to poetry, love, and friendship. With power, clarity, and disarming humor, the poems confront grief and mortality with a humility and fortitude that come only "with hope, stupid hope." Stupid Hope is Shinder's wry, penetrating, and wise farewell.

    Now, more than ever before, our country needs to see full legalization of medical/recreational marijuana and hemp. Any way you look at it, for whoever is using it, marijuana is a medicinal plant, in abundant supply. Every month and every year that goes by, we find out more positive things about it. Medicinal marijuana has been demonized through the years but obviously this plant has a great deal of positive attributes, and it’s also a renewable resource. Being a cash crop, marijuana is bad for the pharmaceutical industry. Is Big Pharma pressuring the government to continue to deny sick people access? If so, that’s truly a crime against American citizens. And as Ventura writes: “Our government won’t do the right thing and legalize marijuana unless we the people demand it, because there are so many people within our government on the payroll, all thanks to the War on Drugs." Jesse Ventura’s Marijuana Manifesto calls for an end to the War on Drugs. Just because something is illegal, that doesn’t mean it goes away, it just means that criminals run it. Legalizing marijuana and marijuana dispensaries will serve to rejuvenate our pathetic economy, and just might make people a little happier. Ventura’s book will show us all how we can take our country back.

    He wears his temper like a badge of honor, would rather step over a homeless beggar than walk around him, and engages in petty warfare with his staff over expense receipts. He's also never been much bothered with monogamy, but when one morning he spontaneously seduces his temp in an office storeroom, he's definitely crossed a line in blatancy. Miller has made few friends and many enemies—not to mention the fact that the storeroom is a notorious trysting place and he and the temp both emerge covered in dust and airmail stickers—so the news doesn’t take long to reach his cold, beautiful wife. Conveniently, it just happens to be their anniversary. Imagine the celebratory dinner, capped by her returning her house keys and consummating her desire to sleep with the neighbor.Not a man to suffer rejection well, Miller heads for a London media hangout, where two employees introduce him to cocaine. By morning, his exploits are public (a photographer captured him snorting the cocaine in public), his career is over (thanks to a damning interview he gave a journalist from a rival paper), he's not only painted the word 'WANKER' on the cuckolding neighbor's car, but misspelled it, and his house is on fire (never leave a goodbye bonfire of wedding photos unattended). . . . Clearly, it’s time to leave town. Miller has an engagement to speak to the boys at his old prep school, but he can't seem to stop pouring gasoline on the fire that his life has become, showing up hungover after a night partying with an old school friend and a gaggle of Spanish flight attendants, and calling the headmaster by his behind-the-back nickname of "Stiffo" to the students, for a start. After the speech, he speaks with his doctor and learns that his father-in-law plans to kill him.Leigh, the old school friend, works for an English language school in Barcelona, and Miller wrangles its address out of him, for he clearly can't go home. He gets the job and adapts surprisingly well to a life of an underpaid teacher, despite the fact that some of his students will clearly never learn the language (there are hilarious scenes of their attempts in this section) and even starts up a romance with a tough-talking English girl who's one of his fellow teachers—but he doesn't tell her who he really is when he has the opportunity, and when she figures it out on her own she is livid and that bridge is burnt. To make matters worse, his father-in-law's goons have tracked him down.Miller flees again, winding up in Florida, in a town populated by ex-circus freaks and presided over by the Half Man, a criminal and sadist with no legs who welcomes Miller to town by shoving a gun barrel in his mouth and breaking his teeth. But ironically, it seems that despite the fleas in his trailer, the one-eyed albino hit man who seems to overhear every compromising conversation between Miller and the Half Man’s beautiful wife the Lizard Woman, and the fact that the Half Man’s stranglehold on the local police mean that Miller isn’t actually free to leave, it seems that Miller somehow belongs among the freaks. These misfits—among them a black dwarf, a gay clown with a penchant for altar boys, a heroin addict who is their unlicensed doctor, a biker hit man named Hollis after Grove’s erstwhile publicist, and the Lizard Woman’s wonderful eight-year-old daughter—unwittingly teach Miller what normal life never could—how to love, and how to stand up for something he truly believes in. When Miller's wife tracks him down and has him sign over the spoils of his old life to her, he gets enough money out of her to hire the albino to hit the Half Man. And though all certainly does not go smoothly with the hit—someone as vicious as the Half Man is unlikely to go quietly—Miller and the Lizard Woman are able to close that chapter and start a new life together.

    The book is a compilation of the series of episodes published in tamil magazine 'Chaavi'

    Readers of Wiman's earlier books will recognize the sharp characterizations and humor—"From her I learned the earthworm's exemplary open-mindedness, / its engine of discriminate shit"—as well as his particular brand of reverent rage: "Lord if I implore you please just please leave me alone / is that a prayer that's every instant answered?" But there is something new here, too: moving love poems to his wife, tender glimpses of his children, and, amid the onslaughts of illness and fear and failures, "a trace / of peace."

    “Hope” is the thing with feathers -That perches in the soul -And sings the tune without the words -And never stops - at all -And sweetest - in the Gale - is heard -And sore must be the storm -That could abash the little BirdThat kept so many warm -I’ve heard it in the chillest land -And on the strangest Sea -Yet - never - in Extremity,It asked a crumb - of me