Right is a hilarious rollercoaster of famous names, outrageous stories, and vicarious thrills.The inimitable, outrageous Janice Dickinson—America’s first supermodel and the bestselling author of No Lifeguard on Duty and Everything About Me Is Fake... And I’m Perfect—now serves up her most scintillating kiss and tell-all yet in Check, Please! Loaded with uncensored dish on her dating sagas and her stranger-than-fiction bedroom adventures, Check, Please! shows Dickinson as a real life Samantha Jones, and three decades at the top of the fast-track, glamorous world of modeling have given her a wealth of juicy stories.Dickinson dissects nearly 100 dates over a 25-year span—each one more jaw-droppingly outrageous than anything Jackie Collins could dream up. (There’s the Big Pharma billionaire, for example, who blurts out his fantasy of having Swarovski crystals shoved in every orifice before they’ve finished the first course of their first date—a declaration that forces Dickinson to quickly abandon the fantasy of “free botox forever” that he’d inspired in her.) Dickinson’s dates also reflect the changing times and the evolution of what she’s looking for in a man. From the unfettered hedonism of the 80s, a decade spent in white-hot one night stands and steamy affairs, to her heightened desire to find Mr. Right during the 90s, to her current state of play, Check, Please! is a fun, over-the-top vicarious thrill ride—with a core that’s highly relatable.

    (Women who leave wet teaspoons in sugar bowls need not apply)."I haven't woken up with a cup of tea by the bed for seven years. It seems such a small thing but it's one of a thousand things I miss about having someone around to take care of me. I have spent my entire adult life getting things the way I want them and all I want now is someone to give it all up for." Jon RichardsonIs your filing faultless? Your CDs, apostrophes, cutlery all in the right places? Can you eat a biscuit in the correct way? Then Jon Richardson (single for seven years and counting) could be your ideal man.Living alone in a one bedroom flat in Swindon, 27 year old Jon has had far too much time on his hands to think. In fact to obsess. About almost everything. Jon's obsessive compulsive personality disorder has seen him arrange the coins in his pockets in ascending size and colour code his bookshelves. It takes him less than 90 seconds to locate a receipt for a pair of shoes he bought in 1997. Over to the filing cabinet and R for receipts, S for shoes.But Jon doesn't want to be like this, in fact he would quite like to share his life with someone. But who could that someone be? Someone like himself, a quarrelsome perfectionist only with breasts and less body hair? Absolutely not. But who exactly is Jon looking for and where will he find her? Faced with a loveless future filled with his own peculiar quirks and perfectionism, Jon sets about his search for The One. The question is, will he mind her keeping the knives to the left of the forks in the cutlery drawer or organising the CDs by genre and not alphabetically?

    In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, “Did you, um, make it?” She opens up about the challenges of being single in Hollywood (“Strangers were worried about me; that’s how long I was single!”), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway (“It’s like I had a fashion-induced blackout”). In “What It Was Like, Part One,” Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay “What It Was Like, Part Two” reveals how it felt to pick up the role again nine years later, and what doing so has meant to her. Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she’s aware that meeting guys at awards shows has its pitfalls (“If you’re meeting someone for the first time after three hours of hair, makeup, and styling, you’ve already set the bar too high”), and she’s a card-carrying REI shopper (“My bungee cords now earn points!”). Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and—of course—talking as fast as you can.

       For nine seasons Rainn Wilson played Dwight Schrute, everyone's favorite work nemesis and beet farmer. Viewers of The Office fell in love with the character and grew to love the actor who played him even more. Rainn founded a website and media company, SoulPancake, that eventually became a bestselling book of the same name. He also started a hilarious Twitter feed (sample tweet: “I'm not on Facebook” is the new “I don't even own a TV”) that now has more than four million followers.   Now, he's ready to tell his own story and explain how he came up with his incredibly unique sense of humor and perspective on life. He explains how he grew up “bone-numbingly nerdy before there was even a modicum of cool attached to the word.” The Bassoon King chronicles his journey from nerd to drama geek (“the highest rung on the vast, pimply ladder of high school losers”), his years of mild debauchery and struggles as a young actor in New York, his many adventures and insights about The Office, and finally, Wilson's achievement of success and satisfaction, both in his career and spiritually, reconnecting with the artistic and creative values of the Bahá’í faith he grew up in.

    Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn't belong-nor does he try to.In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw-hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

    But the man behind the mesmerizing stories has remained largely an enigma. A single-minded adventurer and an eternal child who gave us the iconic Willy Wonka and Matilda Wormwood, Dahl was better known during his lifetime for his blunt opinions on taboo subjects—he was called an anti-Semite, a racist and a misogynist—than for his creative genius. His wild imagination, dark humor and linguistic elegance were less than fully appreciated by critics and readers alike until after his death.Granted unprecedented access to the Dahl estate's extraordinary archives—personal correspondence, journals and interviews with family members and famous friends—Donald Sturrock draws on a wealth of previously unpublished materials that informed Dahl's writing and his life. It was a life filled with incident, drama and adventure: from his harrowing experiences as an RAF fighter pilot and his work in wartime intelligence, to his many romances and turbulent marriage to the actress Patricia Neal, to the mental anguish caused by the death of his young daughter Olivia. Tracing a brilliant yet tempestuous ascent toward notoriety, Sturrock sheds new light on Dahl's need for controversy, his abrasive manner and his fascination for the gruesome and the macabre.A remarkable biography of one of the world's most exceptional writers, Storyteller is an intimate portrait of an intensely private man hindered by physical pain and haunted by family tragedy, and a timely reexamination of Dahl's long and complex literary career.

    An ambitious urban entrepreneur who rose up the social ladder, from leather-aproned shopkeeper to dining with kings, he seems made of flesh rather than of marble. In bestselling author Walter Isaacson's vivid and witty full-scale biography, we discover why Franklin seems to turn to us from history's stage with eyes that twinkle from behind his new-fangled spectacles. By bringing Franklin to life, Isaacson shows how he helped to define both his own time and ours.He was, during his 84-year life, America's best scientist, inventor, diplomat, writer, and business strategist, and he was also one of its most practical—though not most profound—political thinkers. He proved by flying a kite that lightning was electricity, and he invented a rod to tame it. He sought practical ways to make stoves less smoky and commonwealths less corrupt. He organized neighborhood constabularies and international alliances, local lending libraries and national legislatures. He combined two types of lenses to create bifocals and two concepts of representation to foster the nation's federal compromise. He was the only man who shaped all the founding documents of America: the Albany Plan of Union, the Declaration of Independence, the treaty of alliance with France, the peace treaty with England, and the Constitution. And he helped invent America's unique style of homespun humor, democratic values, and philosophical pragmatism.But the most interesting thing that Franklin invented, and continually reinvented, was himself. America's first great publicist, he was, in his life and in his writings, consciously trying to create a new American archetype. In the process, he carefully crafted his own persona, portrayed it in public, and polished it for posterity.Through it all, he trusted the hearts and minds of his fellow "leather-aprons" more than he did those of any inbred elite. He saw middle-class values as a source of social strength, not as something to be derided. His guiding principle was a "dislike of everything that tended to debase the spirit of the common people." Few of his fellow founders felt this comfort with democracy so fully, and none so intuitively.In this colorful and intimate narrative, Isaacson provides the full sweep of Franklin's amazing life, from his days as a runaway printer to his triumphs as a statesman, scientist, and Founding Father. He chronicles Franklin's tumultuous relationship with his illegitimate son and grandson, his practical marriage, and his flirtations with the ladies of Paris. He also shows how Franklin helped to create the American character and why he has a particular resonance in the twenty-first century.

    

    He wrote not only letters, short fiction, poetry, and sports stories, but speeches, newspaper articles, and radio commentary on public policy issues, both foreign and domestic. Most of Reagan's original writings are pre-presidential. From 1975 to 1979 he gave more than 1,000 daily radio broadcasts, two-thirds of which he wrote himself. They cover every topic imaginable: from labor policy to the nature of communism, from World War II to the second Strategic Arms Limitation Treaty, from the future of Africa and East Asia to that of the United States and the world. They range from highly specific arguments to grand philosophy to personal stories. Even those who knew him best were largely unaware of Reagan's output. George Shultz, as he explains in the Foreword, was surprised when he first saw the manuscripts, but on reflection he really was not surprised at all. Here is definitive proof that Ronald Reagan was far more than a Great Communicator of other people's ideas. He was very much the author of his own ideas, with a single vision that he pursued relentlessly at home and abroad. Reagan, In His Own Hand presents this vision through Reagan's radio writings as well as other writings selected from throughout his life: short stories written in high school and college, a poem from his high school yearbook, newspaper articles, letters, and speeches both before and during the presidency. It offers many surprises, beginning with the fact that Reagan's writings exist in such size and breadth at all. While he was writing batches and batches of radioaddresses, Reagan was also traveling the country, collaborating on a newspaper column, giving hundreds of speeches, and planning his 1980 campaign. Yet the wide reading and deep research self-evident here suggest a mind constantly at work. The selections are reproduced with Reagan's own edits, offering a unique window into his thought processes. These writings show that Reagan had carefully considered nearly every issue he would face as president. When he fired the striking air-traffic controllers, many thought that he was simply seizing an unexpected opportunity to strike a blow at organized labor. In fact, as he wrote in the '70s, he was opposed to public-sector unions using strikes. There has been much debate as to whether he deserves credit for the end of the cold war; here, in a 1980 campaign speech draft, he lays out a detailed vision of the grand strategy that he would pursue in order to encourage the Soviet system to collapse of its own weight, completely consistent with the policies of his presidency. Furthermore, in 1984, Reagan drafted comments he would make to Soviet foreign minister Andrei Gromyko at a critical meeting that would eventually lead to history's greatest reductions in armaments. Ronald Reagan's writings will change his reputation even among some of his closest allies and friends. Here, in his own hand, Reagan the thinker is finally fully revealed.

    He's talking about dreams here, the destiny that calls every living soul to some kind of greatness. What Mr. Twain doesn't say is: A dream is also a monster that wants to eat you. Nobody tells you this part of the American Dream — until now. In this new memoir, Congratulations Who Are You Again, readers join Harrison Scott Key on his outrageous journey to becoming a great American writer. As a young boy in Mississippi, Harrison possessed many special gifts, such as the ability to read and complete college applications. And yet, throughout young adulthood, he failed at many vocations, until one day, after drinking perhaps too many beers and dusting off his King James Bible, he stumbled across a passage about a lonely pelican, which burst into flame inside him. In a mad blaze of holy illumination, Harrison realized his dream: to set the world afire with the light inside him. He would write a funny book. This was his dream.With unforgettable wit and tenderness, Congratulations Who Are You Again is Harrison’s instructive tale of pursuing his destiny with relentless and often misguided devotion, transforming his life beyond all comprehension: He becomes a signer of autographs, a doer of interviews, a casher of checks that are "worth more money than my father had ever imagined any of us might see, this side of a drug-related felony."On this journey, Harrison finds that as he gains the world, he stands on the precipice of losing everything that means the most: his family, his mind, his soul. Hilarious, honest, and absolutely practical, Congratulations Who Are You Again is a no-holds-barred look at the life of every ambitious human creature, whether you want to write books or make music, start a business or start a revolution. This is a book for the dreamers.

    Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common?Curtis Armstrong.A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there’s more to Curtis’ story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey—one nerd’s hilarious, often touching rise to the middle. He started his life as an outcast and matured into…well, an older, slightly paunchier, hopefully wiser outcast.In Hollywood, as in life, that counts as winning the game.

    In television history, few entertainers have captured as many hearts and made as many people laugh as Tim Conway. There’s nothing in the world that Tim Conway would rather do than entertain—and in his first-ever memoir, What’s So Funny?, that’s exactly what he does. From his pranks in small Ohio classrooms to his perfor­mances on national television and movies, Tim has been cracking people up for more than seventy years. Long regarded as one of the funniest come­dians around, Tim also boasts an inspiring rags-to-riches story. What’s So Funny? captures Tim’s journey from life as an only child raised by loving but outra­geous parents in small-town Ohio during the Great Depression, to his tour of duty in the Army—which would become training for his later role in McHale’s Navy—to his ascent as a national star and household name. By tracing his early path, this book reveals the origins of many of Tim’s unforgettable characters—from Mr. Tudball and the Oldest Man to Mickey Hart to everyone’s favorite, Dorf. What’s So Funny? shares the hilarious accounts of the glory days of The Carol Burnett Show and his famous partnerships with entertainment greats like Harvey Korman, Don Knotts, Dick Van Dyke, Betty White, Vicki Lawrence, Bob Newhart, and of course, Carol Burnett. As a bonus, readers will enjoy never-before-shared stories of hilarious behind-the-scenes antics on McHale’s Navy and The Carol Burnett Show.

    When offered a choice between the Laugh Factory comedy camp or counseling to help recover from issues within the foster system, she chose the former and found her calling. In her first book, Haddish recounts her early life straight through to her powerhouse success both on the comedy circuit and in Hollywood with the 2017 film Girls Trip.

    The other big event of that year was the outbreak of the Second World War, but for the moment, that did not affect me.' In the first instalment of Clive James's memoirs, we meet the young Clive, dressed in short trousers, and wrestling with the demands of school, various relatives and the occasional snake, in the suburbs of post-war Sydney.

    Notes about successes and failures, joys and sorrows, things that made me marvel, and things that made me laugh out loud. How to be fair. How to have less stress. How to have fun. How to hurt people less. How to get hurt less. How to be a good man. How to have meaning in life. How to be more me. Recently, I worked up the courage to sit down with those diaries. I found stories I experienced, lessons I learned and forgot, poems, prayers, prescriptions, beliefs about what matters, some great photographs, and a whole bunch of bumper stickers. I found a reliable theme, an approach to living that gave me more satisfaction, at the time, and still: If you know how, and when, to deal with life’s challenges - how to get relative with the inevitable - you can enjoy a state of success I call “catching greenlights.” So I took a one-way ticket to the desert and wrote this book: an album, a record, a story of my life so far. This is fifty years of my sights and seens, felts and figured-outs, cools and shamefuls. Graces, truths, and beauties of brutality. Getting away withs, getting caughts, and getting wets while trying to dance between the raindrops. Hopefully, it’s medicine that tastes good, a couple of aspirin instead of the infirmary, a spaceship to Mars without needing your pilot’s license, going to church without having to be born again, and laughing through the tears. It’s a love letter. To life. It’s also a guide to catching more greenlights - and to realizing that the yellows and reds eventually turn green too. Good luck.