Society's retribution for her act of defiance - death - she welcomes as the only way she can finally be free.

    Featuring brand new sections on the remarkable shifts in the world economy, this economic study is a relevant, entertaining, and fascinating guide for those seeking both a solid lesson on the development of economic theory throughout the past two hundred years and a balanced perspective of our current economic state on the brink of the millennium.By applying age-old economic theories to contemporary issues, Todd Buchholz helps readers to see how the thoughts and writings of the great economists of the past have vital relevance to the dilemmas affecting all our lives today.

    Jon Lee Anderson's biography traces Che's extraordinary life, from his comfortable Argentine upbringing to the battlefields of the Cuban revolution, from the halls of power in Castro's government to his failed campaign in the Congo and assassination in the Bolivian Jungle.Anderson has had unprecedented access to the personal archives maintained by Guevara's window and carefully guarded Cuban government documents. He has conducted extensive interviews with Che's comarades-some of whom speak here for the first time-and with CIA men and Bolivian officers who hunted him down. Anderson broke the story of where Guevara's body was buried, which led to the exhumation and stat burial of the bones. Many of the details of Che's life have long been cloaked in secrecy and intrigue. Meticulously researched and full of exclusive information, Che Guevara illuminates as never before this mythic figure who embodied the high-water mark of revolutionary communism as a force in history."

    Or, more difficult yet, imagine an America unaffected by the cultural expressions and forms of the twentieth-century social movements that have shaped our nation. The first broad overview of social movements and the distinctive cultural forms that express and helped shape them, The Art of Protest shows the vital importance of these movements to American culture. In comparative accounts of movements beginning with the African American civil rights movement of the 1950s and 1960s and running through the Internet-driven movement for global justice ("Will the revolution be cybercast?") of the twenty-first century, T. V. Reed enriches our understanding of protest and its cultural expression. Reed explores the street drama of the Black Panthers, the revolutionary murals of the Chicano movement, the American Indian Movement's use of film and video, rock music and the struggles against famine and apartheid, ACT UP's use of visual art in the campaign against AIDS, and the literature of environmental justice. Throughout, Reed employs the concept of culture in three interrelated ways: by examining social movements as sub- or countercultures; by looking at poetry, painting, music, murals, film, and fiction in and around social movements; and by considering the ways in which the cultural texts generated by resistance movements have reshaped the contours of the wider American culture. The United States is a nation that began with a protest. Through the kaleidoscopic lens of artistic and cultural expression, Reed reveals how activism continues to remake our world.

    The Last Colonial Massacre challenges these views.Using Guatemala as a case study, Greg Grandin argues that the Cold War in Latin America was a struggle not between American liberalism and Soviet Communism but between two visions of democracy. The main effect of United States intervention in Latin America, Grandin shows, was not the containment of Communism but the elimination of home-grown concepts of social democracy.Through unprecedented archival research and gripping personal testimonies, Grandin uncovers the hidden history of the Latin American Cold War: of hidebound reactionaries intent on holding on to their own power and privilege; of Mayan Marxists, blending indigenous notions of justice with universal ideas of freedom and equality; and of a United States supporting new styles of state terror throughout the continent. Drawing from declassified U.S. documents, Grandin exposes Washington's involvement in the 1966 secret execution of more than thirty Guatemalan leftists, which, he argues, prefigured the later wave of disappearances in Chile and Argentina.Impassioned but judicious, The Last Colonial Massacre is history of the highest order—a work that will dramatically recast our understanding of Latin American politics and the triumphal role of the United States in the Cold War and beyond.

    With swashbuckling wit and fierce honesty, she dishes on herself and her colleagues as they try to prod reluctant governments to fund HIV prevention for the people who need it most—drug injectors, gay men, sex workers, and johns.Pisani chats with flamboyant Indonesian transsexuals about their boob jobs and watches Chinese streetwalkers turn away clients because their SUVs aren't nice enough. With verve and clarity, she shows the general reader how her profession really works; how easy it is to draw wrong conclusions from "objective" data; and, shockingly, how much money is spent so very badly. "Exhibit A": the 45 billion taxpayer dollars the Bush administration is committing to international AIDS programs.

    This is a detailed description of the life of one helicopter pilot and what he did in the air, on the ground, with the people during his first tour in the Central Highlands while assigned to and flying for an Infantry Division, the Cambodia Invasion, and what it was really like living in Vietnam. The second tour was in the Saigon area with an Air Cavalry Troop and recounts live for Americans at the final months of the War, final cease fire events, prisoner exchanges, life on the ground, Saigon, the final flight of combat troops to leave Vietnam and the end of American combat operations and involvement. For those who want to know what it was like to be there -- without the hidden agenda, embellishment, or hype normally associated with the Vietnam War