When his military days were over, Simmons, a former Air Force sergeant, began a torturous series of acts of violence and humiliation against his family. While a fierce presence to his wife, Becky, and six of their seven children, he became exceptionally tender with his favorite daughter, Sheila, and forced her into an incestuous relationship that culminated in the birth of a child. Simmons went through a series of menial jobs and, after several moves, finally settled his family in the foothills of the Ozarks. But faced with growing frustration of his need for control, along with his daughter's rejection of him and marriage to another man, which he claimed had ruined his plans to have a happy life alone with her, he prepared the ritual killing of all those who had made his dream unworkable. While for the most part, Williams ( Tankwar ) and Marshall, a journalist, tell the story convincingly, they fail when they attempt to re-create and explain Simmons's thought processes.Copyright 1991 Reed Business Information, Inc.From Library Journal

    For Trevor Stone, however, what began as a straightforward battle for survival has grown into a complex campaign against both external and internal adversaries. While his forces confront a human/alien alliance, Trevor finds that his most dangerous enemy is much closer to home. Schism is the fourth installment in the five-part Beyond Armageddon series and features massive battles over the skies of California, a conspiracy that will shake the foundation of humanity's empire, and a conversation with the gods. Get Ready. Hold on. Choose your side.

    His ambitions go only as far as his next gig, until the day the earth changes. Millions vanish and a plague sweeps viciously across the globe, killing everyone infected. Three days later … they rise from the dead.Now Del and six others are all that remain. They travel city to city, looking for a safe haven while trying to rid the land of the undead. They believe they are spared for a reason, when actually they are simply forgotten. However, within their group is one individual who was not meant to be forgotten. He must be delivered to sanctuary before the undead completely consume the earth. The Special One is the key to humanity.It will take dedication and sacrifice to complete the mission. Del and the others may be forgotten, but if they succeed, the human race will never forget them.Mankind is promised life after death, it is just never explained what the ‘Resurrection’ really entails.

    Return to the ruined pier at the farthest, darkest edge of the Internet and accompany Mike Bennett back into the Hall of Mirrors.This time around we have hell and damnation in 'Salvation'; a petty criminal in a tight spot in 'Give Me a Hundred'; something in the woods in 'The Green Man'; a revolting comedy featuring two men and a dog in 'Dessert'; a cockroach problem in 'The Exterminators; humiliation and horror in 'Wet Velvet'; and a ship bound for bloodshed in 'Night Crossing'.So, dust off your ticket stub and roll up once again for Hall of Mirrors Volume 2 – More Tales of Horror and the Grotesque.

    When Monster Magazine reporter Clint Stockbern sets out to interview the legendary '50s horror movie director Landis Woodley, he uncovers a bizarre story of real-life horror.Flashback to Hollywood, 1957. Woodley is shooting his latest zombie movie, Cadaver, in a real morgue when he has a brainstorm that will help him pinch some pennies. But when zombie make-up effects are replaced by real corpses, a deadly curse begins to take its toll on those foolish enough to become involved with the filming of the soon-to-be cult classic, Cadaver.

    Ten years ago, monsters murdered Anastasia and her children. Now, she’s back to hunt down the creatures responsible. She knows their names, their faces, and even where they’re hiding. There’s just one problem. No one in town believes her. After a botched bank robbery, Anastasia finds herself on the wrong side of the law, riding into the mountains in search of vengeance, notorious outlaw, Jesse Gallagher, at her side. With the sheriff of Babylon hot on their trail, ghouls on their heels, and werewolves and skin stealing monsters in the mountains, Jesse and Anastasia quickly find out they’re outgunned and in for a long night. It’s going to take more than silver bullets to put these monsters down.

    As a way of coping with her grief, she keeps him 'alive' in her imagination - talking to him every day, laughing with him, remembering the good times they had together. She thinks she will 'hear' him better if she goes somewhere quieter, away from the hustle and bustle of her hometown, Brighton. Her destination is Glenelk in the Highlands of Scotland, a region her grandfather hailed from and the subject of a much-loved painting from her childhood. Arriving in the village late at night, it is a bleak and forbidding place. However, the house she is renting - Skye Croft - is warm and welcoming. Quickly she meets the locals. Her landlord, Fionnlagh Maccaillin, is an ex-army man with obvious and not so obvious injuries. Maggie, who runs the village shop, is also an enigma, startling her with her strange 'insights'. But it is Stan she instantly connects with. Maccaillin's grandfather and a frail, old man, he is grief-stricken from the recent loss of his beloved Beth. All four are caught in the past. All four are unable to let go. Their lives entwining in mysterious ways, can they help each other to move on or will they always belong to the ghosts that haunt them? From the author of the bestselling The Haunting of Highdown Hall.

    It also contains one story from the Vampire's Prey series and one unique story called The Body Farm.Deadlocked : Broken Pieces Vol 1 contains the following short stories.Dial Tone: This story picks up from the beginning of the outbreak and tells Laura's story. In this short story, you'll learn about what she and the girls went through that forced them onto the roof of their house, waiting for David to come home.Just a Secretary: This story is about Gloria and Jerry from David's office building. They try to escape the building, but get caught by a character that plays a big part in Deadlocked 3.The Getaway: When David leapt from the billboard into the Everland River, he emerged only to be smacked on the head by a boat that was being chased by the police in the pontoon. This story explains who that was, and why he was running.Batting Average: William and his son, Billy, have been protecting their salvage yard ever since the outbreak of the zombie apocalypse. Moments before they discover David on their beach, William sits back and enjoys a soda with his son who he is afraid he'll lose soon.Love Letter: A note that Laura wrote to David after the events at the end of Deadlocked. This letter technically should be part of Deadlocked Broken Pieces Volume 2, but I thought it fit better here.Also included in Broken Pieces are a couple of short stories that are not from the Deadlocked Universe. The first, The Summoner and the Prey, is from the Vampire's Prey series and is a unique story to this book. Also in this volume is The Body Farm. This is a wholly original story about… well, you'll just have to wait and see! Let me just say that it has a couple of my own personal favorite horror scenes that I've ever written.

    He examines child homicide in today's violent, confusing world and contextualises it against the cruel unforgiving retribution of yesterday.Children are increasingly experimenting with drugs and committing offences, but there are those who commit the worst possible crimes: to end another person's life before their own could properly have begun. The cases are shocking but sometimes the path towards them is even more so. This is a fascinating exploration of disturbing events aimed at discovering what happens when childhood is trodden underfoot, and when and why kids kill.

    Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...

    Step right up and get your fill of 80s nostalgia with the movie bible to end all movie bibles. We’ve diligently compiled a list of 140 of the most influential movies of the 1980s that’s sure to please popcorn gobblers and highbrow chin-strokers alike. The 80s was a time for adventurers, an era of excess, pomp, and bravado. In the era when mullets and shoulder pads were all the rage, moviegoers got their kicks from flicks as wide-ranging as Blade Runner, When Harry Met Sally, and Blue Velvet. Without a doubt, sci-fi was the most important genre of the decade, with non-human characters like E.T. winning the hearts of millions while the slimy creatures from Aliens became the stuff of nightmares and movies like Ghostbusters and Back to the Future fused comedy and sci-fi to the delight of audiences everywhere. In fact, the 1980s saw the invention of a new reality, a movieworld so convincingly real - no matter now far-fetched - that spectators could not help but abandon hemselves to it. Now that’s entertainment, folks.

    Taking its cue from Hitchcock, grind-house movies, and the gory Italian giallo thrillers of the 1970s, slasher movies brought a new high in cinematic violence and suspense to mainstream cinema. For six bloody years (1978–1984) - the “golden age” of slashers - cinema screens and video stores were stalked by homicidal maniacs with murder and mayhem on their minds.The Slasher Movie Book details the subgenre’s surprising beginnings, revels in its g(l)ory days, and discusses its recent resurgence. Packed with reviews of the best (and worst) slasher movies and illustrated with an extensive collection of distinctive and often graphic color poster artwork from around the world, this book also looks at the political, cultural, and social influences on the slasher movie and its own effect on other film genres.

    Rex enters a downward spiral of drugs and depravity in a quest to resurrect his career and save his soul. Over budget and behind schedule on Presidents Day, he is backed into a corner by bad publicity, a crap project, and studio politics. But enlisting serial-killer-turned-murder-consultant Darwin, his trusty assistant Igor, narcotics from Doctor Love, and the lovely actress Coconut, T. Rex will stop at nothing in his quest for cinematic fame and glory. God help us all.

    Many of the most highly regarded citizens leaped from windows or jumped into the Rhone, screaming that their heads were made of copper, their bodies wrapped in snakes, their limbs swollen to gigantic size or shrunken to tiny appendages. Others ran through the streets, claiming to be chased by "bandits with donkey ears", by tigers, lions & other terrifying apparitions. Animals went berserk. Dogs ripped bark from trees until their teeth fell out. Cats dragged themselves along the floor in grotesque contortions. Ducks strutted like penguins. Villagers & animals died right & left. Bit by bit, the story behind the tragedy in Pont-St-Esprit--a tiny Provencial village of twisted streets that looks much today as it did in the Middle Ages--unfolded to doctors & toxcologists. That story, one of the most bizarre in modern medical history, is movingly recounted in The Day of St. Anthony's Fire. Throughout the Middle Ages & during other times in history, similar hallucinatory outbreaks occurred. They were called St. Anthony's Fire because it was believed that only prayers to the saint could hold the disease in check. Even modern medicine could find no way to check the disease. Drugs failed to bring even temporary relief. Hundreds in the village suffered for weeks, with total agonizing insomnia, never knowing when they might once more suddenly go berserk. The cause of St. Anthony's Fire was known since early history to be ergot, a mold found on rye grain that at rare times inexplicably became posionous enough to create monstrous hallucinations & death. In '51 little significance was attached to the fact that the base of ergot was lysergic acid, also the base for LSD, a drug just coming to the attention of scientists at the time--a drug so powerful that one eye-dropperful could cause as many as 5000 people to hallucinate for hours. At this point, the story becomes a vividly absorbing medical detective story demonstrating the possibility that a strange, spontaneous form of LSD might have caused the human tragedy that came to the hapless villagers of Pont-St-Esprit.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.