Her father has another family which includes a mistress and a daughter. Determined to uncover the truth behind her father's secret life, Christine heads to Magdalena, prepared to hate the people who have caused her to question everything she thought she knew about her father. But what she finds is a woman who understands her, a half sister who cherishes her, and a man who could love her if she'll let him. The longer she's around them, the more she questions which family is the real one. . . Attention Book Clubs! Included on my website is a Book Club Discussion Guide for A Family Affair. This story is filled with moral ambiguity, difficult choices, and second chances--all great topics for conversation and contemplation. Truth in Lies Series: Book One: A Family Affair Book Two: A Family Affair: Spring Book Three: A Family Affair: Summer Book Four: A Family Affair: Fall Book Five: A Family Affair: Christmas Book Six: A Family Affair: Winter (TBA) Book Seven: A Family Affair: The Promise (TBA)

    Lindsey and Georgie have high hopes for their summer on Martha’s Vineyard. In the wake of the recession, ambitious college graduate Lindsey accepts a job as a nanny for an influential family who may help her land a position in Boston’s exclusive art world. Georgie, the eldest child in that family, is nearly fifteen and eager to find herself, dreaming of independence and yearning for first love.Over the course of that formative summer, the two young women develop a close bond. Then, one night by the lighthouse, a shocking act occurs that ensnares them both in the throes of a terrible secret. Their budding friendship is shattered, and neither one can speak of what happened that night for ten long years.Until now. Lindsey and Georgie must confront the past after all this time. Their quest for justice will require costly sacrifices, but it also might give them the closure they need to move on. All they know for sure is that when the truth is revealed, their lives will be forever changed once again.From a fresh voice in fiction, this poignant and timely novel explores the strength and nuance of female friendship, the cost of ambition, and the courage it takes to speak the truth.

    While unconscious, she crept into the mind of a missing boy and awoke with the knowledge of his location. Friends and family were skeptical and wary of her new ability to see into the minds of others. Their fears prompted Kate to keep her psychic powers a secret. Feeling alienated, she dropped out of college and spent most of her days holed up at her mother's home. Now another child has been abducted. Police detective Jared Corbett seeks out Kate for her help in solving the case. Reluctantly, Kate agrees and they must work together to bring 8-year-old Cori Preston home to her family. Although attracted to one another, Jared has a girlfriend with ties to the abduction case and Kate is sarcastic and guarded since her coma. With visions she can't control and an uncontrollable attraction to the detective, she wonders if she can leave the past behind and finally stop hiding from the world. Otherwise, Cori may be lost forever.

    G. Wodehouse in Crosstalk, a genre-bending novel that pushes social media, smartphone technology, and twenty-four-hour availability to hilarious and chilling extremes as one young woman abruptly finds herself with way more connectivity than she ever desired.In the not-too-distant future, a simple outpatient procedure to increase empathy between romantic partners has become all the rage. And Briddey Flannigan is delighted when her boyfriend, Trent, suggests undergoing the operation prior to a marriage proposal - to enjoy better emotional connection and a perfect relationship with complete communication and understanding. But things don't quite work out as planned, and Briddey finds herself connected to someone else entirely - in a way far beyond what she signed up for.It is almost more than she can handle - especially when the stress of managing her all-too-eager-to-communicate-at-all-times family is already burdening her brain. But that's only the beginning. As things go from bad to worse, she begins to see the dark side of too much information, and to realize that love - and communication - are far more complicated than she ever imagined.

    . . before Anne: A marvelously entertaining and moving historical novel, set in rural Prince Edward Island in the nineteenth century, that imagines the young life of spinster Marilla Cuthbert, and the choices that will open her life to the possibility of heartbreak—and unimaginable greatnessPlucky and ambitious, Marilla Cuthbert is thirteen years old when her world is turned upside down. Her beloved mother has dies in childbirth, and Marilla suddenly must bear the responsibilities of a farm wife: cooking, sewing, keeping house, and overseeing the day-to-day life of Green Gables with her brother, Matthew and father, Hugh.In Avonlea—a small, tight-knit farming town on a remote island—life holds few options for farm girls. Her one connection to the wider world is Aunt Elizabeth “Izzy” Johnson, her mother’s sister, who managed to escape from Avonlea to the bustling city of St. Catharines. An opinionated spinster, Aunt Izzy’s talent as a seamstress has allowed her to build a thriving business and make her own way in the world.Emboldened by her aunt, Marilla dares to venture beyond the safety of Green Gables and discovers new friends and new opportunities. Joining the Ladies Aid Society, she raises funds for an orphanage run by the Sisters of Charity in nearby Nova Scotia that secretly serves as a way station for runaway slaves from America. Her budding romance with John Blythe, the charming son of a neighbor, offers her a possibility of future happiness—Marilla is in no rush to trade one farm life for another. She soon finds herself caught up in the dangerous work of politics, and abolition—jeopardizing all she cherishes, including her bond with her dearest John Blythe. Now Marilla must face a reckoning between her dreams of making a difference in the wider world and the small-town reality of life at Green Gables.

    After I saw my little brother’s death but failed to stop it, my parents abandoned me to a juvenile detention facility. I don’t let people touch me anymore. Not my fingertips, not my skin, not my heart. I make my own clothes by stitching together the donations we get; usually a bunch of crap that fits like a parachute. My sweater is a patchwork of different shades of inky, dark squares. I make plain gray skirts that hang to my knees, with cute or funny T-shirts sewed in. They clash ironically with my unsmiling face. My Allstar high-tops are black and frayed, like my soul. I also wear a chunk of brightly colored legos around my neck. My little brother was working on it the day he died. The day I failed to save him. It’s unfinished, so I’ll never know what it was meant to be. Most days, I just try to get by. But then I got a visit from a cute guy, who tricked me into giving up my secrets. He said I was special. That he needed me. For a while, I believed him. But once I found out what I could really do, I learned everybody wanted the power I possessed. The power to destroy deities. To kill gods. To end the world... or to save it. My heart is torn, and those I loved most betrayed me. I'm trying so hard to do what's right, but nobody can tell me what that is anymore, and the moral boundaries I'd always let define my life have been shattered. Whose rules should I obey now? Or do I have to make my own? The Scarlet Thread is a dark fantasy for fans of Greek mythology and Gothic romance. Fans of Fallen and Percy Jackson will be captivated by this mashup of fallen angels and forgotten gods.

    And crazy is dangerous."In a world where nothing supernatural exists, Tess Eckhart is positive she’s going crazy. After her complete freakout at a high school party, her parents worry she might be right. So much that they pack their bags and move across the country, next to a nationally-renowned facility for the mentally ill.Tess is determined to fit in at her new school, despite the whispers and stares. But when it comes to Luka Williams, a reluctantly popular boy in her class, she’s unused to a stare that intense. Then the headaches start, and the seemingly prophetic dreams that haunt her at night. As Tess tries harder to hide them, she becomes increasingly convinced that Luka knows something—that he might somehow be responsible.But what if she’s wrong? What if Luka Williams is the only thing separating her from a madness too terrifying to fathom?

    She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she's invisible.All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written to her by her best friend - her grandmother Zelda - who died under mysterious circumstances years earlier. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth. As she delves deeper into Zelda's past, she unwittingly reveals a family secret that will change her life forever.Filled with Phaedra Patrick's signature charm and vivid characters, The Library of Lost and Found is a heartwarming and poignant tale of how one woman must take control of her destiny to write her own happy ending.

    Joining single father Ben Hanson and his children for the holidays seems an easy enough task until Santa informs her that Ben is the man behind the disturbing new book 'Beyond Bah Humbug: Why Lying to Your Children about Santa Claus is a Bad Idea'.Posing as Miss Kane, the children's new nanny, Carol pulls out all the stops to show Ben how fun Christmas can be, all the while struggling to understand how one man could hate the holidays so much. How could she, Santa's only daughter, be so attracted to a man who refuses to believe her father exists?**Please note - this book was originally titled Carol's Christmas**

    Headstrong, accomplished journalist Martha Gellhorn is confident with words but less so with men when she meets disheveled literary titan Ernest Hemingway in a dive bar. Their friendship—forged over writing, talk, and family dinners—flourishes into something undeniable in Madrid while they’re covering the Spanish Civil War.Martha reveres him. The very married Hemingway is taken with Martha—her beauty, her ambition, and her fearless spirit. And as Hemingway tells her, the most powerful love stories are always set against the fury of war. The risks are so much greater. They’re made for each other.With their romance unfolding as they travel the globe, Martha establishes herself as one of the world’s foremost war correspondents, and Hemingway begins the novel that will win him the Nobel Prize for Literature. Beautiful Exiles is a stirring story of lovers and rivals, of the breathless attraction to power and fame, and of one woman—ahead of her time—claiming her own identity from the wreckage of love.

     The Andreas family is one of readers. Their father, a renowned Shakespeare professor who speaks almost entirely in verse, has named his three daughters after famous Shakespearean women. When the sisters return to their childhood home, ostensibly to care for their ailing mother, but really to lick their wounds and bury their secrets, they are horrified to find the others there. See, we love each other. We just don't happen to like each other very much. But the sisters soon discover that everything they've been running from-one another, their small hometown, and themselves-might offer more than they ever expected.

    When her dad goes missing on a routine patrol, Grace refuses to believe he’s dead and fights the town authorities, tribal officials, and nature to find him.One day, while out tracking clues, Grace is rescued from danger by Mo, a hot guy with an intoxicating accent and a secret. As her feelings between him and her ex-boyfriend get muddled, Grace travels deep into the wilderness to escape and find her father. Along the way, Grace learns terrible secrets that sever relationships and lives. Soon she’s enmeshed in a web of conspiracy, deception, and murder. And it’s going to take a lot more than a compass and a motorcycle (named Lucifer) for this kick-butting heroine to save everything she loves.

    The hot look in Dylan Brodie's eyes says he's going to be that man.But when Lane flies to the remote 1930s fishing lodge to help him renovate, she discovers a little girl who won't speak, eerie legends and strange sounds in the night. And when she investigates the history of the lodge, she uncovers a legacy of injustice and murder.As danger stalks his daughter and the woman he is coming to love, Dylan must risk everything to uncover the shocking truth.

    She's headed off to the college of her dreams. She's going to prom with the boy she's had a crush on since middle school. Her best friend always has her back, and her mom, a B-list Hollywood celebrity, may finally be on her way to the B+ list. It's good to be Chloe Wynn Berringer--at least, it was, until the FBI came knocking on her front door, guns at the ready, and her future went up in smoke. Now her mother is under arrest in a massive college admissions bribery scandal. Chloe, too, might be facing charges, and even time behind bars. The public is furious, the press is rabid, and the US attorney is out for blood.As she loses everything she's long taken for granted, Chloe must reckon not only with the truth of what happened, but also with the examination of her own guilt. Why did her parents think the only way for her to succeed was to cheat for her? What did she know, and when did she know it? And perhaps most importantly, what does it mean to be complicit?

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”