In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Eddie Carbone is a Brooklyn longshoreman, a hard-working man whose life has been soothingly predictable. He hasn't counted on the arrival of two of his wife's relatives, illegal immigrants from Italy; nor has he recognized his true feelings for his beautiful niece, Catherine. And in due course, what Eddie doesn't know?about her, about life, about his own heart?will have devastating consequences.

    This volume from one of Ireland's greatest playwrights includes "In the Shadow of the Glen," "Riders to the Sea," and "The Playboy of the Western World."

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval. Directed by Gaye Taylor Upchurch

    Every minute there reminds her of all the reasons she left and she has no desire to reacquaint herself with her home village. Or with Rory O’Donovan, her lost love.Then, she reads her mother’s will. Her inheritance is a chest full of letters and journals, written by her grandmother and great-aunt, that answer a long held secret. Who murdered her great-uncle in the Irish Civil War.. and why? How did what an uprising for Irish freedom and independence degenerate into a bitter civil war where neighbor turned against neighbor, and family against family– leaving a legacy of lies, secrets, and silences for generations to come?As Jo unearths the bitter, buried history she shares with Rory she finally understands why their love was doomed from the start. But what about now? Can she stay true to both her heart and her heritage? She knows from her own life how the wild energy of rebellion can carry someone away… but what happens after the rising?

    From building his village into a town, producing food and protection and more, the real troubles have only begun for him in his [Magic Life]. Not only will he have to face animals, monsters and other demon tribes that appear like grass, to advance he will even have to go against other gods, angering them to carve out his path as a Lord player but his troubles aren't only in the game. The real world is slowly changing along with the game and he will have to start adapting as he slowly unfurls his wings.

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    It exposes the reality of the dark, claustrophobic world of the Provisionals: the iron grip they hold over their communities; their ruthless and cynical disregard for human life; the single-minded professionalism of some IRA volunteers — and the rank incompetence of others. Raymond Gilmour learned the brutal facts of life in Northern Ireland at an early age. Beatings, murders and knee-cappings were common currency on the dead-end Derry estate where he grew up, and despite the omnipresence of British. soldiers no one was in any doubt about who really held the balance of power. Many young Catholics, with few options and fewer jobs open to them, joined the terrorists as volunteers. So, at the age of sixteen, did Ray Gilmour — but his recruitment had a vital and deadly difference: his brief to infiltrate the IRA, sabotage their activities, and report back to his Special Branch contact. So began nearly a decade of life in no-man's-land, an impossibly dangerous double life where every day brought with it a new and potentially terminal threat. Gilmour relates in gripping style the hazards of playing along with the shootings and bombings while secretly trying to subvert them; the constant fear of exposure, torture and execution by his IRA `comrades' — and the tension of wondering when he might out-live his usefulness and be sacrificed by the shadowy men from MI5. Incredibly, Gilmour not only avoided exposure and sacrifice, he also became one of the RUC's most valued agents, foiling countless terrorist attacks and helping the police seize huge quantities of arms and explosives. As one RUC source admitted: 'He kept Derry clean for us.' Gilmour's career as an agent came to an abrupt and spectacular end when he uncovered one of the IRAs most prized arms caches, forcing him and his family — who until then had known nothing of his double life. — to go on the run before the IRA's notorious Internal Affairs men caught up with them. But even escape has its penalties: Gilmour has not seen his wife and children for over twelve years, and he now lives in permanent exile, flitting from safe house to safe house under a sentence of death unrevoked by peace-tAs amnesties. Dead Ground is Gilmour's story: a narrative of heart-stopping tension and unrelenting human drama which makes a mockery of fictionalised accounts of terrorism in Northern Ireland.

    She successfully completes the mission only to find another similar case is waiting for her when she gets home. As it turns out, someone is targeting relatives of the current administration. The next target is Grayson Davenport, brother of the Director of Homeland Security.As a clandestine member of the Department of Homeland Security, Grayson Davenport from time to time uses his position as Director of the Davenport Foundation as a perfect front for assignments amongst the rich and powerful people he socializes with. His current mission is to uncover information regarding a conspiracy against the administration. To his surprise, he finds himself a target of the conspiracy. The person assigned to protect him is a woman.The moment they meet the heat between Grayson and Monique is instantaneous. Sparks fly causing them both to lose track of their mission. Monique knew this pretty man could never handle a woman like her. Just as Grayson knew this woman could not hold an intelligent conversation with him. Neither understood their reaction to each other or the danger that had entered their lives. Now, Grayson and Monique must fight forces who are attempting to destroy the current administration, together. While Grayson is protecting her, Monique is protecting her heart from him.

    She’s been in a committed relationship, with her first love Crim for six years. On the outside, looking in you would think Malone had at it all. The love of her life and two beautiful children, a nice house and fancy cars. Picture perfect huh? Numerous of late nights and early mornings, the love of her life stayed away from home and catered to the streets. Demanding her respect and putting her foot down, who knew the one time you wanted to be heard and stand up for yourself. Your life changes drastically for better and for worse. Sphinx born and raised in the slums of East Atlanta, Zone 6. He’s the Trap God, nothing moves in his hood unless he signs off on it. He’s arrogant and rude. He thinks he’s God gift women and every broke hoe dream. He’s every niggas worst nightmare. His motto is fuck em, feed em, spoil em, and leave them. He refuses to be in a committed relationship. His main focus is his children and his paper. Sphinx and Malone are from the same hood, but they don’t know each other. They run into each other on a few occasions. Malone is against dating any man that’s in the streets due to past experiences. Sphinx isn’t the average man in the streets. He can have any woman he wants, that’s a fact. He’s never been turned down by any female before, until he meets Malone. Every man wants something that they can’t have. The thrill itself is a natural high. The two of them become curious about each other, and decide to do a little exploring. Take a wild ride with these two as they play Russian Roulette..

    It was only natural that she pursue a career that allows her to analyze other people's business and get paid for it. The tables turn when she must decide between her job or loyalty when information told to her by one of her patients causes a life or death situation for one of her best friends. Natalie - Natalie and Lewis have been happily married for several years. Aside from his baby mama drama, their life together has been good. That is until Monica decides she wants Lewis for herself. Monica shows herself a viable threat by sabotaging, manipulating, and seducing Lewis. She is determined to get this man. May the best bitch win! Lyn - Three months away from her wedding date all hell breaks loose. The man she thought was her knight in shining armor is showing signs of major deceit. Derrick is staying out all night and behaving suspiciously. Lyn sets out to find out what he's up to. What she finds out turns her world upside down! These three friends cope through lies, betrayal, and continuous DRAMA. Get ready for a sleepless night. The drama is so intense in this page turner that you won't be able to put it down!

    When given the opportunity to collaborate with popular rapper AK, she can’t believe her luck. But a taste of the limelight comes with consequences… ones her newfound fortune and fame may not be able to pay.Lavisha yearned for the good life since growing up in the rough neighborhood of Deepside. When she hooked up with rapper Yamajesty Brown as a teenager, she became acquainted with the good life. However, tolerating his drama and growing drug habit isn’t worth it… or is it?Sonya has always believed if it’s too good to be true, it probably is… even when it comes to her man, Amari “AK” King. She has the perfect man in him but her insecurity threatens their relationship. After a tragedy, Sonya feels them growing further apart and suspects that another woman has stolen his heart. Is it just her imagination? Sonya’s determined to find out and she’s not giving up without a fight.This juicy tale proves that being the wifey to a rap star comes with more than just exotic cars, designer clothes, and money… the material possessions that are bragged about in songs. It’s deeper than rap… this is reality… everything is not always as it seems.

    But the scenic Villagio Hotel hides a dark and bizarre secret. Check-in Checkout is the story of those secrets. Behind the renovated majestic façade, laminated polished exteriors, fresh-smelling and brightly painted rooms lie old, rotting innards, musty corners and creepy crevices. The place houses some chilling horrors, seething in unknown corners, which stir to life in the darkness of night. Between check-in and check-out, the guests of the Villagio Hotel experience blood-curdling horrors.This book will take you on a thrilling ride, with ten gripping stories depicting different genres of horror – urban legends, revenge spirits, gore, modern-day haunting, psychological horror & satanicpractices. Come uncover the grisly and ghastly tales of the travellers who visited the Villagio Hotel from different parts of the world.But remember! In this hotel, you are not alone…someone somewhere is always watching you!WOULD YOU DARE TO STAY A NIGHT?

    The price we paid for becoming intelligent was to become painfully ignorant of the difference between good and evil.Adi, a 10-year-old boy, works together with two old philosophers as they try to unravel the prophecy of a promised King. With insatiable curiosity, Adi must work with the wise men as they rationalize with each other on why and how humans became intelligent. Together they attempt to answer some of the most profound questions related to existence. Does evolution end with human beings or is there an ‘Overman’ who can reach evolution’s pinnacle? Will this Overman be able to define values for humankind?Centuries later a young boy promises his mother that he will always uphold the love that she has taught him. It is a promise that drowns him in the nectar of the gods. Krish grows up to be an engineer and joins a team of scientists as they try to create artificial consciousness in a machine.Krish soon realizes that he has a bigger fight on his hands. A fight to preserve love in a desolate world. His quest for true love ultimately leads him down a path where he comes face to face with a fearsome snake delivering a kiss of death.Humans have come a long way by questioning the nature of objects around us and pushing the limits of our intelligence, but it’s now time that we ask the greatest question yet: when does intelligence transcend to become consciousness?