The book gives readers a whole new set of subjects to see through her sophisticated, sardonic eyes. Sandra Bernhard is the author of Confessions of a Pretty Lady.

    But no matter how much we try to tell our daughters that they are beautiful and lovable as they are, words are not enough. And if we're honest, we don't always set the best example of being body confident. Until we truly see ourselves as good enough, our girls will struggle.With deep compassion, Maria Furlough delves into the root causes of our insecurity, offers biblical guidance for seeing ourselves as God sees us, and shows how to model our newfound confidence to our impressionable daughters. Speaking as a daughter, a youth leader, and a mother, Furlough shares her own struggles and triumphs, as well as expert advice from a pediatrician, a nutritionist, a Christian counselor, and more.What we say to our daughters might last a moment. What we show our daughters lasts a lifetime. With God's help, we can put aside our obsession with bodily perfection and refocus on becoming and raising godly women.

    Fiercely ambitious, even as a boy Moffatt was focussed on one thing: being the best in the world. This title tells the story of his meteoric rise to stardom, and how he overcame injury to stay at the top.

    In her 2019 account Consent: A Memoir of Unwanted Attention, she re-created, in novelistic detail, the story of being traumatized by her professor’s obsession with her, of how he used his power to try to rob her of her own. Freitas’s story has been hailed as “groundbreaking” (Kirkus) and “an important testament for the #MeToo era” (Publishers Weekly), “illuminat[ing] our ideas about harassment and harm” (Rebecca Traister). But readers’ responses to its publication, and the author’s experience of seeing the public’s response, impressed upon her that there was more to be said: not from the perspective of the naive young woman she was in graduate school, but in the fully empowered voice of the woman—the writer, teacher, and Title IX researcher and lecturer—she has since become. Pulling no punches, she speaks out here, in this searing Scribd Original, in a direct address—a letter—to her stalker.Dear Professor confronts and galvanizes. It is a public accusation and a personal confession. Above all, it is a guide to how to express and claim one’s anger, to use it to good and healthy effect to explode the shame that victims of stalking often feel and the silence they are often forced into. It acknowledges the grief of what was lost through years of trauma—the life that the author’s younger self had planned and invested in, including a very different kind of academic career. And it embraces what’s been gained: empathy, resiliency, adaptability, clarity, and more—all highly useful ingredients, it turns out, in becoming an expert on matters of consent and in successfully pursuing a writer’s life. It asks if either forgiveness or outing her stalker by name (something she’s assiduously avoided in print and at her readings and lectures) is necessary to her healing. Is what her former mentor did to her or may have done to others in any way her responsibility? How much can be expected of victims of such pernicious harassment? And how can Freitas continue to protect herself and her right to choose how she overcomes?At once intimate and incendiary, Dear Professor is an act of liberation and self-love and an invitation to others who’ve been victimized to accept their pain and outrage, assign fault where fault is squarely due, take pride in what must be a uniquely personal journey, and say no, and no again, to censorship, secrecy, and stigma.

    A delightful, well-written, and vastly informative ethnographic study, this is an account of Fernea's two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman.

    It follows them through the process of choosing a clinic, reaching out to friends, partners, and/or family, and eventually the procedure(s) itself. It simply shows what happens when a woman goes through it, no questions asked. Despite the fact that so many women and girls have abortions every day, in every city, all around us, it can be a lonely experience. Not Funny Ha-Ha is a little bit technical, a little bit moving, and often funny, in a format uniquely suited to communicate. The book is meant to be a non-judgmental, comforting, even humorous look at what a woman can go through during an abortion. Although the subject matter is heavy, the illustrations are light. The author takes a step back from putting forth any personal opinion whatsoever, simply laying out the events and possible emotional repercussions that could, and often do occur.

    Attaining feminine perfection meant conforming to a mythical standard, one that would come wrapped in an adorable pink package, if those cunning marketers were to be believed. With wise humor and a savvy eye for curious, absurd, and at times wildly funny period artifacts, Lynn Peril gathers here the memorabilia of the era — from kitschy board games and lunch boxes to outdated advice books and health pamphlets — and reminds us how media messages have long endeavored to shape women's behavior and self-image, with varying degrees of success.Vividly illustrated with photographs of vintage paraphernalia, this entertaining social history revisits the nostalgic past, but only to offer a refreshing message to women who lived through those years as well as those who are coming of age now.

    Historically, women have been instrumental in moving the essay to center stage, and Waveform continues this rich tradition, further expanding the dynamic genre s boundaries and testing its edges. With thirty essays by thirty distinguished and diverse women writers, this carefully constructed anthology incorporates works ranging from the traditional to the experimental.Waveform champions the diversity of women s approaches to the structure ofthe essay today a site of invention and innovation, with experiments in collage, fragments, segmentation, braids, triptychs, and diptychs. Focused on these explorations of form, Waveform is not wed to a fixed theme or even to women s experiences per se. It is not driven by subject matter but highlights the writers interaction with all manner of subject and circumstance through style, voice, tone, and structure.This anthology presents some of the women who are shaping the essay today, mapping an ever-changing landscape. It is designed to place essays recently written by women such as Roxane Gay, Cheryl Strayed, Margo Jefferson, Jaquira Diaz, and Eula Biss into the hands of those who have been waiting patiently for something they could equally claim as their own.Contributors: Marcia Aldrich, Jocelyn Bartkevicius, Chelsea Biondolillo, Eula Biss, Barrie Jean Borich, Joy Castro, Meghan Daum, Jaquira Diaz, Laurie Lynn Drummond, Patricia Foster, Roxane Gay, Leslie Jamison, Margo Jefferson, Sonja Livingston, Alexandria Marzano-Lesnevich, Brenda Miller, Michele Morano, Kyoko Mori, Bich Minh Nguyen, Adriana Paramo, Jericho Parms, Torrey Peters, Kristen Radtke, Wendy Rawlings, Cheryl Strayed, Dana Tommasino, Sarah Valentine, Neela Vaswani, Nicole Walker, Amy Wright"

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    In a radical new interpretation, leading military historian Gary Sheffield argues that while the war was tragic, it was not futile; and, although condemned as 'lions led by donkeys', in reality the British citizen army became the most effective fighting force in the world, which in 1918 won the greatest series of battles in British history.A challenging and controversial book, FORGOTTEN VICTORY is based on twenty years of research and draws on the work of major scholars. Without underestimating the scale of the human tragedy or playing down the disasters, it explodes many myths about the First World War, placing it in its true historical context.

    12 WEEK WORKOUT PLAN✔ 102 page step-by-step guide✔ Effective cardio methods✔ Target problem areas✔ Each exercise under 30 min✔ See results in one week

    When the apprentices of a Paris printing shop in the 1730's held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the 18th century version of "Little Red Riding Hood" did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions Robert Darnton attempts to answer in this dazzling series of essays that probe the ways of thought in what we like to call "The Age of Enlightenment."

    They don’t want to be Barbie dolls but, like generations of women before them, are told they must look like them. They’re angry about the media’s treatment of women but hungrily consume the very outlets that belittle them. They mock modern culture’s absurd beauty ideal and make videos exposing Photoshopping tricks, but feel pressured to emulate the same images they criticize by posing with a "skinny arm." They understand that what they see isn’t real but still download apps to airbrush their selfies. Yet these same young women are fierce fighters for the issues they care about. They are ready to fight back against their beauty-sick culture and create a different world for themselves, but they need a way forward.In Beauty Sick, Dr. Renee Engeln, whose TEDx talk on beauty sickness has received more than 250,000 views, reveals the shocking consequences of our obsession with girls’ appearance on their emotional and physical health and their wallets and ambitions, including depression, eating disorders, disruptions in cognitive processing, and lost money and time. Combining scientific studies with the voices of real women of all ages, she makes clear that to truly fulfill their potential, we must break free from cultural forces that feed destructive desires, attitudes, and words—from fat-shaming to denigrating commentary about other women. She provides inspiration and workable solutions to help girls and women overcome negative attitudes and embrace their whole selves, to transform their lives, claim the futures they deserve, and, ultimately, change their world.Duration: 11 hr., 45 min., 39 sec.

    Whose Land? Whose Promise? is Burge's personal exploration of his feelings about the crisis in the Middle East, put on paper to communicate with other Christians who share the same opinions he does and seek answers to the same questions he does; questions such as: How do I embrace my commitment to Judaism, a commitment to which I am bound by the Bible, when I sense in my deepest being that there is a profound injustice afoot in Israel? How do I celebrate the birth of this nation Israel when I also mourn the suffering of Arab Christians who are equally my brothers and sisters in Christ? How do I love those Palestinian Muslims who are deeply misunderstood by all parties in this conflict?

    Every week, a woman is killed by a current or former partner. This is Australia's national emergency. Violence against women is preventable. It is not an inevitable part of the human condition. It's time to create a new normal. It is time to stop the slaughter in our suburbs.