But as WWII overtakes the country, the family, like so many others, slowly disintegrates. Told partly from the perspective of the children, but not a children's book, Saplings is immensely readable . . . a dark inversion of the author’s best-known book, the children’s classic Ballet Shoes.

    Mary Grace Thompson is about to turn thirteen, horse-crazy, doted upon by two sets of feuding grandparents - the respectable Thompsons and the trashy Broomes. She lives with her divorced father, Frank, a North Carolina state trooper. It's three years since her mother ran away with the county tax collector - and she hasn't come back, even for a visit. Frank dates, but the center of his universe is his daughter. On the verge of puberty, Mary is just beginning to try her wings - wangling her way into riding lessons, pushing her father toward the beautiful riding instructor, dreaming of boys. She's precariously aware that if she wants she can join the crowd whose grades and looks will take them someplace. Every day on the job, Frank brings calm to other people's catastrophes - from an overturned poultry truck spewing panicked chickens over the highway to fatal accidents. Suddenly, the catastrophe that he feels has been circling his own world since his wife took off comes home to stay. Suddenly, Mary Grace is diagnosed with an incurable disease. Armed with courage, humor, and a shaky faith in God, Frank, the family, and their friends face this most devastating of events - the slow death of a beloved child. The vivid and various responses - of Mary Grace herself, of her wisecracking granddad, of her no-account mother, of her adoring father, as well as his two girlfriends and his fellow state troopers - are told with an immediacy that floods this novel with a rush of life. With profound feeling, with a humor both delicate and robust,Doris Betts gives us a family richly varied and real. Souls Raised from the Dead is her finest novel yet.

    The Empty House is about being in love with the wrong man; The Day of the Storm is about discovering family—and its secrets; and Under Gemini is about deception. A wonderful new omnibus edition of three full-length novels by one of America's favorites.

    Rare & Endangered Species demonstrates how a wife and mother's suicide reverberates in the small community where she lived, and affects the lives of people who don't even know her. Finally, Spirits is about the pain that men and women can -- and do -- inflict upon each other. These three very different works illuminate the unadorned core of love -- not the showy, more celebrated sort but what remains when lust, jealousy, and passion have been stripped away.

    To his father, he is bizarre and embarrassing. To his psychiatrist, he is a case study in mental illness. To the counselors at the camp where he is spending his summer, Benjamin is a "freaky kid" who shuns his peers and is strangely--and perhaps dangerously--attached to his best friend, Elliot, a stuffed letter H.Through the letters of his sister, mother, father, camp counselors, and psychiatrist--and, most touchingly, through those Benjamin writes to Elliot--this audacious and utterly unsentimental novel gives us a moving and sometimes shocking intimacy with a child whose disorder may be a kind of fragile genius. H is an astute, sympathetic evocation of the state we persist in calling "madness.""A new and mind-boggling perspective on mental illness from the point of view of the sufferer and those who would love and care about him. . . . H is a very poignant, enthralling debut."--The Boston Globe "Shepard is a reverse archaeologist, designing a tiny contemporary lost world for readers to excavate. . . . Everything matters. . . Shepard gets everything right."--New York magazine

    M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

    Is the child really his? And does he want him?

    Now, fighting a debilitating illness and haunted by her past, she finds herself incapable of emotional or sexual intimacy. As a way to break down the defenses she has built up in her safe Chicago life, she sets out on a cross-country bike tour. On this trip she meets Ndele, a beautiful, mysterious black man who challenges her to confront her ghosts and decide whether to put her past behind her and live or succumb to the terrible uncertainties that plague even her dreams.

    Chickamauga is also a virtuoso exploration of the power of concision in lyric poetry--a testament to the flexible music of the long line Wright has made his own. As a reviewer in Library Journal noted: "Wright is one of those rare and gifted poets who can turn thought into music. Following his self-prescribed regimen of purgatio, illuminato, and contemplatio, Wright spins one lovely lyric after another on such elemental subjects as sky, trees, birds, months, and seasons. But the real subject is the thinking process itself and the mysterious alchemy of language: 'The world is a language we never quite understand.'"

    When a famous Hollywood director travels to post-Wall Germany to rekindle his genius, he is unexpectedly reunited with an actress who mysteriously disappeared from the set of his movie thirty years before. Masterly and atmospheric, The Weather in Berlin explores the subtleties of artistic inspiration, the nature of memory, and the pull of the past.

    This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.

    Jessica is married to Bertie, a mean, patronising man who she has stayed with purely for the sake of her two young children. To make up for the love and passion that is missing from her life, she spends the occasional afternoon at the local cinema, lost in romantic films. But when an unexpected glass of champagne is offered to her in a Liverpool hotel, the consequences turn out to be shattering.When Bertie discovers his wife's deceit, he is ruthless in his revenge. He sells their house and disappears with her beloved children, leaving Jessica devastated and alone. Then she is asked to visit Paris and help an old friend and her small daughters return to Liverpool before the onset of the war. But Jessica finds herself stranded in Paris under German occupation. With new friends and a small family to care for, she must find the courage that she never knew she possessed...

    Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer. This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of matriarchs, presiding with steely self-regard over a landscape of ruined lives.

    Morvern's reaction is both intriguing and immoral. What she does next is even more appalling. Moving across a blurred European landscape-from rural poverty and drunken mayhem of the port to the Mediterranean rave scene-we experience everything from Morvern's stark, unflinching perspective.Morvern is utterly hypnotizing from her very first sentence to her last. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, giving the stunning effect of a sound track running behind her voice.In much the same way that Patrick McCabe managed to tell an incredibly rich and haunting story through the eyes of an emotionally disturbed boy in The Butcher Boy, Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the ecstasy generation. Morvern is a brilliant creation, not so much memorable as utterly unforgettable."

    This classic work of post-war fiction was made into a magnificent BBC television series starring Emma Thompson and Kenneth Branagh.