Isobel's husband--a gentleman of mature years--is felled by a mysterious and agonizing ailment. The Earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the Earl's nephew of adultery--and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help. And Jane finds herself embroiled in a perilous investigation that will soon have her following a trail of clues that leads all the way to Newgate Prison and the House of Lords--a trail that may well place Jane's own person in the gravest jeopardy.

    Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

    . . . It tells one all one needs to know about Jane Austen, and, best of all, leaves one wanting to read the novels once more, and better."—Jane Aiken Hodge Every devoted reader feels that, in some way, they know Jane Austen. But how can we make sense of her extraordinary achievements? At a time when most women received so little formal education and none could obtain a place at university, how did Austen come to write novels that have commanded the attention of some of the most brilliant minds ever since? Why were hers the books that Darwin knew by heart and Churchill read during the Blitz? In this graceful introduction to the author’s life and works, Fiona Stafford offers a fresh and accessible perspective, discussing Austen’s six astonishing novels in the context of their time. Newly updated, Jane Austen: A Brief Life offers a rich and sympathetic insight into a writer who was just as much the Romantic genius as Keats, Shelley or Byron—full of youthful exuberance, intensely creative once she had found her individual voice, and dead before she reached middle age.

    Readers embraced his precise, sad, often funny and poignant tales of ordinary people and their troubles: poverty, drunkenness, embittered marriages, difficulties brought on by neglect rather than intent. Since Carver died in 1988 at age fifty, his legacy has been mythologized by admirers and tainted by controversy over a zealous editor’s shaping of his first two story collections. Carol Sklenicka penetrates the myths and controversies. Her decade-long search of archives across the United States and her extensive interviews with Carver’s relatives, friends, and colleagues have enabled her to write the definitive story of the iconic literary figure. Laced with the voices of people who knew Carver intimately, her biography offers a fresh appreciation of his work and an unbiased, vivid portrait of the writer.

    She retreats to her room to read and play the pianoforte and, when obliged to mix in society, finds it safer to quote platitudes from books rather than express her real opinions. She also finds it safer to befriend those who are socially “beneath” her. When wealthy Mr. Darcy and Mr. Bingley glide into her sisters’ lives, Mary becomes infatuated with an impoverished young musician, the son of her old wet-nurse, who plays the fiddle at the Meryton assemblies.It is only after her sisters tease her about her “beau with the bow” that Mary is forced to examine her real feelings and confront her own brand of pride and prejudice.An elegant accompaniment to Jane Austen’s Pride and Prejudice, The Forgotten Sister plucks the neglected Mary from obscurity and beautifully reveals her hopes and dreams.

    . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction

    At its heart is Romola, the devoted daughter of a blind scholar, married to the clever but ultimately treacherous Tito whose duplicity in both love and politics threatens to destroy everything she values, and she must break away to find her own path in life. Described by Eliot as 'written with my best blood', the story of Romola's intellectual and spiritual awakening is a compelling portrayal of a Utopian heroine, played out against a turbulent historical backdrop.

    Now, she helps readers discover their inner heroines and get the guy in this witty book of romance and dating strategies.Utilizing wisdom inspired by Jane Austen's novels, from Sense and Sensibility to Pride and Prejudice and beyond, author Lauren Henderson creates an indispensable guide for navigating the all-too-mystifying dating scene. Harnessing the triumphs and pitfalls of Austen's classic characters, Henderson shows how qualities like honesty, self-awareness, and forthrightness always win the right man--and still let you respect yourself in the morning.A completely new and amusing approach to dating, Jane Austen's Guide to Dating includes insightful personality quizzes that reveal which Jane Austen character you--and your mate--most resemble. Armed with this knowledge, you can learn what to do if you're a Lizzie, but the object of your affection is a Bingley. You can even find out how to gain the clearheadedness and confidence that Anne Elliot had and almost lost in Persuasion.Full of wit and truly useful advice that has stood the test of time, Jane Austen's Guide to Dating will help readers overcome the nonsense and find the sense (and sensibility) to succeed in a lasting relationship. Fans of Jane Austen and newcomers alike will delight in this fun, fresh, and audacious guide.

    These interviews are compiled in Scout, Atticus, and Boo, the perfect companion to one of the most important American books of the 20th Century. Scout, Atticus, and Boo will also feature a foreword from acclaimed writer Wally Lamb.

    For 20 years, an outspoken New York writer and a rather more restrained London bookseller carried on an increasingly touching correspondence. In her first letter to Marks & Co., Helene Hanff encloses a wish list, but warns, "The phrase 'antiquarian booksellers' scares me somewhat, as I equate 'antique' with expensive." Twenty days later, on October 25, 1949, a correspondent identified only as FPD let Hanff know that works by Hazlitt and Robert Louis Stevenson would be coming under separate cover. When they arrive, Hanff is ecstatic--but unsure she'll ever conquer "bilingual arithmetic." By early December 1949, Hanff is suddenly worried that the six-pound ham she's sent off to augment British rations will arrive in a kosher office. But only when FPD turns out to have an actual name, Frank Doel, does the real fun begin. Two years later, Hanff is outraged that Marks & Co. has dared to send an abridged Pepys diary. "i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page by page, AND WRAP THINGS IN IT." Nonetheless, her postscript asks whether they want fresh or powdered eggs for Christmas. Soon they're sharing news of Frank's family and Hanff's career.

    One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rog�t."

    costume ball--a coup for the former Alva Smith, who not long before was destitute, her family's good name useless on its own. Marrying into the newly rich but socially scorned Vanderbilt clan, a union contrived by Alva's bestfriend and now-Duchess of Manchester, saved the Smiths--and elevated the Vanderbilts.From outside, Alva seems to have it all and want more. She does have a knack for getting all she tries for: the costume ball--no mere amusement--wrests acceptance from doyenne Caroline Astor. Denied abox at the Academy of Music, Alva founds The Met. No obstacle puts her off for long.But how much of ambition arises from insecurity? From despair? From refusal to play insipid games by absurd rules? --There are, however, consequences to breaking those rules. One must tread carefully.And what of her maddening sister-in-law, Alice? Her husband William, who's hiding a terrible betrayal? The not-entirely-unwelcome attentions of his friend Oliver Belmont, who is everything William is not? What of her own best friend, whose troubles cast a wide net?Alva will build mansions, push boundaries, test friendships, and marry her daughter to England's most eligible duke or die trying. She means to do right by all, but good behavior will only get a woman so far. What is the price of going further? What might be the rewards? There's only one way to know for certain...

    He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs.Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.

    Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.