A knife flashes in the fog. A madman has begun the most notorious and shocking series of murders in history. With each new discovery of a woman's mutilated body, the citywide panic grows. The police seem unable to stop the killer, even when he taunts them with letters. Letters signed. . .Jack the Ripper. — In another part of London, the reign of terror has touched a young writer and theater manager named Bram Stoker. The police have closed his theater's production of Dr. Jekyll and Mr. Hyde and suspect its star of being Jack the Ripper. His livelihood endangered, Stoker sets out on his own to find the real killer. But Jack wants just as badly to find Stoker. When the madman and the author meet face to face, a new chapter will be written in the annals of horror

    Marquis de Sade’s semi-autobiographical protagonist, Monsieur de Franval, is rich, handsome, intelligent, and thoroughly immoral. When he marries a pious woman and fathers a daughter, he is determined to educate his progeny to be “free.” The ultimate proof of his daughter’s unfettered liberty? That she become his secret lover. But when the beautiful and accomplished daughter spurns an eligible young bachelor, instead declaring her intention to remain with her father, her naïve and doting mother’s suspicions are at last aroused. Confused and distressed by her daughter’s behavior, Madame de Franval confronts her husband—with tragic results. A challenging and breathtaking masterpiece, Incest is a sober portrait of catastrophe in the midst of excess.

    He becomes obsessed with a young dancer whom he believes is the double of his beloved wife, leading him to psychological torment and humiliation, culminating in a deranged murder. This 1892 work is a poet's novel, dense, visionary, and haunting. Bruges, the 'dead city', becomes a metaphor for Hugues' dead wife as he follows its mournful labyrinth of streets and canals in a cyclical promenade of reflection and allusion--the ultimate evocation of Rodenbach's lifelong love affair with the enduring mystery and mortuary atmosphere of Bruges.

    / My journey to your depths begins tonight / To serve immortal till the stars turn right."These lines from a poem by Ann K. Schwader are the coda for this fine collection of tales about H.P. Lovecraft's Innsmouth--that decadent, smugly rotting New England town where half-human creatures with forbidding batrachian faces follow the arcane practices of the Esoteric Order of Dagon. In his erudite and witty introduction, Robert M. Price calls Innsmouth "the most effective, most evocative ... example of Lovecraft's full-blown alien civilizations." The Innsmouth Cycle includes 13 stories and 3 poems, including the three tales by Lord Dunsany, Robert W. Chambers, and Irvin S. Cobb that inspired Lovecraft's "The Shadow over Innsmouth." This collection is planned as the first of a pair, the second half of which will be Tales of Innsmouth, containing (according to Price) all new works of "fishy fiction."A fun detail: this book is "respectfully dedicated to Ben Chapman, the Creature from the Black Lagoon." --Fiona Webster

    This unique collection presents the best and the most diverse of this fascinating genre. In Horace Walpole's The Castle of Otranto, often regarded as the first true Gothic romance, we have a template for such works, which other writers adopted and adapted. With its dark cruelties and fiercely passionate dramas, the power of Walpole's prose remains magically potent today.

    Inside this book you will find weird things indeed, not least the likes of:The fungus-riddled mannequin in the lunatic asylumThe reconstruction company that works with life and deathThe legal nightmare where the sane are guiltyA horror writing convention taken over by black magic cannibalsThe Punch and Judy show broadcast live after deathThe strange fate of the reincarnation of H.P. Lovecraft

    In this anthology, we see a thrilling spread of narratives; sailors are pitched against a nightmare from the depths, invisible to the naked eye; a German U-boat commander is tormented by an impossible transmission via Morse Code; a ship ensnares itself int eh kelp of the Sargasso Sea and dooms a crew of mutineers, seemingly out of revenge for her lost captain . . .The supernatural is set alongside the grim affairs of sailors scorned in these salt-soaked tales, recovered from obscurity for the 21st century.

    On her way to her wedding the heroine meets the only man she will ever love, but they are rivals in the silk industry that made Lyon the City of Silk.

    Poems selected from Verlaine's first six books of verse are presented in the original French as well as in English translation.

    B. Marriott-WatsonA Tragic Honeymoon by G. R. SimsThe Battle of the Monsters by Morgan RobertsonThe Return by R. Murrey GilchristThe Corpse Light by Dick DonovanThe Ship That Saw a Ghost by Frank NorrisA Bottomless Grave by Ambrose BierceOne Summer Night by Ambrose BierceGhosts That Have Haunted Me by J. K. BangsHaunted by Spirits by George Mandeville FennA Ghost Slayer by J. Keightley SnowdonThe Tomb by Guy de MaupassantThe Man with the Nose by Rhoda BroughtonMy Nightmare by Dorothea GerardA Life-watch by Georgina C. ClarkThe Haunted Chair by Richard MarshCoolies by W. Carlton DaweThe Three Souls by Erckmann-ChatrianA Strange Goldfield by Guy BoothbyAn Alpine Divorce by Robert BarrThe Story of Baelbrow by E. and H. Heron

    Contents include: The Horror at Oakdeene; the Viking's Stone; Aunt Hester; No Way Home; The Cleaner Woman; the Statement of Henry Worthy; Darghud's Doll; Born of the Winds4000 copies printed.

    "This selection of writings - the first such comprehensive gathering to appear in English - provides an overview of Nerval's work as a poet, belletrist, short-story writer and autobiographer. In addition to 'Aurelia', the memoir of his madness, 'Sylvie' (considered a 'masterpiece' by Proust), and the hermetic sonnets of 'The Chimeras', this volume includes Nerval's Doppelganger tales and experimental fictions. Selections from his correspondence demonstrate a lucid awareness of the strategies by which nineteenth-century psychiatry consigned his visionary imagination to the purgatory of mental illness.

    Or as Kubin himself called it, 'a sort of Baedeker for those lands which are half known to us'.Alfred Kubin (1877-1959) was one of the major graphic artists of the 20th century who was widely known for his illustrations of writers of the fantastic such as Balzac, E.T.A. Hoffmann, Gustav Meyrink and Edgar Allan Poe. In his combination of the darkly decadent, the fantastic and the grotesque, in his evocations of dream and nightmare, his creation of an atmosphere of mystery and fear he resembles Mervyn Peake.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    These are familiar ingredients for a Gothic novel, but something far more strange and disconcerting is taking place within the walls of Malpertuis as the relatives gather for the impending death of Uncle Cassave. The techniques of H. P. Lovecraft, when transplanted into the suffocating Catholic context of a Belgium scarred by the inquisition, produce in Jean Ray's masterpiece a story of monumental intensity from which events of startling ferocity break the surface - without ever lessening the suspense of the tale's approaching apocalyptic denouement.