The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    Based on Cronin's own experiences as a physician, The Citadel boldly confronts traditional medical ethics, and has been noted as one of the inspirations for the formation of the National Health Service.The Citadel has been adapted into several successful film, radio, and television productions around the world, including the Oscar-nominated 1938 film starring Ralph Donat, Rosalind Russell, Ralph Richardson, and Rex Harrison.

    Also included are Paul Reekie's fictional account of ideals betrayed, and Irvine Welsh's first ever sci-fi story, featuring alien space casuals wreaking havoc through the known universe. The resulting mix is intoxicating to say the least.

    Staying in their hotel on Welsh coast, Catrin is drawn into a world of adult secrets she cannot understand.

    Troubled restaurant inspector Danny Skinner is on a quest to find the mysterious father his mother will not identify. Unraveling this hidden information is the key to understanding the crippling compulsions that threaten to wreck his young life. His ensuing journey takes him from the festival city of Edinburgh to the foodie city of San Francisco. But the hard-drinking, womanizing Skinner has a strange nemesis in the form of mild-mannered fellow inspector Brian Kibby.It is Skinner's unfathomable, obsessive hatred of Kibby that takes over everything, threatening to destroy not only Skinner and his mission but also those he loves most dearly. When Kibby contracts a horrific, undiagnosable illness, Skinner understands that his destiny is inextricably bound to that of his hated rival, and he is faced with a terrible dilemma.Irvine Welsh's work is a transgressive parable about the great obsessions of our time: food, sex, and celebrity.

    With his co-conspirator, Myra Hindley, he perpetrated the Moors Murders in which five children were abducted, assaulted, and murdered. Dr. Chris Cowley is a forensic psychologist who is in the unique position of having exclusive access to Brady. For six years, he has been conducting groundbreaking research by corresponding with and visiting him in prison. By gaining his trust, Cowley has been able to take an unrivalled look inside the mind of a serial killer. In this in-depth and revealing book, Dr. Cowley reproduces letters and transcripts of conversations with Brady that have never been published before. Using this fresh perspective and original material, he is able to shed new light on what went wrong in Brady’s formative years to set him on a path of crime, how Hindley became the lethal factor that started Brady’s murder cycle, as well as revealing Brady’s unflinching account of being caught and convicted of serial murder and his thoughts and emotions concerning Hindley as he moves into his eighth year on hunger strike. This important study provides information that will prove essential in our understanding of the psychology of serial killers. By broadening our knowledge of these complex issues, we can increase the likelihood of catching murderers and perhaps even prevent their terrible crimes from taking place.

    But Darien is in trouble – on the run from her emotions, and from a past that resurrects itself in acts of self-mutilation she neither understands nor cares to explore. After years of good behavior, Darien is hurting herself again. And this time it’s so brutal that her husband, Robert, cannot help but recognize the woman he adores is unraveling before his eyes.Darien has a history with therapists. She knows exactly what they want – and need – to hear. She has made a game of psychotherapy, spinning outrageous fictions, exposing her doctors’ vanities, knowing when to reveal just a little of the truth. When Robert brings her to Dr. Lindholm, she is ready. But in Dr. Lindholm Darien may have met her match: a caring psychiatrist with the patience and skill to see beneath her façade. At once intrigued and resistant, Darien engages Dr. Lindholm in a battle of wits, sure only her pride is at stake. When she stumbles instead upon a buried truth about herself the consequences are devastating, threatening her marriage, her identity, and what she understands about life and love.The Good Patient is about interiors and exteriors, knowledge and perception, the treachery and triumph of memory. Written in razor-sharp, sparkling prose, it is a story that takes dead aim at a question we all fear: how well do we really know the people we love?

    It is about class issues, unexplained goodness and badness.

    Still smarting from the fact that her husband left her for a younger woman, she’s trying to cope single-handedly with a sick elderly cat, a sick elderly mother and a sick elderly car – to say nothing of two daughters who treat the house much like a comfortable hotel. And on top of everything else, she’s having trouble hanging on to her job.So why does everyone else seem to think turning fifty is the trouble? And why does everyone seem to think she’s losing her mind? She’s not really going crazy ... or is she?

    Coraghessan Boyle will revel in Alasdair Gray's masterful, witty collection. Gray's stories defy genre, and his angular, playful style, prodigious wit, and razor-sharp intellect are matched by his remarkable skill with the short-story form. In "Job's Skin Game," the narrator humbly tells his life story like the evenings news. During a moment of awkward revelation, he shares the strangely exquisite pleasure he receives from scratching at the skin condition he's developed since losing his two sons in the Twin Towers tragedy and a small fortune in the dot-com meltdown. In "Big Pockets with Button Flaps," a wily old man teases and taunts a pair of punk teenage girls as their confrontation takes on social implication through lightning-fast transfers of power and wit. The Ends of Our Tethers is vintage Gray—accessible, experimental, mischievous, wide ranging, beautifully written, and wise.

    Ending up homeless – not to mention husbandless – has come as an almighty shock. All she wants to do is lie low for a while, but when she arrives in a quiet street in South London she’s in for a surprise.The residents of Farewell Square are anything but quiet. There’s a housewife with a secret that needs to be shared, a publicist whose behaviour outside office hours would shock his clients and an artist who can’t seem to control her lodgers. They’re as intrigued by Lucy as she is by them, and as she’s drawn into their midst, she realises that life can be kind as well as cruel. And that no one has to be lonely if they don’t want to be.

    Her family is so frustrated by her behavior they can barely stand to keep in touch with her. Each day is fueled by the promise of annihilation, the promise of a reprieve, the paradise that can only be found in a bottle. When Hannah meets Robert, a kindred spirit, the two become constant companions. Together and alone Hannah and Robert spiral through the beauty and depravity of a love affair with alcohol. Paradise is a spectacular novel of desire and oblivion.

    First US publication for the Scottish Spence.Neil McGraw is a lad in Glasgow, an only child, the son of a dour undertaker permanently embittered by his wife's death during childbirth. Whenever the boy misbehaves, he's locked in the basement among the coffins, so it's not surprising he asks every body: What happens when you die? Against his will, he finds himself learning the trade. This is less gloomy than it sounds. The story moves at a good clip as the resilient Neil experiments with drinking and dating.The crisis comes when his dad finds him and his girl making out in a coffin. Soon, it's Neil's turn to lock his old man, dead drunk, into the basement, before hightailing it to the London of the Swinging '60s. A friendly queer, Abe Morris, offers him a crash pad, no strings attached, where Neil finds drugs, straight sex, and Zen. The party ends when Abe, stoned, is killed in traffic and Spence abandons conventional narrative to send Neil hopscotching around the world before depositing him, 15 years later, beside the funeral pyres of the Ganges. Here, he gets very sick but is rescued by a vision in a sari: Lila, a Londoner, back home for her father's funeral. The two fall in love and marry, lickety-split, before Neil is summoned back to Glasgow. His father has died, leaving him the business, which Neil gives a hippie twist, producing brightly painted coffins in unusual shapes, with Lila a business partner.The mood is light and buoyant, but novelistic concerns (what makes Lila tick? why do the couple decide not to have kids?) are shelved in favor of a scrapbook of original last rites, seasoned with Eastern mysticism. There's an appealing freshness to Spence's writing; too bad he gives up on credible plotting and characterization.

    As the year passed and the children grew into their silent and difficult world, this palace became known as the Gang Mahal, or Dumb House. In his first novel, John Burnside explores the possibilities inherent in a modern-day repetition of Akbar`s investigations. Following the death of his mother, the unnamed narrator creates a twisted varient of the Dumb House, finally using his own children as subjects in a bizarre experiment. When the children develop a musical language of their own, however, their gaoler is the one who is excluded, and he extracts an appalling revenge.

    In 1547 Lymond is returning to his native Scotland, which is threatened by an English invasion. Accused of treason, Lymond leads a band of outlaws in a desperate race to redeem his reputation and save his land.