But their unexpected arrival is nothing compared to the shock of what happens next. With Valentine's Day just around the corner, Lacey 'Pink' Pinkerton finds herself caught up in another unexpected murder mystery. -Tulips and Trouble (Book 5) Lacey Pinkerton is busy getting ready for spring at Pink's Flowers and at the same time Port Danby is bustling with activity as it prepares for its annual flea market in the town square. In the midst of it all, a talented group of artists has shown up with their easels to paint pictures of the Pickford Lighthouse. When one of the artists turns up missing and then dead, Lacey works alongside of her favorite detective, James Briggs, to solve the murder. What she doesn't expect is to end up on the murderer's short list of enemies. -Dahlias and Death (Book 6) Lacey Pinkerton and the town of Port Danby are preparing for the annual Fourth of July celebration at Pickford Marina. Lacey's parents are coming to stay for the week. Lacey and her friends at the Port Danby Garden Club are excited to set up a fundraising booth at the festivities. But the patriotic celebration is cut short when one of the club members is found dead. While her trusted and handsome partner Detective Briggs is dealing with a personal issue, the unexpected return of his ex-wife, Lacey works hard to tamp down the disappointment and find the killer.More in the series:Book 7: Peonies and PoisonBook 8: Hyacinths and HomicideBook 9: Crocuses and CrimeBook 10: Sunflowers and SabotageBook 11: Lavender and LiesBook 12: TBA

    When China and Japan decide it’s time to dump U.S. Treasury Bonds, an economic nightmare plays out in America. The Federal Reserve watches helplessly as the dollar is decimated and the resulting food shortage spreads lawlessness across the land like a virus. Malcolm is a successful day trader who always needs to make one more score before he’ll listen to Ryan and diversify some of his assets into real estate or gold. He figures an impressively-larger bank account might be the only way he can lure his Secret Service agent ex-wife back. Malcolm finally hits it big by aggressively shorting bonds when the market crashes, but waits too long to invest in tangibles. All that newfound money suddenly won’t by him a bar of gold, a pint of beer, or a minute of Hannah’s attention—especially when she’s in the field chasing down a former counterfeiting gang. As luck would have it, Ryan turns out to be a closet doomsday prepper. The two of them attempt to escape the chaotic Big Apple and reach Ryan’s land in West Virginia, supplied only by the contents of Ryan’s bug-out bag. But it’s not going to be an easy journey. Traveling has become difficult and dangerous. Malcolm learns he must redirect the same tenacity which helped him beat the markets towards staying alive on the road …and, hopefully, finding Hannah.

    He is born in a new world, one filled with monsters and magic. Pyromancers decimate jungles, Cryomancers walk over frozen oceans, Electromancers kill behemoths in seconds, Geomancers build castles in hours, Aeromancers soar through the skies, Sciomancers blacken the sun, and Biomancers grow fields of crops in mere days. However, this man can't use any of these magical elements; he can only use the weakest of the magical elements: Photomancy - light.

    

    All aspects of Roman art and architecture are treated, including private art and domestic architecture, the art of the Eastern and Western provinces, the art of freedmen, and the so-called minor arts, including cameos, silverware, and coins. The book is divided into four parts-Monarchy and Republic, Early Empire, High Empire, and Late Empire-and traces the development of Roman art from its beginnings in the 8th century BCE to the mid fourth century CE, with special chapters devoted to Pompeii and Herculaneum, Ostia, funerary and provincial art and architecture, and the earliest Christian art.

    From an adorable raccoon calling someone a -cumstain- to a -Cunt-A-Saurus Rex-, you'll love these filthy cuties! If you love to swear and love all things cute, you'll adore this book. The book has 30 different single sided pages to cover. Fucking Adorable-er, the sequel to this book, is now available!! Find it here! https: //www.amazon.com/Fucking-Adorable-er-Cr...

    In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence."—Martin Scorsese"[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art."—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.

    As a result of its experimental genesis, collage has continued to serve not only as a primary form of expression for many prominent artists, but as a principal means of evaluating and developing new creative strategies. Conceived and written by renowned artist, author, and teacher Gerald Brommer, Collage Techniques first presents the medium within the context of a wide variety of materials, including washi (oriental and rice papers) and watermedia; stained, prepared, and found papers; photographs; and fabrics and fibers. Each category of material is examined through a step-by-step demonstration and works by artists who approach collage in original and refreshing ways. The latest trends in technologically enhanced collage, including such high-tech applications as multiple photocopying and digital scanning, are also discussed. The author then explores how the elements and principles of design are used in collage, and how they in turn are employed in all the major genre, including still life, landscape, the human figure, abstraction, and nonobjective imagery. Beautifully illustrated with the work of more than eighty noted artists, including Edward Betts, Jae Carmichael, Margo Hoff, Katherine Chang Liu, and Fred Otnes, Collage Techniques is an essential reference for all artists and illustrators, regardless of their creative focus or choice of medium.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    "What are you doing? And what's that picture doing?"It was one of the Museum's guards."I was going to ask somebody that same question," I told him as austerely as I could manage. "What about this picture? I thought there was a Bocklin hanging here."The guard relaxed. "Oh, I beg your pardon, sir. I thought you were somebody else--the man who brought that thing." He nodded at the picture. "Personally, I think it's plain beastly.""And the Museum has accepted it at last?" I asked.He shook his head. "Oh, no, sir."I, too, came close. There was no plate beneath the painting. But in the lower left-hand corner of the canvas were sprawling capitals, pale paint on the dark, spelling out the word "GOLGOTHA." Beneath these, in small, barely readable script:"I sold my soul that I might paint a living picture.""

    It’s a tale of the drive to get home come hell or high water.I’m writing it about the way I myself would get home after an event. I can only hope I would do as well in real life.I have the will , drive and know how but maybe the ol body is low on fuel. Time will tell.

    

    Perhaps that was the trouble--no one really took a good look at Ronald. Except for his devoted mother, who saw only the son she wanted to see. Who, then, is Ronald? Ronald is that faceless unknown who waits - to take, to grab what he needs, to become the ultimate invader.

    Four days later, his mother is dead, and a strange cult of religious wanderers have been brutally murdered by the terrified local farmers. In 1995, a gnarled sycamore tree planted over their graves is uprooted by bulldozers--and evil arises.

    On the boat, a coffee pot is still warm. Clearly, the boat has not been abandoned for long. But what has happened to its occupants? The answer lies in a log book in which our protagonist, Bill Manning, has written his story.