I can do things normal people can't do. Powerful things. Magical things. It scares me.I never chose to learn witchcraft. But I'm starting to wonder if witchcraft is choosing me.

    While Bunny tries to fit in with his new, privileged peers, Nasir spends more time with his cousin, Wallace, who is being evicted. Nasir can't help but wonder why the neighborhood is falling over itself to help Bunny when Wallace is in trouble.When Wallace makes a bet against Bunny, Nasir is faced with an impossible decision—maybe a dangerous one.Told from alternating perspectives, After the Shot Drops is a heart-pounding story about the responsibilities of great talent and the importance of compassion.

    there's the chill that wraps itself around her bones, the giggling she can hear in the dead of night, and then the strange shadows that lurk in her photographs. But the more weird stuff that happens, the less her mom believes her. Sunshine's always had a quirky affiliation with the past, but this time, history is getting much too close for comfort...If there is something, or someone, haunting her house, what do they want? And what will they do if Sunshine can't help them?As things become more frightening and dangerous, and the giggles she hears turn to sobs and screams, Sunshine has no choice but to accept what she is, face the test before her and save her mother from a fate worse than death.The first in a frighteningly good new series based on the popular YouTube sensation The Haunting of Sunshine Girl Network, created by Paige McKenzie.

    He may not have the most exciting job in the world, but he’s doing all right—until a fast food prank brings him to the attention of Douglas, a creepy guy with an intense violent streak.Turns out Douglas is a necromancer who raises the dead for cash and sees potential in Sam. Then Sam discovers he’s a necromancer too, but with strangely latent powers. And his worst nightmare wants to join forces . . . or else. With only a week to figure things out, Sam needs all the help he can get. Luckily he lives in Seattle, which has nearly as many paranormal types as it does coffee places. But even with newfound friends, will Sam be able to save his skin?

    On the other side dwell the ancient monsters who spark humanity's deepest fears: dragons.Seventeen-year-old Kay Wyatt knows she's breaking the law by rock climbing near the border, but she'd rather have an adventure than follow the rules. When the dragon Artegal unexpectedly saves her life, the rules are abruptly shattered, and a secret friendship grows between them. But suspicion and terror are the legacy of human and dragon interactions, and the fragile truce that has maintained peace between the species is unraveling. As tensions mount and battles begin, Kay and Artegal are caught in the middle. Can their friendship change the course of a war? In her young-adult debut, New York Times bestselling author Carrie Vaughn presents a distinctly twenty-first-century tale of myths and machines, and an alliance that crosses a seemingly unbridgeable divide.

    It's a quirk that makes him a prime target for bullies, and a continual frustration to the adults around him, including his father.When Collin asked to leave yet another school, his dad decides to send him to live in Minnesota with the mother he's never met. She is Ojibwe, and lives on a reservation. Collin arrives in Duluth with his loyal dog, Seven, and quickly finds his mom and his new home to be warm, welcoming, and accepting of his condition.Collin’s quirk is matched by that of his neighbor, Orenda, girl who lives mostly in her treehouse and believes she is turning into a butterfly. With Orenda’s help, Collin works hard to overcome his challenges. His real test comes when he must step up for his new friend and trust his new family.

    1) is the story of a 15-year-old girl growing up in an alternate version of 1930s Edinburgh. There, the legacy of Napoleon's victory a century earlier at Waterloo is a standoff between a totalitarian Federation of European States and a group of independent northern countries called the New Hanseatic League. This world is preoccupied with technology (everything from electric cookers to high explosives) but also with spiritualism, a movement our world largely abandoned in the early 20th Century; Sigmund Freud is a radio talk-show crank, cars run on hydrogen and the most prominent scientists experiment with new ways of contacting the dead.

    Winter can't help but think there's more to her dad's disappearance than she's being told.She soon finds a young man traveling in the wood named Henry who knows more than he should. He believes if they can work together to find his missing parents, they could discover the truth about Winter’s dad. The wood is poisoned, changing into something sinister—torturing travelers lost in it. Winter must put her trust in Henry in order to find the truth and those they’ve lost.

    He knows he'll have to leave it behind when he and his brothers are sent to boarding school hundreds of miles from their Arctic village. At Sacred Heart School things are different. Instead of family, there are students -- Eskimo, Indian, White -- who line up on different sides of the cafeteria like there's some kind of war going on. And instead of comforting words like tutu and maktak, there's English. Speaking I'nupiaq -- or any native language -- is forbidden. And Father Mullen, whose fury is like a force of nature, is ready to slap down those who disobey. Luke struggles to survive at Sacred Heart. But he's not the only one. There's smart-aleck Amiq, a daring leader -- if he doesn't self destruct; Chickie, blond and freckled, a different kind of outsider; and small quiet Junior, noticing everything and writing it all down. Each has their own story to tell. But once their separate stories come together, things at Sacred Heart School -- and in the wider world -- will never be the same.

    And he has certainly never gotten to know anyone other than his mother, a fiercely loving yet wildly eccentric agoraphobe who drowns in panic at the thought of opening the front door. Their little world comprises only the rooms in their home, each named for various exotic locales and filled with Will's art projects. Soon the confines of his world close in on Will. Despite his mother's protestations, Will ventures outside clad in a protective helmet and braces himself for danger. He eventually meets and befriends Jonah, a quiet boy who introduces Will to skateboarding. Will welcomes his new world with enthusiasm, his fears fading and his body hardening with each new bump, scrape, and fall. But life quickly gets complicated. When a local boy goes missing, Will and Jonah want to uncover what happened. They embark on an extraordinary adventure that pulls Will far from the confines of his closed-off world and into the throes of early adulthood and the dangers that everyday life offers. If I Fall, if I Die is a remarkable debut full of dazzling prose, unforgettable characters, and a poignant and heartfelt depiction of coming of age.

    Holly Cathers is not the same person she was almost a year and a half ago. After discovering her connection to an ancient legacy of witches, Holly has accepted her destiny as a descendant of the House of Cahors. She is determined to end an intergenerational feud that has plagued her family for centuries.Holly will have to overcome unworldly obstacles as she battles to protect her loved ones -- including Jer, a member of the rival House of Deveraux and her one true love. A war of magical proportions is being waged, and Holly is at the center of it all.Lives will be lost, and sacrifices will have to be made...

    Abby is always coming up with crazy stuff, though, so Teagan isn’t worried. Her life isn’t in danger. In fact, it’s perfect. She’s on track for a college scholarship. She has a great job. She’s focused on school, work, and her future. No boys, no heartaches, no problems. Until Finn Mac Cumhaill arrives. Finn’s a bit on the unearthly beautiful side himself. He has a killer accent and a knee-weakening smile. And either he’s crazy or he’s been haunting Abby’s dreams, because he’s talking about goblins, too... and about being The Mac Cumhaill, born to fight all goblin-kind. Finn knows a thing or two about fighting. Which is a very good thing, because this time, Abby’s right. The goblins are coming.

    Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.Yet she spares Cas's life.

    She has just awoken from a coma, they tell her, and she is still recovering from a terrible accident in which she was involved a year ago. But what happened before that? Jenna doesn't remember her life. Or does she? And are the memories really hers?This fascinating novel represents a stunning new direction for acclaimed author Mary Pearson. Set in a near future America, it takes readers on an unforgettable journey through questions of bio-medical ethics and the nature of humanity. Mary Pearson's vividly drawn characters and masterful writing soar to a new level of sophistication.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.